A triumph, Chris reaffirms just how masterfully she engages minds, hearts, and bodies.

That AAARTH feels cathartic comes as no surprise, as the trio have long been purveyors of both aural and emotional heft, but this time around they've managed to crystallize both aesthetics into something truly sublime, fulfilling the promise set forth on 2011's The Big Roar.

As tender as it is uncompromising, Wanderer is exactly the album Marshall needed to make at this point in her career and life. It's some of her most essential music, in both senses of the word.

This box winds up as a fitting tribute to a rocker whose touch was so casual, he could be easy to take for granted, but when his work is looked at as a whole, he seems like a giant.

The Window remains an intensely intimate listen, as if Salvant and Fortner are playing just for you.

Although Trench requires a few spins to really register, it's ultimately rewarding and fully immersive, delivering a depth and gravity at which Twenty One Pilots only hinted on Blurryface.

They've made a classic pop record that deserves play by anyone who recognizes that songs don't need to make the most noise or be the shiniest new thing to have an impact in the emotional life of the listener. Sometimes gentle and calm gets the job done, and that is definitely the case here.

Robyn continues to make the trends instead of following them, and with Honey, she enters her forties with some of her most emotionally satisfying and musically innovative music.

Universal Beings is unique from any other jazz recording in 2018: It marries virtuoso musicianship, technological savvy, a keen editor's ear for creative inspiration, and a plethora of almighty grooves.

Despite FM!'s brevity, Staples jams so much into every bar that it fully satiates, all while still managing to end so abruptly that it comes as a surprise. The electrifying thrill of FM! is a triumph for the rapper who remains at the top of his game.

By any measure, More Blood, More Tracks is a monumentally important document in the history of popular music and a gem in Dylan's catalog.

What makes Interstate Gospel so invigorating is hearing how Lambert, Monroe, and Presley mesh as both songwriters and singers. Their time apart has only strengthened their bond, resulting in a fully realized and resonant record that is their best to date.

Chris Cornell is a reverential capstone that charts the tortured artist's highs and lows, providing an ideal first step for anyone wishing to dive deeper into the impressive catalog of one of rock's loudest and most emotive voices.

Simultaneously sad, strange, and warmly nostalgic, Some Rap Songs is excitingly listenable and emotionally connected despite its abstruse approach. The album's triumphs are in its fearless risk taking and the insight it allows into the journey of Earl Sweatshirt's constant creative regeneration.

DiCaprio 2 surpasses everything the rapper offered before it, with his strengths in full focus at a level that can't help but remind of the career peaks of greats that came before him.

Throughout Remind Me Tomorrow, she plumbs the depths of contentedness, setting her satisfaction to a sound that's nominally dark yet strangely comforting and nourishing. Even if this album doesn't speak to your specific life, it will nevertheless enrich it.

With Love Hates What You Become, Lost Under Heaven hit you in the heart right out of the gate, but then spend the rest of the album building you back up, hammering a crack into reality to let the light in. The album sticks with you even after coming to its crashing end.

Amo is a genre-bending thrill ride that marks a brave new era for the band. Placing a significant amount of trust in their fan base, Bring Me the Horizon deliver an utterly refreshing and forward-thinking statement that finds them in complete control of their vision.

While there's not any major conceptual through-line here, one of the most impressive aspects of Five is the album's balanced flow, which evokes the A- and B-side aesthetic of the vinyl age.

Though earlier albums saw her crafting a strange otherworld, the perpetual sunset hinted at before is painted here in new dimensions, making this set of songs her best and easiest to revisit.

A singer who not only knows what she wants but knows that she's wanted, and that attitude unites and propels thank u, next through its ballads and R&B jams, turning it into an album that embodies every aspect of Ariana Grande, the grand pop star.

Aan invaluable resource for aficionados of this very weird, very exciting period of music. The set is certainly the equal of the essential junk shop glam collections that have come before it, and the care and thought put into it might even make it better. Either way, fans of the sound and era should be glad that this sound is being dug up again.

Ellis may have suggested this level of melodic songcraft on his previous albums, but he never hinted at this wit, and his dexterous combination of craft and humor makes Texas Piano Man a rich, resonant good time.

PSYCHODRAMA has all the makings of a generational classic. Packing dense lyricism, poignant introspection, and resonant production into a neatly compiled concept, Dave's debut album is the product of a MC beyond his years, standing firmly among the Godfathers and Made in the Manors as one of the strongest British rap albums of the decade.

Plastic Anniversary is both relevant to its time and another well-conceived, thought-provoking chapter in their long-running career.

Cows on Hourglass Pond is an uncluttered and beautifully direct reading of Portner's always-opaque songwriting. The best tracks are among his strongest and the entire record finds Portner opening up the gates of noise and abstraction that can cloud his productions just enough for listeners to get a better look at his mysterious but friendly world as it evolves.

