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Dec 7, 2016They are engaging, but ultimately don’t have the same replay-ability as the classic Bevan stuff.
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Dec 14, 2016It may not be as riveting or intense, but it still has the unmistakable Burial sound and it's still unpredictable, so it's still well worth the listener's time.
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Dec 8, 2016These two tracks are light years removed from Untrue’s more streamlined songs. They are much more avant-garde and characteristic of an artist who trusts his instincts entirely.
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Dec 7, 2016The electronic musician who calls himself Burial deals in blurry, melancholy, ominous implications. His first release since 2013 is a pair of tracks that are never far from dissolving into entropy.
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Dec 7, 2016There are moments of hymnal beauty, but it's unmoored from the hardcore nostalgia of Bevan's most affecting music. The context for Young Death / Nightmarket is harder to grasp, and before you know it, it drifts away.
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Dec 7, 2016Both tracks feel like small pieces of a larger piece we don’t get to hear; there’s a wispy, vaporous, interlude quality to each, like we’re in a place where something just happened or something is about to happen but the present moment is all suggestion.
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Dec 7, 2016The London producer emphasizes structural variety over substance, and relies on former sonic signatures to push a release that remains distinguished within the electronic landscape. However, in the context of his oeuvre, Young Death / Nightmarket listens like just another cut of the same.
User score distribution:
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Positive: 11 out of 12
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Mixed: 1 out of 12
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Negative: 0 out of 12
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Dec 7, 2016