Clash Music's Scores

  • Music
For 3,873 reviews, this publication has graded:
  • 57% higher than the average critic
  • 5% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 1.3 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 Dead Man's Pop [Box Set]
Lowest review score: 10 Wake Up!
Score distribution:
3873 music reviews
    • 80 Metascore
    • 50 Critic Score
    Serious though he may intend to be, through the combination of Williamson’s Mr. Angry rants and Andrew Fearn’s tinny keyboards, Sleaford Mods do have a tendency to sound like a bit of a novelty.
    • 60 Metascore
    • 50 Critic Score
    In general Sirens is listenable and catchy, only it plays to an unexciting scene that is largely turning (like the victims of a Gorgon themselves) stagnant.
    • 68 Metascore
    • 50 Critic Score
    Eight songs, many of which feel too long; recorded in eight cities that don’t really leave their unique mark on the sonic side of the experience; each with a guest who is, at best, an apparition dancing in the shadows of the spot-lit stars; yielding eight largely forgettable arrangements that won’t make a dent on any fan’s all-time top 10.
    • 77 Metascore
    • 60 Critic Score
    The songs are largely beautiful, the vocal performance is mostly impeccable and the recording generally captivating, but so was its predecessor.... not quite as good live album.
    • 69 Metascore
    • 60 Critic Score
    It’d be interesting to hear what this band comes up with if they stepped away from a doomy signature sound, but right now this is an assured album and a satisfying follow-up.
    • 76 Metascore
    • 60 Critic Score
    Swift’s vocals are triumphant, soaring, wild throughout--she is a fantastic singer, and 1989 does showcase her ability to attack a track of any style and claim it as her own, even if the ultimate results feel like a compromise had to be found to make the final cut.
    • 77 Metascore
    • 60 Critic Score
    This is hardly music to quicken the pulse and there’s no escaping the sense of sameyness over the album’s 40 minutes.
    • 65 Metascore
    • 50 Critic Score
    The mask of the brooding troubadour doesn’t quite fit: the LP is marred by below-par, uninspired vocals and rudimentary lyrics.
    • 66 Metascore
    • 60 Critic Score
    While the sheer breadth of Wait ‘Til Night can’t fail to impress, the album lacks certain cohesiveness. That said, there’s an honest creativity here that ripples through proceedings.
    • 76 Metascore
    • 40 Critic Score
    There are some surprising hooks amongst predominantly ugly arrangements, and its ambition is admirable, but Plowing… proves woefully lacking in coherency, and fails as its makers’ next evolution.
    • 70 Metascore
    • 60 Critic Score
    It’s by no means a bad record, but won’t be the trap pioneer’s most memorable either.
    • 72 Metascore
    • 60 Critic Score
    The ’80s sci-fi pastiche meets early-’00s girl power wears thin over 11 tracks, but there are still moments for the dancefloor.
    • 61 Metascore
    • 60 Critic Score
    On the whole Encyclopedia is a bit of a misanthropic drag.
    • 79 Metascore
    • 60 Critic Score
    Clocking in at almost 72 minutes, Sukierae is a bloated, if lulling, listen.
    • 67 Metascore
    • 60 Critic Score
    Accomplished again, then, and greatly engrossing throughout. It’s just lacking that crucial aspect of singular appeal to stand aside from a fiercely competitive pack.
    • 70 Metascore
    • 60 Critic Score
    With more attention paid to plucked triads and syncopation than packing any sort of resolute punch, This Is All Yours just can’t see the wood for the trees.
    • 75 Metascore
    • 60 Critic Score
    From opener ‘Cheap Talk’ onwards, this is never anything but the purest DFA1979, served flaming hot. Which was just fine back when--but it’s definitely a disappointment to not hear the band even hinting at an expansion of their stripped-raw sound, just deep-groove bass and heavily hit drums.
    • 65 Metascore
    • 60 Critic Score
    This is principally a marriage of simple, forlorn fretwork and O’s deliciously otherworldly vocals: impossibly, she manages to sound simultaneously seductive and indifferent; emotive yet also strangely detached.
    • 67 Metascore
    • 60 Critic Score
    The sugar is here, but teeth will get itchier.
    • 82 Metascore
    • 60 Critic Score
    They’re worth the minor missteps along the way.
    • 73 Metascore
    • 50 Critic Score
    Lyrics like “I’ll stay young to be saved” (‘Be A Kid’) come across as self-indulgent and frontman Sam McTrusty’s reedy vocals get lost in menacing tracks like ‘I Am An Animal’.
    • 72 Metascore
    • 60 Critic Score
    Drenched in trademark rosy glow, it’s all tender and consolatory.
    • 77 Metascore
    • 60 Critic Score
    The pair still aren’t in that DFA1979 category of combatively brilliant, just yet.
    • 72 Metascore
    • 50 Critic Score
    Ex
    EX will neither enliven classicists nor win new fans. We need challenged by this artist, who normally thrives on doing exactly that.
    • 67 Metascore
    • 60 Critic Score
    While at times lacking in lyrical insight, Fink’s ability to maintain an atmosphere, to build up gentle, soothing bubbles of sound, is largely unmatched.
    • 78 Metascore
    • 60 Critic Score
    The undeniable influence of Krautrock in the drone, dirge and motorik beats interspersed with passages of ambiance make for a deliciously diffused, shimmering, summery psyche salad.
    • 75 Metascore
    • 60 Critic Score
    Peter Katis’s production can at times strangle the band’s live thrash.
    • 70 Metascore
    • 60 Critic Score
    So the bleakly beautiful is still there, but the flashes are sporadic.
    • 76 Metascore
    • 50 Critic Score
    There’s nothing inherently bad, but the whole venture feels akin to buying a Lamborghini and then driving it in a way that will maximise fuel efficiency.
    • 72 Metascore
    • 60 Critic Score
    Playful and melodic, Clash suggests that you take this on a Norfolk country ramble ASAP.