Blender's Scores

  • Music
For 1,854 reviews, this publication has graded:
  • 39% higher than the average critic
  • 3% same as the average critic
  • 58% lower than the average critic
On average, this publication grades 7.8 points lower than other critics. (0-100 point scale)
Average Music review score: 65
Highest review score: 100 Together Through Life
Lowest review score: 10 Folker
Score distribution:
1854 music reviews
    • 55 Metascore
    • 40 Critic Score
    He's labored, bombastic and pitch-challenged.... The lyrics are embarrassing. [Aug 2004, p.143]
    • Blender
    • 70 Metascore
    • 40 Critic Score
    Honors shifts in style over substance. [#11, p.124]
    • Blender
    • 50 Metascore
    • 40 Critic Score
    Faceless is exactly that. [May 2003, p.120]
    • Blender
    • 50 Metascore
    • 40 Critic Score
    Thomas's songs derive power from being derivative. [#13, p.98]
    • Blender
    • 55 Metascore
    • 40 Critic Score
    On their self-titled fourth album, one colon-blowing mid-tempo after another shows the strain.
    • 83 Metascore
    • 40 Critic Score
    The stiff, weirdly disengaged, single-note guitar solos and Kidman’s monochromatic death screams don’t make you want to keep dragging yourself through the record.
    • 59 Metascore
    • 40 Critic Score
    So while there's no lack of diversity over Shaman's 70-plus minutes, that's also its undoing: it doesn't hang together. [#12, p.152]
    • Blender
    • 71 Metascore
    • 40 Critic Score
    Stylistic attention-deficit disorder dilutes the focus and also dates it. [#17, p.137]
    • Blender
    • 68 Metascore
    • 40 Critic Score
    Again, the results are a mutant virus of gorgeous and bland, grainy and slick. [Mar 2007, p.135]
    • Blender
    • 55 Metascore
    • 40 Critic Score
    What's the point of a cheesy goth-pop record that isn't any fun? [May 2006, p.105]
    • Blender
    • 52 Metascore
    • 40 Critic Score
    Producer Desmond Child trips up the Meatman by valuing metal flash over the altruism of want-you-need-you humanity.
    • 74 Metascore
    • 40 Critic Score
    In their desperate eagerness to please, HHH offer a few modest pleasures. [#12, p.143]
    • Blender
    • 83 Metascore
    • 40 Critic Score
    The Coxon-less Blur seem half a band, adrift in a loopy, moody head cold. [May 2003, p.115]
    • Blender
    • 70 Metascore
    • 40 Critic Score
    Too often... the results sound messy and carry a hint of prog-rock pomposity. [Mar 2004, p.115]
    • Blender
    • 76 Metascore
    • 40 Critic Score
    There's something forgettable and half-finished about a lot of it. [#11, p.124]
    • Blender
    • 55 Metascore
    • 40 Critic Score
    Its penitent but hopeful mood still suggests a Catholic equivalent of corporate Christian rock
    • 61 Metascore
    • 40 Critic Score
    They’ve buried those strengths deep to make way for a humorless new approach that borrows the turgid bleariness of Oasis (“Living’s much too easy and dying will be some kind of bore”) but misses the Gallaghers’ pomp and glory.
    • 64 Metascore
    • 40 Critic Score
    If she's trying to skewer empty luxuries, her delivery is too disengaged to register as ironic or feisty. [Apr 2009, p.63]
    • 76 Metascore
    • 40 Critic Score
    'Up' sounded like the work of a band getting its bearings. On 'Reveal,' they're still finding their way. [Jun/Jul 2001, p.110]
    • Blender
    • 59 Metascore
    • 40 Critic Score
    We're left with the immutable Corgan sans ambition: his narrow whine, melodies not quite predictable but dull anyway and a misty worldview with collegiate airs. [Jul 2005, p.116]
    • Blender
    • 50 Metascore
    • 40 Critic Score
    Every chorus is a rousing tribute to overstatement. [#17, p.137]
    • Blender
    • 74 Metascore
    • 40 Critic Score
    The utterly flavorless repertoire she sings here... steers her toward Lite FM. [Jan/Feb 2005, p.106]
    • Blender