Turn to Clear View, takes everything that made ‘Starting Today’ playful and fun while ramping up the captivating melodies, and guest spots, to create something that feels like an instant classic.

It’s a beautifully assembled package. ... Funny then that this collection should contain so much life, from an album restored to splendour, to a night of joyful inebriation and creativity with a showbiz pal, to a ferocious performance in front of adoring fans. ...‘Dead Man’s Pop’ is the perfect tribute.

'Air Con Eden' is an album that knows what it is: a story. Although it may be a surrealist story, something difficult to penetrate, it’s a delicate and genuine debut, filled with warbled and gentle soundscapes.

Through turns wholly strange and ambiguous, it’s often unclear where the breadcrumb trail of 'House Of Sugar' is leading us, but it’s a mind-bending trip worth taking nonetheless.

‘Jaime’ is arguably Howard’s most important work to date spiritually, let alone critically. Named in memoriam of the beloved sister she lost to cancer when both were in their teens, the album is a sonic sucking of the poison from the wounds of life, and the regeneration of the artist thereafter.

Primal, raw and unformed - and ultimately not an album for the faint-hearted - its lyrical content alternates between the absurd and the everyday.

This is a joyous, unique and tender album.

Elegant, understated, Chastity Belt is the sound of a band matured, and it’s all the better for it.

Over its twelve tracks, the listener is taken down the proverbial rabbit hole as Grzegorz Kwiatkowski's hypnotic and repetitive lyrical attack lulls you along. This isn't an album that grabs you by the collar, but rather builds tension and release as it lures you through the dark thickets of your mind.

A fine piece of work from a criminally-underrated talent.

This is an album encompasses everything Klein has experienced so far. It is rich with texture and ideas. Let’s hope it doesn’t take her another lifetime to create something as singular and enjoyable as this.

Lyrically ‘All My Heroes Are Cornballs’ feels very stream of consciousness full of political commentary, the concerns of living in American 2019, whilst being engaging, humorous, and informative.

Charli is no doubt an album of too many features and too many parts, but it somehow all fits together in a way that allows her penchant for unconventional songwriting and her ear for an exciting melody to work in concert, creating a project better than most anything she’s done in the past.

With 'The Return', Sampa The Great expertly dismantles the notion of genre, proving that, when it comes to art, what really matters is content, not labels.

Transcendental trance with some fierce poetry and song? Colour us impressed.

Though they might be mellowing in their age, that doesn’t mean to say they’ve compromised an inch, and 'Beneath The Eyrie' proves just that.

Hypersonic Missiles is packed with high octane hits, all of which translate into an impeccable record. Sam Fender’s debut is brave, confident and evocative.

‘The Competition’ gets a hell of a lot right, and you get the feeling for album five it might finally all together perfectly.

At seventeen tracks it's a purposefully meandering ride, one filled with funky instrumentals and ambient vignettes. While songs such as 'Lately', 'Insecurity' and 'Sex Emoji' show the band has not lost their ability to deliver funky floor-fillers, it's the more subdued material that really shines.

Gallagher remains an excellent interpreter of others’ lyrics, but he takes the skill further here and it results in a collection of classic songs drenched in melody, accompanied by clearly expressed, noticeable lyrics.

On an album centring around concepts of storytelling and reflection, Iggy Pop’s voice remains phenomenal. It always will. However, an underwhelming feeling lingers throughout 'Free', one which is hard to ignore.

Post Malone still provides us with a sprinkling of the classics: bitches, butts and Millie on wrists, it’s appeasing. But for the most part, he created an insightful and eclectic record which is a testament to his versatility and willingness to do exactly what he wants.

At the end of this journey, we’re left not only with a playlist you’re itching to put on repeat, but also with the a much-needed notion of an inspirational woman made much stronger- much more in love with herself- by the trials and tribulations of her life.

Ultimately 'Saves The World' is a bold, colourful, lyric return, one that is asserting while remaining utterly honest, completely true to themselves.

It is an interesting concept -that could have become a beacon for the perspectives of (male) feminists in music- that failed because it was executed poorly a few too many times.

Despite being heavily influenced by the 80’s, Lost Girls has a timeless feel and is sonically pleasing.

THE S.L.P is safe. It’s the untainted evidence of a missed opportunity. Frankly, someone of Serge’s caliber could have plunged deeper into the void of sonic exploration. There’s always a next time.

Whilst the lyrics are direct and, in your face, the production is just as precise and thought out. It flows with Kano’s quick pace and ability to turn on the heat so quickly. The album offers 10 tracks of quality and meaning over the meaningless repackaged corporate sound that is found more often than not in this day and age.