Ancestral Recall is a stylistically and culturally dynamic album borne out of Scott's deep awareness of his New Orleans roots and African American history, and his ability to push his forward-thinking post-bop skills into musical traditions far beyond jazz. However, the real revelation is that the album also manages to feel intensely personal, imbued throughout with a deep sensuality and romantic creative vision that feels distinctly his own.

Patty Griffin is a remarkable portrait of the artist and the experiences that informed these songs, and even by the high standards of her body of work, it's something special and is a potent reminder of her status as one of America's signature singer/songwriters.

It's easy enough to be moved by Edwyn Collins' recovery and continued progress; he's truly an inspirational figure. What his continued presence in the recording studio even more wonderful is that his albums keep getting better and better too; deeper and more fully colored and nuanced both in melody and sound.

While it's true that all this music is easy to find elsewhere, it's also true that Coltrane '58: The Prestige Recordings sounds sterling and is presented with thought and care, so anybody looking to dive into these classic recordings will find this a fine intro.

While all of Weyes Blood's albums leading up to Titanic Rising were good, even great, there's something that sets this one apart. Fantastic songs, meticulously detailed production, and a certain, hard-to-name spark of connection all gel into the near-perfect statement that every part of Mering's strange journey before this led up to.

It's a stunning debut.

As far as concert albums go, Homecoming is a master class in technical prowess, crowd pleasing, and soulful substance. Channeling the spirit of African queen Nefertiti (whose image she adopted for this show), Beyoncé proved to be a ruler in her own right, lording over Coachella for two career-defining nights.

Life Metal is the dawning of a new phase for Sunn 0))), one that resonates with more power and complexity than anything in their catalog.

Father of the Bride finds Vampire Weekend embracing change and delivering some of their most mature and satisfying music in the process.

A singular talent, Harding seems to have hit her stride on album number three, and while the darkness of previous efforts is still pervasive, Designer feels like a summer record, though it's probably best suited for dusk.

Mettavolution is the R&G record where all of their gifts are on display and in sync; it sends listeners on a holistic journey of musical discovery and emotional resonance.

A foray into artful album rock for the band, U.F.O.F.'s shifts in presentation are subtle and seem wholly organic throughout. It's a record deserving of such an evocative title, which captures its dreamily impressionistic yet unsettling nature.

Both celebratory and melancholy, this is an exceptionally strong album which effortlessly compels repeated listens.

While PROTO could be impressive for its groundbreaking nature alone, Herndon's meditations on the relationship between humans and increasingly sentient technology are moving and filled with a sense of wonder that makes a rewarding coexistence with AI seem more than possible.

Racism and its side effects, from theft of culture and land to willful distortions and ignorance of black achievement, weigh heaviest on Woods' mind, yet her voice maintains a sweetness, unfurling like ribbon over the rhythms.

Fortunately, Jepsen is just as committed to her music as she is to the ideal of true love, and the way she's grown without sacrificing her uniqueness makes Dedicated a master class in what a 2010s pop album can be.

Tyler and a motorcade's worth of supporting vocalists fulfill the promise and threat with what plays out, a creatively vital and emotionally heartsick set with as much pain, vulnerability, and compulsion as a classic soul LP.

The album is spacious and remarkably constructed, with hidden compartments built for secret sounds that seem to unlock with repeated listenings. Easily Le Bon's most involved, risky, and satisfying material up until this point.

Excellent songwriting and a surplus of surprising melodic ideas and lyrical wit can't be outshined by the band's deceptively loose approach.

In less than a half hour, Curry establishes himself not only as one of the most capable and exciting artists of his generation, but also worthy of a place in Miami's rap pedigree, right alongside the local icons who inspired this gem.

She is still at her best as a performer, delivering her work verbally, lingering here and there, quavering when needed, framing questions, summoning anger, then letting the needle drop right on the beat. Emotionally, there's a lot to unpack, but the need to feel and engage more deeply is one of her primary decrees and this powerful album is a lesson worth learning.

The result is an LP more rounded and more stirring than the excellent first one.

While some of Garson's other albums may have been more overtly groundbreaking, there's something endearing and pure about Mother Earth's Plantasia that resonates even more powerfully decades later.

On their third campaign to open the public's eyes to the ills of modern society, Los Angeles industrial anarchists 3Teeth expand the scope of their assault with the powerful Metawar, a hulking monster that makes shutdown.exe sound tame in comparison.

While the group's tone reflects the hardships of life in politically suppressed Kinshasa, KOKOKO!'s songs extend beyond mere protest music, bearing an aura of mystery and a celebratory sense of their own spontaneous creation. In an era of musical abundance and sonic homogeneity, it's increasingly uncommon to hear music this fresh and original.

