Clash Music's Scores
- Music
For 3,873 reviews, this publication has graded:
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57% higher than the average critic
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5% same as the average critic
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38% lower than the average critic
On average, this publication grades 1.3 points higher than other critics.
(0-100 point scale)
Average Music review score: 74
Highest review score: | Dead Man's Pop [Box Set] | |
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Lowest review score: | Wake Up! |
Score distribution:
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Positive: 3,243 out of 3873
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Mixed: 601 out of 3873
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Negative: 29 out of 3873
3873
music
reviews
- By Date
- By Critic Score
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- Critic Score
Serious though he may intend to be, through the combination of Williamson’s Mr. Angry rants and Andrew Fearn’s tinny keyboards, Sleaford Mods do have a tendency to sound like a bit of a novelty.- Clash Music
- Posted Dec 1, 2014
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- Critic Score
In general Sirens is listenable and catchy, only it plays to an unexciting scene that is largely turning (like the victims of a Gorgon themselves) stagnant.- Clash Music
- Posted Nov 21, 2014
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- Critic Score
Eight songs, many of which feel too long; recorded in eight cities that don’t really leave their unique mark on the sonic side of the experience; each with a guest who is, at best, an apparition dancing in the shadows of the spot-lit stars; yielding eight largely forgettable arrangements that won’t make a dent on any fan’s all-time top 10.- Clash Music
- Posted Nov 13, 2014
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- Critic Score
The songs are largely beautiful, the vocal performance is mostly impeccable and the recording generally captivating, but so was its predecessor.... not quite as good live album.- Clash Music
- Posted Nov 13, 2014
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- Critic Score
It’d be interesting to hear what this band comes up with if they stepped away from a doomy signature sound, but right now this is an assured album and a satisfying follow-up.- Clash Music
- Posted Nov 11, 2014
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- Critic Score
Swift’s vocals are triumphant, soaring, wild throughout--she is a fantastic singer, and 1989 does showcase her ability to attack a track of any style and claim it as her own, even if the ultimate results feel like a compromise had to be found to make the final cut.- Clash Music
- Posted Nov 4, 2014
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- Critic Score
This is hardly music to quicken the pulse and there’s no escaping the sense of sameyness over the album’s 40 minutes.- Clash Music
- Posted Nov 4, 2014
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- Critic Score
The mask of the brooding troubadour doesn’t quite fit: the LP is marred by below-par, uninspired vocals and rudimentary lyrics.- Clash Music
- Posted Oct 27, 2014
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- Critic Score
While the sheer breadth of Wait ‘Til Night can’t fail to impress, the album lacks certain cohesiveness. That said, there’s an honest creativity here that ripples through proceedings.- Clash Music
- Posted Oct 17, 2014
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- Critic Score
There are some surprising hooks amongst predominantly ugly arrangements, and its ambition is admirable, but Plowing… proves woefully lacking in coherency, and fails as its makers’ next evolution.- Clash Music
- Posted Oct 15, 2014
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- Critic Score
It’s by no means a bad record, but won’t be the trap pioneer’s most memorable either.- Clash Music
- Posted Oct 14, 2014
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- Critic Score
The ’80s sci-fi pastiche meets early-’00s girl power wears thin over 11 tracks, but there are still moments for the dancefloor.- Clash Music
- Posted Oct 13, 2014
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- Clash Music
- Posted Sep 22, 2014
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- Clash Music
- Posted Sep 15, 2014
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- Critic Score
Accomplished again, then, and greatly engrossing throughout. It’s just lacking that crucial aspect of singular appeal to stand aside from a fiercely competitive pack.- Clash Music
- Posted Sep 12, 2014
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- Critic Score
With more attention paid to plucked triads and syncopation than packing any sort of resolute punch, This Is All Yours just can’t see the wood for the trees.- Clash Music
- Posted Sep 8, 2014
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- Critic Score
From opener ‘Cheap Talk’ onwards, this is never anything but the purest DFA1979, served flaming hot. Which was just fine back when--but it’s definitely a disappointment to not hear the band even hinting at an expansion of their stripped-raw sound, just deep-groove bass and heavily hit drums.- Clash Music
- Posted Sep 3, 2014
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- Critic Score
This is principally a marriage of simple, forlorn fretwork and O’s deliciously otherworldly vocals: impossibly, she manages to sound simultaneously seductive and indifferent; emotive yet also strangely detached.- Clash Music
- Posted Aug 29, 2014
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- Clash Music
- Posted Aug 22, 2014
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- Clash Music
- Posted Aug 20, 2014
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- Critic Score
Lyrics like “I’ll stay young to be saved” (‘Be A Kid’) come across as self-indulgent and frontman Sam McTrusty’s reedy vocals get lost in menacing tracks like ‘I Am An Animal’.- Clash Music
- Posted Aug 19, 2014
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- Clash Music
- Posted Aug 18, 2014
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- Critic Score
The pair still aren’t in that DFA1979 category of combatively brilliant, just yet.- Clash Music
- Posted Aug 18, 2014
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- Critic Score
EX will neither enliven classicists nor win new fans. We need challenged by this artist, who normally thrives on doing exactly that.- Clash Music
- Posted Aug 1, 2014
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- Critic Score
While at times lacking in lyrical insight, Fink’s ability to maintain an atmosphere, to build up gentle, soothing bubbles of sound, is largely unmatched.- Clash Music
- Posted Jul 31, 2014
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The undeniable influence of Krautrock in the drone, dirge and motorik beats interspersed with passages of ambiance make for a deliciously diffused, shimmering, summery psyche salad.- Clash Music
- Posted Jul 28, 2014
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- Clash Music
- Posted Jul 18, 2014
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- Critic Score
So the bleakly beautiful is still there, but the flashes are sporadic.- Clash Music
- Posted Jul 16, 2014
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- Critic Score
There’s nothing inherently bad, but the whole venture feels akin to buying a Lamborghini and then driving it in a way that will maximise fuel efficiency.- Clash Music
- Posted Jul 3, 2014
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- Critic Score
Playful and melodic, Clash suggests that you take this on a Norfolk country ramble ASAP.- Clash Music
- Posted Jun 27, 2014
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