AllMusic's Scores

  • Music
For 17,239 reviews, this publication has graded:
  • 64% higher than the average critic
  • 5% same as the average critic
  • 31% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 The Marshall Mathers LP
Lowest review score: 20 Graffiti
Score distribution:
17239 music reviews
    • 51 Metascore
    • 40 Critic Score
    Apart from ["You Make That Look Good" and "Write My Number on Your Hand"], the songs and production demand that all energy come from young Scotty, who amiably sleepwalks through the tunes.
    • 64 Metascore
    • 40 Critic Score
    Though he's as loud as ever, he has never sounded more tired.
    • 60 Metascore
    • 40 Critic Score
    In addition to often sleepy and forgettable production, Leray's flow leaves much to be desired and even guests like Nicki Minaj ("Blick Blick"), Fivio Foreign ("Mountains"), and H.E.R. ("Overthinking") can't save the day.
    • 66 Metascore
    • 40 Critic Score
    The energy she put into these versions helps make up for the vocal shortcomings and audible use of Auto-Tune.
    • 52 Metascore
    • 40 Critic Score
    A knack for oversized choruses remains hardwired in Bon Jovi, but in this gloomy context, they act as reminders that they once sounded like they were a working band for working men instead of rich men fretting about a world they've long left behind.
    • 43 Metascore
    • 40 Critic Score
    No matter how hard Simpson tries, no matter how foreboding the surface, beneath it all she's still light and frivolous. But that doesn't mean, by any stretch, that this is bubblegum music, since that term implies that this music is frothy, fun, and, most important, hooky, and I Am Me is none of those things.
    • 83 Metascore
    • 40 Critic Score
    Sure, it might be easier to accept if it was called a Damon Albarn solo album, but that's splitting hairs. A lousy album is a lousy album, no matter who gets credit.
    • 55 Metascore
    • 40 Critic Score
    Free is just too derivative to make the impact the band appear to crave.
    • 52 Metascore
    • 40 Critic Score
    Some of the smooth, spacey ballads that were characteristic of their 1993 self-titled release show up here, but more often than not LeBon is lost in a swamp of over-production.
    • 38 Metascore
    • 40 Critic Score
    Some of the productions, courtesy of the Runners, Adonis, and Kevin McCall, save it from being a disaster.
    • 52 Metascore
    • 40 Critic Score
    That he fails is not the fault of his individual performance; it's the fault of botched execution.
    • 43 Metascore
    • 40 Critic Score
    "Juice WRLD Did" doesn't have the same ring to it, but the wobbling/chiming track is among the album's few other memorable moments despite being dusted off and slapped into the sequence after Khaled added his vocal stamp.
    • 50 Metascore
    • 40 Critic Score
    Underclass Hero is ingratiating enough as background music—it's hooky enough to have momentum but not enough to linger in the memory—but they've never sounded quite so toothless and it's all down to this increased ambition.
    • 38 Metascore
    • 40 Critic Score
    It's highly doubtful that anyone other than a true-blue fan would be able to get past the asinine boasts, the overwhelming misogyny, and the pure outlandishness of it all.
    • 62 Metascore
    • 40 Critic Score
    Strictly for the devout fan base.
    • 52 Metascore
    • 40 Critic Score
    5.0
    The rallying choruses are not effective, and he's short on ideas; threatening to steal attached women is a default topic. 5.0 is, by a considerable margin, Nelly's least essential release to date.