Though it's unlike anything he has attempted before, the ambitious sounds of Tracing Back the Radiance still bear the distinctive stamp of his artistry, one that feels restless, nostalgic, and quietly hopeful regardless of the form it takes.

Fiske's participation makes PSII even more compelling than its fine companion album. It is arguably Elephant9's finest live offering to date, and a guidepost to other bands showing how it's done.

The comprehensive nature changes our perception of an event we all thought we already knew.

1977 was a vanguard year for music, and Cherry Red does a brilliant job excavating and polishing the gems, both obvious and obscure.

Throughout their hour-long set, CCR sound ferocious, tearing through their hardest material, playing "Born on the Bayou," "Green River," and "Bootleg" with a nasty edge. The hardness of their choogle is a bit of a revelation, as the band sound fiery in a way that they don't on any of the officially released Creedence live recordings.

Any band looking to play psychedelic music should look to this album (and Smote Reverser) to fully understand the possibilities that exist within (and far outside) of the style and just how far a band with limitless imagination can go if they don't settle for cliches and easy answers and push hard to make something unique and beautiful like the Oh Sees do here (and almost always.)

The resulting Love's Last Chance does evince a more direct step on a surface level. Pacific rhythms with squiggling synthesizers and casually bobbing basslines course through it, with not one flashback to the wrought, jagged edges and stammering patterns of Early Riser. There's a nearly equal increase in the musician's stylistic agility.

Tool managed to improve and perfect their sound even further, resulting in one of the strongest statements in their catalog. Whether 10,000 days or the actual 4,868, Fear Inoculum was well worth the wait.

The brothers and sisters in arms, longtime partners (Thomas McElroy, Taura Stinson) and new associates (Brook D'Leau, Daniel Crawford) alike, play in service to the vision of one eminent artist, helping him convert grief to artistic brilliance.

While nothing here is quite as creative as Laila standout "Jesus Coming," the MC's lyrical marksmanship, top-tier mike command, and service to her people and culture are indisputable.

The patient flow, risky songwriting choices and mature character of the album make it the most majestic chapter of Lana Del Rey’s continuing saga of love and disillusionment under the California Sun.

Korn have always excelled at pain, but with The Nothing, this is the most authentic it's ever been.

On In Cauda Venenum, Opeth have thoroughly revisioned prog rock for the 21st century. While there are referents to the past, they have merely been folded into a brand of heavy music that reflects not progressive rock's history, but Opeth's enduring, evolving image.

Songs from the Bardo adds immeasurably to the body of art inspired by The Bardo Thodol; it is presented without sensation, artificial drama, or tension. It is not only lovely and moving, but profoundly instructive, as only the best art can be.

On paper, there's no way all these combinations should gel, but C'est ça is so dense, hyper-focused, and determined that it forces itself to make sense, altering the listener's perception of how music works. What a bizarre, absurd, wonderful album. Easily Fly Pan Am's best.

Though she may have initially built her reputation on stark and brittle atmospheres, it turns out that her trademark vulnerability is only elevated by these stirring, highly stylized interpretations, making it a risk that pays off in spades.

Equal parts impact and emotion, Active Listening: Night on Earth is a breathless joyride. The nine songs rise and fall in cresting waves of noise, confusion, longing, and abandon for one of the most captivating chapters of punk's continuing evolution.

Tracks like "Scraping My Feet" nail the balance of advanced beats and gorgeous, stirring melodies present in IDM at its best. The entire album is refreshingly devoid of any lingering notion of fitting in or following any rules or trends. James' vision is hers alone, and it's a powerful one.

Their skill at being witty but not arch, emotional but not overwrought, and calling out hypocrisy wherever they see it has only become keener, largely because Waronker is an even sharper, more articulate songwriter. ... A celebration of that dog.'s music that makes peace (or at least frenemies) with the past and proves, finally, that time is on their side.

Polachek further distills her approach with a collection of deeply emotive songs that showcase her delicate vocals and intricate pop sensibilities.

The Livelong Day is a challenging album made up of long, droning songs with numerous verses and arcane sounds. It will not be for everyone, but to the discerning listener, its dark majesty is well worth the engagement.

The album is one of Gucci's best post-prison efforts, matching Everybody Looking and Mr. Davis in style, catchy production, and big trap fun. Unlike its predecessors Evil Genius and Delusions of Grandeur, Woptober 2 is energized, addictive, and packed with quotable lines that find Gucci hungry, defiant as ever, and revitalized by his younger, up-and-coming guests.

At once more delicate and more concentrated than any of her previous work, Magdalene is a testament to the strength and skill it takes to make music this fragile and revealing. Like the dancer she is, Barnett pushes through pain in pursuit of beauty and truth, and the leaps she makes are breathtaking.

