Absolute Punk (Staff reviews)'s Scores

  • Music
For 811 reviews, this publication has graded:
  • 86% higher than the average critic
  • 1% same as the average critic
  • 13% lower than the average critic
On average, this publication grades 8.5 points higher than other critics. (0-100 point scale)
Average Music review score: 81
Highest review score: 100 Harmlessness
Lowest review score: 5 Fashionably Late
Score distribution:
  1. Negative: 6 out of 811
811 music reviews
    • 84 Metascore
    • 95 Critic Score
    This is a truly magnificent record, and I think it’s going to end up being the album for which we remember Vampire Weekend.
    • 83 Metascore
    • 85 Critic Score
    Oh, Common Life offers up more layers than any past Fireworks release to dig through, but it does so in a way that can be gratifying at face value as well. It’s a record that gives a little at first, but can continue giving.
    • 83 Metascore
    • 79 Critic Score
    Animals as Leaders have proven that they can rise above the trends that Tosin had a hand in creating, but have not done so perfectly.
    • 83 Metascore
    • 92 Critic Score
    [The lyrics] carry a meaning that doesn't stop when the song does.
    • 83 Metascore
    • 80 Critic Score
    [Harmonicraft] finds Torche further indulging their pop muse. The result is a set of songs that retains most of the heaviness we've come to expect at this point, but with even more single-ready ear candy than ever before.
    • 83 Metascore
    • 88 Critic Score
    Hebrews isn't the return to form listeners may have been expecting from Say Anything; instead it's something entirely better.
    • 83 Metascore
    • 78 Critic Score
    Pleasant Living is anything but a happy album, but that doesn’t mean it can’t point us in the direction of better times.
    • 83 Metascore
    • 90 Critic Score
    Old
    Danny Brown is taking the route everyone wants an artist to take: putting out forward thinking, self-expressing art that is setting the bar rather than merely attempting to reach it.
    • 83 Metascore
    • 78 Critic Score
    The songwriting on Pawn Shop is solid and varied, ranging from big road trip anthems like "American Crazy" to swampy groovers like "Dirt Rich." But it's the musicianship that really sets these guys apart.
    • 83 Metascore
    • 80 Critic Score
    As with everything Van Etten puts out these days, it’s an essential release.
    • 83 Metascore
    • 90 Critic Score
    Uncompromising, gritty and intense.
    • 83 Metascore
    • 95 Critic Score
    Where When You're Through Thinking, Say Yes was safe at times and perhaps slightly predictable, Southern Air keeps listeners intrigued and invested throughout. This is the best pop-punk album of 2012.
    • 83 Metascore
    • 87 Critic Score
    Garden Window shows how a band can be just as destructive without cranking ones volumes up.
    • 83 Metascore
    • 94 Critic Score
    The elements of the band complement each other instead of over-powering, thus making Ø (Disambiguation) brutally beautiful and instantly memorable.
    • 83 Metascore
    • 76 Critic Score
    What draws me most to Lisbon is the exciting reinventions on the band's own formula.
    • 83 Metascore
    • 95 Critic Score
    The title track kicks things off with a familiar formula, with ghostly vocal samples and static noise building into a beat that kicks off, and from there things start to feel a little less familiar than they have in the past.
    • 83 Metascore
    • 85 Critic Score
    While State Champs is not necessarily reinventing the idea of what it means to be a pop punk band, they’ve sure as hell perfected it.
    • 83 Metascore
    • 80 Critic Score
    The Hunter is another polarizing yet captivating (and incredibly fun) effort from one of the most talented bands in modern metal.
    • 83 Metascore
    • 85 Critic Score
    At the end of the day, Rise of The Lion was the record that Miss May I needed to make in order to continue as a band.02
    • 83 Metascore
    • 80 Critic Score
    Their latest is yet another gem that you could spin for a room full of the most down-on-their-luck sad-sacks and get them all high-fiving.
    • 83 Metascore
    • 85 Critic Score
    Trash Talk have stepped up with their new album. While many are still getting turned on by the word of mouth of the band's live outlet of aggressive showmanship, Eyes and Nines also shows that heart shouldn't be lost on the idea of moving forward as an artist.
    • 83 Metascore
    • 83 Critic Score
    Nikki-Nack is an outstanding successor to W h o k i l l and the year’s most memorable pop album yet.
    • 83 Metascore
    • 90 Critic Score
    There's certainly enough passion in Blue Sky Noise to show the masses where rock and roll and great songwriting can meet in a traditional compromise that everyone can enjoy.
    • 83 Metascore
    • 75 Critic Score
    While Four Year Strong will never be the band that wrote Rise Or Die Trying again, they prove on their new self-titled record that they have bigger steps ahead than the ones they left behind.
    • 83 Metascore
    • 91 Critic Score
    Mind-blowing and catchy, Black Up is an album too progressive to pass up. Get on this as soon as possible.
    • 83 Metascore
    • 87 Critic Score
    The Whole Love is much more encompassing of everything vital in the Wilco catalog, the twangy, the noisy, and yes, a little of the leisurely.
    • 82 Metascore
    • 90 Critic Score
    It’s easily his most exhilarating and challenging record to date, keeping you on your toes throughout by juxtaposing subdued verses with huge, soaring choruses.
    • 82 Metascore
    • 90 Critic Score
    Transgender Dysphoria Blues has an universal appeal that will resonate with anyone.
    • 82 Metascore
    • 90 Critic Score
    2008's critically lauded "Devotion" set the band on a new path, landing them an opening spot for buzz band Grizzly Bear and winning the hearts of hipsters the world over. Teen Dream, however, takes things to a whole new level.
    • 82 Metascore
    • 90 Critic Score
    Light, more than anything I've heard lately, sounds complete and self-contained, and like most of the TV on the Radio catalog, it largely transcends genre. No other context is necessary. Nine Types of Light simply is what it is.