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Sep 23, 2019As always, Liam’s greatest asset is his astonishing voice, all yearning and defiance. Still, his songwriting has improved. ... Sadly, most of the new songs peddle tame, low-stakes nostalgia, swimming in cliches and drowning in sentimentality, as satisfying as trying to get relationship advice out of a cashpoint.
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Sep 19, 2019The songs, it’s worth noting, are uniformly well-written, at least within their self-imposed parameters: they’re certainly melodically stronger than his brother’s recent experiments. ... It does what it sets out to do: provide Gallagher with material hooky enough that the arena crowds don’t storm the bars and lavatories when he stops playing Oasis songs. As Liam Gallagher knows, for his audience at least, that’s enough.
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Sep 19, 2019There’s attitude aplenty from the very outset. In fact, its first track, “Shockwave,” contains the clarion call of electric guitars combined with bluesy harp, at least partially giving the lie to chest-thumping lyrics Liam delivers with an almost audible sneer. The repetition of the refrain might be better served with an extra dollop or two of spontaneity, and while this somewhat stilted production might well be expected from Kurstin and Wyatt–who’ve worked with the likes of Adele and Lady Gaga–it doesn’t lessen the dampening effect on this performance and that of “Now That’ I’ve Found You.”
Awards & Rankings
User score distribution:
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Positive: 63 out of 68
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Mixed: 4 out of 68
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Negative: 1 out of 68
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Oct 4, 2019
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Sep 25, 2019
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Sep 21, 2019