by
Alvarius B.
- Record Label: Abduction
- Release Date: Nov 3, 2017
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Jan 30, 2018The band sounds more at home playing these than they do on the Invisible Hands’ two albums, and the empathetic accompaniment of guitarist Cherif El Masri and organist Adham Zidan contributes immeasurably to this project’s success. Despite being recorded in Cairo and Seattle between 2014 and 2017, they sound more like they were done on the set of a spaghetti western or live in Nashville the day after Bob Dylan recorded Blonde On Blonde.
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MojoDec 22, 2017The 35-track odyssey serpentines on an exotic carpet of plangent electric and acoustic guitar sounds through whimsical, sub-Basement Tapes Americana, languorous, Grateful Dead-like psych-folk and hallucinogenic, Lennon-esque-pop. [Jan 2018, p.92]
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The WireDec 22, 2017Throughout there's a strangely prosaic lyricism at work making the mundane threatening. [Dec 2018, p.48]
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UncutDec 22, 2017With members of Master Musicians Of Bukkake and Invisible Hands joining in, it's no surprise everything gets wilder as it goes along. [Jan 2018, p.17]