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- Summary: The latest posthumous release for the singer-songwriter features some cover songs and an early version of Grace he recorded after signing with Columbia.
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- Record Label: Columbia
- Genre(s): Pop/Rock
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Top Track
Grace | |
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There's the moon asking to stay Long enough for the clouds to fly me away Oh, it's my time coming, I'm not afraid, afraid to die My fading voice... | See the rest of the song lyrics |
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Score distribution:
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Positive: 5 out of 15
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Mixed: 10 out of 15
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Negative: 0 out of 15
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Mar 25, 2016Never mind that his soulful balladeering doesn’t manage to inhabit all the covers (the buoyant funk of Everyday People in particular), this is a glittering display of a powerful talent lost too soon. Hallelujah for its release.
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Mar 11, 2016You and I lacks the depths and textures of Grace--the intoxicating communion with other musicians, the wild strangeness of his own nascent songwriting and the assuredness that came with locating his place in music. Yet, even without all that, Buckley’s raw talent alone remains an astonishing thing.
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MagnetMar 30, 2016Like a good deal of Hendrix’s posthumous material, whether you dig this or not depends largely upon your expectations. [No. 129, p.54]
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Mar 7, 2016Whether it was classic rock or the blues, Buckley’s covers were never simply exercises in imitation, always revealing a part of him, but it’s his original material, too little of which is found here, that truly provides a glimpse into his soul.
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Mar 16, 2016A good 80% of You and I, the latest album of the lot, consists of covers, many already released in some format.... The new material includes a version of "Grace" that is basically a fully formed demo, while "Dream of You and I" is barely even that; the title is literal, Buckley thinking aloud about a dream he had about a band’s "space jam," which inspired him to write what’d eventually become "You and I."
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Mar 9, 2016You and I is more a raw sketch than a fully formed portrait of a 26-year-old artist still coming to terms with what he wanted to say and how he wanted to say it.
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Q MagazineMar 7, 2016These recordings feel more an exercise in keeping Buckley's name alive than effectively deepening his work. [Apr 2016, p.106]
Score distribution:
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Positive: 1 out of 1
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Mixed: 0 out of 1
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Negative: 0 out of 1
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Mar 14, 2016
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