Punching with more focus and power, by the time the last note fades they emerge from the ring with the post-punk revival title belt slung around their triumphant shoulders.

Everything clicks into place right from the start and the emotion, the songcraft, and the power hooks never let up. Comet Gain may have been around a long, long time, but they have never felt as alive or as vital as they do on this amazing and important album.

All of these pieces have aged incredibly well since they originally appeared, and in some cases they're actually more engaging in retrospect -- they're so packed with details that even obsessive fans might have missed something before.

The collection's 70-odd tracks can be a little daunting, but appreciated one song (or album) at a time, the creaky magic of the group becomes apparent. Beat Happening existed in a rare and singular space, unmoved by anything outside of the excitement of creating art on their own terms.

Like its predecessors, Coin Coin Chapter Four: Memphis isn't "easy" to listen to, nor should it be, given the nature of what it explores and explicates. That said, it is a necessary, engaged art that bears repeated listening for its revelation to unfold and hopefully open a gateway to understanding. Arguably, it is the strongest and most compelling of the Coin Coin releases thus far.

It's still Duster to the core -- as sad, exhilarating, and powerful as ever -- but it's colored by 20 years of life experience and dipped even more deeply in melancholy. At a time when almost every band ever has reunited to make disappointing, derivative music, Duster have come back to make their most sonically challenging and emotionally invested record yet.

Combined, the music, essays, artist photos, and complete lyrics in the booklet make The Time for Peace Is Now an essential compilation -- no matter your beliefs or lack thereof -- for any fans of '70s soul.

Countless Branches, perhaps due to its profound yet intimate vision as well as its craft, just may be Fay's masterpiece.

While much of the emotion at the center of Everything Else Has Gone Wrong feels borne out of a period of dark introspection, there's a low-key ebullience and overall strength to the music that speaks to Bombay Bicycle Club's renewed sense of purpose. With each song, you can hear them coming further back to life.

The issues Wire grapple with are evergreen, and as they persevere in the face of stupidity and apathy, Mind Hive's unflinching, poetic songs prove maturity is a weapon they wield just as deftly as outrage.

Though 14 years passed between this album and her last fully solo outing, it sounds as if it were conceived fully formed, unaware of time or trends. Instead, There Is No Other... perfectly suspends the smiling mood of a hushed evening, embodying the fading warmth of the day's last sunlight.

There's nothing bad about taking such a big swing; it's definitely better than pulling your punches at this point in your career. As with much of Never Not Together, it's beautifully thoughtful and fantastically ambitious.

The album's a comeback that once again makes Tame Impala an artistic force equal to their commercial appeal.

A stunning achievement, with Loom Gately beautifully honors her mother as well as her commitment to uncompromising music.

Spinning Coin work hard to expand their sound in interesting ways, and the end result of their efforts is an album that's challenging, bracing, and almost defiantly, certainly thrillingly, unique.

Ferry had impossibly combined the hazy sheen of golden-era Hollywood glamour with a wry singer/songwriter sincerity and a wallop of good-time rock & roll. He brought all of this jazzy charisma to bear on this live concert date, offering a cross section of songs from these two solo productions.

With Wild Wild East, Jain has crafted a masterful, robust celebration of America's immigrant cowboy soul.

Listeners looking for a concise introduction to the Staples' best work should pick up 1991's single-disc The Best of the Staple Singers, but Come Go with Me demonstrates how consistently rewarding and even moving their lesser work can be, and listened to in full, their Stax catalog is a soul-satisfying revelation.

Saturn Return hews closely to the evocative, Southern gothic swoon of its predecessor, 2017's splendid You Don't Own Me Anymore, but it does so with the dividend of confidence that the latter effort had to earn.

It's clear Cream went out on a peak, but it's also evident that the tensions between the trio were too great for them to regroup for another tour or album. Thankfully, this fine box preserves their glorious farewell, which happens to double as the best document of the band's on-stage prowess and might.

Thankfully, Rose welcomes ambiguity in her songs, letting her lyrics cut against the sleek throb of her music. This tension lends Superstar its resonance: it's an album that admits that the darkest parts of fame are what make it so seductive.

Traditional Techniques feels starkly openhearted and relaxed, which means that the album can surprise emotionally even if it is firmly rooted within his musical wheelhouse.

After a few listens to England is a Garden it's hard not to think that they have finally hit the target right in the center and reached their very particular and unique brand of perfection.

Subtlety is her strength and that skill is still evident in her witty, elegant turns of phrase, but the distinguishing characteristic of Your Life Is a Record is warmth. From its enveloping sound to its empathetic tales, the album feels openhearted and comforting, a sensibility that helps the record seem charmingly out of step with the times.