Billboard's Scores

  • Music
For 1,720 reviews, this publication has graded:
  • 71% higher than the average critic
  • 2% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 1 point higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 The Boxing Mirror
Lowest review score: 10 Hefty Fine
Score distribution:
1720 music reviews
    • 76 Metascore
    • 70 Critic Score
    Janet Weiss adds welcome flavor on drums and vocals, but overall, how much you enjoy rummaging through this Trash will probably depend on the amount of patience you have for the Malkmus' indulgences.
    • 61 Metascore
    • 70 Critic Score
    Back for round two, sophomore album Here We Stand doesn't quite bring anything new to the table, but does carry on in the same fun, brash rock tradition of the debut.
    • 70 Metascore
    • 70 Critic Score
    Though nothing quite reaches the heights of past work, there's ambience to spare on "We Own the Night" and the lush "Highway of Endless Dreams."
    • 75 Metascore
    • 70 Critic Score
    A duet record for the new millennium.
    • 75 Metascore
    • 70 Critic Score
    This set may not satisfy every fan, but it should please those who have hoped that McCartney would branch out from a safe sound.
    • 72 Metascore
    • 70 Critic Score
    Though the final third of the album drags a touch as Wainwright lets up on the heart-pounding melodrama, the highs here are exceptional. [19 May 2007]
    • Billboard
    • 81 Metascore
    • 70 Critic Score
    While that culinary theme and a running subplot consisting entirely of B-movie sound clips threaten to take over the record, Doom's gravelly, off-kilter flow holds the power to bring the gritty, underground hip-hop back into focus.
    • 58 Metascore
    • 70 Critic Score
    The whole set is heavily dosed with reverb and electro-swirls, perhaps to cloak Johansson's vocal limitations as much as to add psychedelia.
    • 68 Metascore
    • 70 Critic Score
    An entertaining mishmash of off-kilter, raw and psychedelia-tinged rockers, jazz fusion-like instrumentals, gypsy-styled dance tracks and country hoedowns and pedal-steel twang.
    • 74 Metascore
    • 70 Critic Score
    His relationship [with Miranda Lambert] gives Startin' Fires its verve and spirit, a love-struck recovery from the heartbroken pall that hung over 2007's "Pure BS."
    • 61 Metascore
    • 70 Critic Score
    Though one can't help but miss the complementing presence of Stone Roses guitarist/songwriter John Squire, "Solarized" is a strong and enjoyable offering from this Manchester icon.
    • 76 Metascore
    • 70 Critic Score
    "Loud Like Nature" is hard to take seriously, but it shows that those old analog treasures still have a few good songs left in them.
    • 70 Metascore
    • 70 Critic Score
    Winsome and striking.
    • 59 Metascore
    • 70 Critic Score
    While the lyrics are more introspective and the music more electronic than what we've come to expect from the Pumpkins or his most recent project, Zwan, thankfully Corgan's distinctive vocals and grungy guitar riffs are ubiquitous.
    • 78 Metascore
    • 70 Critic Score
    The project's 14 tracks are still filled with well-made guitar and piano pop that only missteps when Finn and company lapse into whispery quietude for too long.
    • 67 Metascore
    • 70 Critic Score
    Jordin Sparks gets a first effort that's all over the map--and works.
    • 67 Metascore
    • 70 Critic Score
    Unexpected does boast a handful of shiny electro-R&B gems ("Hello Heartbreak," "We Break the Dawn") that make Williams' journey from church to club as enjoyable as it was inevitable.