Alternative Press' Scores

  • Music
For 3,071 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 0.5 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 Major/Minor
Lowest review score: 0 Results May Vary
Score distribution:
3071 music reviews
    • 73 Metascore
    • 70 Critic Score
    Reflection supplants rage on “The Witness Trees,” while “Song #3” is a heartfelt, hook-heavy paean to love’s salvation that’s among Stone Sour’s most pop-savvy moments. ... [frontman Corey Taylor] still spits out words heated enough to melt earbuds on ragers including the near-thrash kiss-off “Somebody Stole My Eyes” and the aptly, awesomely titled “Whiplash Pants.”
    • 75 Metascore
    • 70 Critic Score
    These eight songs are as strangely catchy as they are desperate. [Feb 2004, p.92]
    • Alternative Press
    • 77 Metascore
    • 70 Critic Score
    They're sometimes lost attempting to balance clumsy choruses with fleet fingered flash. At other moments, however they absolutely nail it. [Nov 2013, p.84]
    • Alternative Press
    • 72 Metascore
    • 70 Critic Score
    While not much of a departure from 2013's Feast Of Love as it is a second helping of their best bits, for Pity sex, refining what works has never gone down smoother. [May 2016, p.80]
    • Alternative Press
    • 67 Metascore
    • 70 Critic Score
    There's nothing here that will lead Disguises to be hailed as a masterpiece, because there's nothing here that hasn't already been done before--either by other bands or by Aiden themselves--but it's nevertheless a solid piece of work that demonstrates the power and passion of their dark melodies.
    • 73 Metascore
    • 70 Critic Score
    In mood, style and tone, Riot Act sounds like every other Pearl Jam record, but this is not necessarily a bad thing. [Dec 2002, p.89]
    • Alternative Press
    • 63 Metascore
    • 70 Critic Score
    The album doesn’t work for all moods or times of day. It’s a dusk-to-dawn kind of collection that emanates a lovely, flickering fire-like glow from within.
    • 74 Metascore
    • 70 Critic Score
    The Beta Band have added muscle to their rickety rock chassis without losing their past work's wood-fairy charm. [Aug 2004, p.106]
    • Alternative Press
    • 72 Metascore
    • 70 Critic Score
    Stuffed from nose to toes with nine noise-rock delights. [Oct 2007, p.168]
    • Alternative Press
    • 70 Metascore
    • 70 Critic Score
    While the disc does get bogged down with a little too much force-feeding of the Christian and Gloria characters (just like Idiot's Jimmy and Whatshername), it's a safe bet that the listener will come out the other end having largely enjoyed the last 70 minutes and 18 tracks.
    • 76 Metascore
    • 70 Critic Score
    The sound of an artist refreshed and renewed. [May 2007, p.150]
    • Alternative Press
    • 80 Metascore
    • 70 Critic Score
    There’s no question Common Courtesy will at least partially satisfy eager fans, because if nothing else, it’s a textbook A Day To Remember record. Whether or not that’s good or bad is entirely up to you.
    • 73 Metascore
    • 70 Critic Score
    It might not be the same band as in 1998, but this graceful, elegant record is more than deserving of a place in their discography.
    • 75 Metascore
    • 70 Critic Score
    Broadway calls wield a melodic, snotty jubilance that recalls Nimrod-era Green Day--filling an oddly vacant niche for present-day pop-punk. [Mar 2013, p.88]
    • Alternative Press
    • 63 Metascore
    • 70 Critic Score
    California sounds like what Blink-182 probably should sound like in 2016: upbeat, hooky and, above anything else, a total blast. Some will call the lack of truly progressive moments a regression while others will hail the album for being a breezy throwback. But Hoppus, Skiba and Barker have given Blink-182 momentum for future productivity and success.