Billboard.com's Scores

  • Music
For 825 reviews, this publication has graded:
  • 81% higher than the average critic
  • 3% same as the average critic
  • 16% lower than the average critic
On average, this publication grades 3.5 points higher than other critics. (0-100 point scale)
Average Music review score: 76
Highest review score: 100 The Complete Matrix Tapes [Box Set]
Lowest review score: 40 Jackie
Score distribution:
  1. Negative: 0 out of 825
825 music reviews
    • 60 Metascore
    • 51 Critic Score
    Most of these strummy feel-good ditties-aw-shucks song titles include "Gotta Be Wrong Sometimes" and "Taking On the World Today"-make Jason Mraz sound like some kind of avant-garde noisemaker.
    • 66 Metascore
    • 51 Critic Score
    Interpol is undoubtedly a solid effort, but solid shouldn't be satisfying for a band that has proved to possess the talent of indie rock's elite class.
    • 69 Metascore
    • 50 Critic Score
    Clearly, Lambert has talent, but on Heart she's merely scratching the surface.
    • 67 Metascore
    • 50 Critic Score
    The album is a sprawling, experimental work defined more by ambient synth hum and field-recording rustle than by melodic hooks or danceable grooves.
    • 54 Metascore
    • 50 Critic Score
    Hood Billionaire lands in a dull gray area between feel-good retro rap (its first two singles are the Memphis homage "Elvis Presley Blvd" and the pleasant but forgettable jazz jangle of "Keep Doin' That [Rich Bitch]") and Rozay greatest-hits karaoke that tries and fails to recapture the impact of his bulletproof Teflon Don bombast.
    • 60 Metascore
    • 50 Critic Score
    Smoke + Mirrors may seem too recycled and belabored to entice the unconverted, but the hints of hidden depths are a pleasant surprise.
    • 58 Metascore
    • 50 Critic Score
    Lyrics like "You don’t have to be big and tall/To stand up and hold your own" (from "Miracles") play like inspirational memes. Still, their hearts are in such the right place that it's hard to totally root against them.
    • 54 Metascore
    • 50 Critic Score
    Who I Am is so polished and adult-sounding -trading teen pop moxie for organ and slide guitar-that one is left wondering whether the same songs about love, heartbreak and political curiosity wouldn't be a more satisfying evolutionary step in the hands of a scrappier troupe.
    • 65 Metascore
    • 50 Critic Score
    None of these tracks can match the best cuts on the act's first two albums for sheer catchiness.
    • 71 Metascore
    • 49 Critic Score
    Unfortunately, "Year" lacks the grandiose thematic concepts of previous outings as well as an immediate single, like past songs "A Favor House Atlantic" or "The Suffering."
    • 50 Metascore
    • 47 Critic Score
    Shock Value II packs plenty of heat from the layered beats, but never lets Timbaland shine as the artist he wants to become.
    • 48 Metascore
    • 40 Critic Score
    The tunes are competently rendered, but that actually makes them worse: That these guys are selling out shows as what amounts to a cover band is the kind of thing you need to be super-baked to wrap your head around.
    • 62 Metascore
    • 40 Critic Score
    Stone is clearly still finding her sound and, if Water is any indication, herself, too.
    • 60 Metascore
    • 40 Critic Score
    Jackie feels like a missed opportunity for a talented artist to connect with fans in a new way.