Alternative Press' Scores

  • Music
For 3,071 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 0.5 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 Major/Minor
Lowest review score: 0 Results May Vary
Score distribution:
3071 music reviews
    • 78 Metascore
    • 40 Critic Score
    Everything All The Time is almost pitifully lacking in soul, and it suffers from a few real snoozers, to boot. [May 2006, p.162]
    • Alternative Press
    • 68 Metascore
    • 40 Critic Score
    A dozy dud. [Jun 2004, p.98]
    • Alternative Press
    • 66 Metascore
    • 40 Critic Score
    When Red Bedroom ditches the choppy guitar riffs... the results are as much of a buzzkill to Bedroom's jumpin' vibe as cops busting up a raging house party. [Aug 2004, p.116]
    • Alternative Press
    • 63 Metascore
    • 40 Critic Score
    Listening to American Central Dust ultimately feels a bit too much like working on an assembly line. [Aug 2009, p.114]
    • Alternative Press
    • 77 Metascore
    • 40 Critic Score
    There's not a single song that's captivating enough to hold our attention. [Dec 2006, p.188]
    • Alternative Press
    • 56 Metascore
    • 40 Critic Score
    This North Carolina sextet's satisfying angst gets replaced with tinny keyboard effects and Guster-ready bongo drums. With every song, vocakist Adam Baker oozes further into an imaginary indie-lite Pixar flick. [May 2010, p.102]
    • Alternative Press
    • 48 Metascore
    • 40 Critic Score
    This is an album aimed at minivan-driving moms who saw Incubus live a decade ago, but the boneheaded lyrical cliches and nap-inducing arrangements are likely to bore even them. [Aug 2011, p.114]
    • Alternative Press
    • 63 Metascore
    • 40 Critic Score
    They lard The Printz with rote Aggressive Rock Radio fodder. [Jul 2004, p.148]
    • Alternative Press
    • 72 Metascore
    • 40 Critic Score
    It seems like Hinson puts far more energy into conveying some sense of backwoods authenticity than writing songs that inspire any type of real emotion. [Oct 2006, p.200]
    • Alternative Press
    • 57 Metascore
    • 40 Critic Score
    Darker, glitchier and garage-punkier... a gamble that doesn't always strike gold. [Jan 2005, p.114]
    • Alternative Press
    • 86 Metascore
    • 40 Critic Score
    Sadly, much of Welcome Interstate Managers is bogged down by forgettable midtempo slush. [Aug 2003, p.104]
    • Alternative Press
    • 39 Metascore
    • 40 Critic Score
    The result: a CD without hooks, impressive guitar pyrotechnics, or anything else, really. [Sep 2006, p.226]
    • Alternative Press
    • 52 Metascore
    • 40 Critic Score
    Disappointing--and worse yet, faceless. [Apr 2012, p.99]
    • 64 Metascore
    • 40 Critic Score
    The songs sound more like a collection of B-sides than a new album. [Dec 2006, p.206]
    • Alternative Press
    • 65 Metascore
    • 40 Critic Score
    What used to feel timeless now just feels tired. [Jun 2004, p.107]
    • Alternative Press
    • 56 Metascore
    • 40 Critic Score
    Shawn Christensen's vocals are buried in the mix, while songs fly by with no memorable structure or hooks. [Aug 2009, p.115]
    • Alternative Press
    • 64 Metascore
    • 40 Critic Score
    A cluttered, derivative mess. [Dec 2006, p.200]
    • Alternative Press
    • 61 Metascore
    • 40 Critic Score
    Too much of this collection tries to get by merely on Allan's mumble-to-a-scream vocals and a smothering wall of reverb, leaving the instrumentation dull and the tunes indistinct. [Oct 2013, p.86]
    • Alternative Press
    • 53 Metascore
    • 40 Critic Score
    The problem: Semi-masked in the Healers, he's short an originality chromosone. [Feb 2003, p.70]
    • Alternative Press
    • 66 Metascore
    • 40 Critic Score
    They make OMD sound like Joy Division. [Aug 2004, p.124]
    • Alternative Press
    • 68 Metascore
    • 40 Critic Score
    The Church's languid melancholy sedates rather than seduces. [Feb 2004, p.88]
    • Alternative Press
    • 66 Metascore
    • 40 Critic Score
    The majority of the tracks are watered down reminders of their indie big brothers. [Jul 2011, p.107]
    • Alternative Press
    • 73 Metascore
    • 40 Critic Score
    Second-rate Shins. [Aug 2005, p.164]
    • Alternative Press
    • 49 Metascore
    • 40 Critic Score
    Dark Touches has its catchy moments, but sticking a song in the listener's head is not the same thing as creating important music. [Nov 2009, p.109]
    • Alternative Press
    • 76 Metascore
    • 40 Critic Score
    Sounds anemic. [May 2005, p.138]
    • Alternative Press
    • 67 Metascore
    • 40 Critic Score
    A dispirited, half-baked record. [Jun 2007, p.156]
    • Alternative Press
    • 76 Metascore
    • 40 Critic Score
    The Nirvana box set isn't the Holy Grail. The Nirvana box set isn't even Incesticide. [Jan 2005, p.105]
    • Alternative Press
    • 76 Metascore
    • 40 Critic Score
    Although M83's ambitions are often great, there is a problem here: Before The Dawn often drags its feet. [Mar 2005, p.138]
    • Alternative Press
    • 73 Metascore
    • 40 Critic Score
    At times, borders on unlistenable. [Nov 2004, p.146]
    • Alternative Press
    • 59 Metascore
    • 40 Critic Score
    The other songs beg for remixes, guest vocalists or anything to give them more depth. [Nov 2012, p.92]
    • Alternative Press