Consequence's Scores

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For 4,038 reviews, this publication has graded:
  • 44% higher than the average critic
  • 4% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Music review score: 69
Highest review score: 100 Channel Orange
Lowest review score: 0 Revival
Score distribution:
  1. Positive: 2,752 out of 4038
  2. Mixed: 1,215 out of 4038
  3. Negative: 71 out of 4038
4038 music reviews
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    • 82 Metascore
    • 83 Critic Score
    At the Party with My Brown Friends
    Offering sanctuary to anyone with a soul full of longing, At the Party with My Brown Friends is a beautiful affirmation of our common needs and a reminder that love is possible.
    • 82 Metascore
    • 80 Critic Score
    Nine Types of Light
    You believe that the band feels this good, and given their creative freedom, escalating success, and near flawless discography, they probably do.
    • 82 Metascore
    • 67 Critic Score
    Shattered
    Although his knack for delivering the “incredible hook” remains Cartwright’s strongest suit, there’s a weighty sense that all of this would mean nothing if not for his insatiable spirit.
    • 82 Metascore
    • 83 Critic Score
    G_d's Pee AT STATE'S END!
    For the first time in a long time, the future feels uncertain and unformed. This is the music that will help us charge forward into the unknown.
    • 82 Metascore
    • 80 Critic Score
    METZ
    On Record, they bring a sharpened tune-smithery to their noise-punk.
    • 82 Metascore
    • 80 Critic Score
    Red Hot + Rio 2
    The sheer quality that Red Hot + Rio 2 maintains over the course of its two discs and 33 tracks makes this a very noteworthy effort.
    • 82 Metascore
    • 80 Critic Score
    A Creature I Don't Know
    A Creature I Don't Know stands up well against its feted predecessor and can only add to Laura Marling's reputation as a songwriter and musician.
    • 82 Metascore
    • 83 Critic Score
    No One Deserves Happiness
    Despite the misery that inspires and thrives within their suffocating work, the band shows a remarkable sense of vitality, inspiring to longtime and new fans alike.
    • 82 Metascore
    • 75 Critic Score
    The Peace & Truce of Future of the Left
    Falkous and his mates also keep the musicality lean, groovy, and (mostly) accessible throughout Peace & Truce.
    • 82 Metascore
    • 91 Critic Score
    When We All Fall Asleep, Where Do We Go?
    While she hasn’t quite inherited the pop monarchy from Swift and the other elites, Eilish’s debut makes a strong case that it won’t be long until we see her in a crown.
    • 82 Metascore
    • 83 Critic Score
    Utopia
    Together [Björk and Arca], assisted at points by a 12-piece Icelandic flute ensemble and the Hamrahlid Choir (in which Björk herself sang as a teenager), they grow a thriving sound world rich in nuance and detail.
    • 82 Metascore
    • 58 Critic Score
    Never Hungover Again
    The album’s heavier points tend to slant alternately intriguing and confusing.
    • 82 Metascore
    • 75 Critic Score
    Brick Body Kids Still Daydream
    One of Eagle’s more consistently engaging outings, this elegy for the since-demolished Robert Taylor Homes projects the 36-year-old rapper grew up in isn’t necessarily one of his most ear-catching records. More than his other albums, it’s consumed with his thoughts, possibly even a bit smothered; it cries out for some showing to break up all the telling.
    • 82 Metascore
    • 80 Critic Score
    The Electric Lady
    It’s a very large world, but one stocked with charming character, tasty pop, and enlightening lyricism that shines like an electric heart through the android framework.
    • 82 Metascore
    • 75 Critic Score
    Panda Bear Meets the Grim Reaper
    Panda Bear Meets the Grim Reaper rides high on his proven strengths, but doesn’t exactly explore new territory.
    • 82 Metascore
    • 83 Critic Score
    how i'm feeling now
    Present and post-lockdown, how i’m feeling now will be a definitive album of its time. Aitchison has captured this space we now all exist in and all its facets.
    • 82 Metascore
    • 80 Critic Score
    Yellow & Green
    Baroness possesses an acute sense of melody, unpredictable songwriting, and vision for its work. Yellow & Green encapsulates all of those things, and, consequently, it's one of the year's most engaging metal albums.
    • 82 Metascore
    • 80 Critic Score
    ...Like Clockwork
    ...Like Clockwork is one of the year’s finer rock albums--an exercise in songwriting, production, and musicianship.
    • 82 Metascore
    • 70 Critic Score
    Sepalcure
    You can pick out all kinds of wonderful instrumental moments on Sepalcure. It's full of sonic treasure troves.
    • 82 Metascore
    • 91 Critic Score
    In Conflict
    In Conflict is ominous, gloomy, and marked with some of the most playful arrangements Pallett’s laid to date.
    • 82 Metascore
    • 91 Critic Score
    Freetown Sound
    Freetown Sound stands concurrently as a deeply personal work and a striking representation of the struggles present in today’s society.
    • 82 Metascore
    • 75 Critic Score
    Singles
    No album will ever supplant their trademark live show, but at the very least, the confidence they’re putting to tape sure makes Singles‘ audacious title acceptable.
    • 82 Metascore
    • 80 Critic Score
    Nothing Violates This Nature
    There is a superhuman force and a willfully ignorant level of intensity involved in this band’s approach that simply places them in a realm almost entirely free of peers.
    • 82 Metascore
    • 75 Critic Score
    Luminiferous
    Luminiferous feels more like a collection of tightly crafted songs, spanning the stoner metal spectrum from atmospheric doom to fast-paced Motörhead-inspired punk metal.
    • 82 Metascore
    • 91 Critic Score
    Collapse [EP]
    Collapse is another entry in a remarkable run of work that Aphex Twin has been releasing since his return from a long and clearly necessary hiatus. It may feel like he is on cruise control a bit, but James’ coasting is any other artist’s magnum opus.
    • 82 Metascore
    • 75 Critic Score
    Ty Segall (2017)
    Even when he doesn’t break new ground, Segall and Ty Segall remain solid investments. There’s definitely something to be said for getting exactly what you pay for with a new album.
    • 82 Metascore
    • 75 Critic Score
    The Innocents
    The Innocents is earthy melodrama for catacombs that deserves to be heard above ground. Weyes Blood’s gothic, magical realm has a dozen more doors to be opened on her sophomore LP. It’s just a matter of when the record ends up in your hands.
    • 82 Metascore
    • 91 Critic Score
    Love Streams
    Luckily, Hecker has impeccable taste. Very few composers can achieve this kind of beauty or this kind of experimentation, and yet Hecker does both, time and time again.
    • 82 Metascore
    • 70 Critic Score
    Build a Rocket Boys!
    The band didn't set out to create a hit-laden album that repeats the successes of their past. Instead, they've crafted an album full of beautifully lush melodies, intricate patterns, and soaring vocalizations.
    • 82 Metascore
    • 91 Critic Score
    Stranger in the Alps
    Despite the fact that Stranger in the Alps ends with stories of prisoners, murderers, and arsonists, it’s a gentle, wistful, even mournful record that makes for an outstanding coming-out party for Bridgers and a haunting experience for the listener, with melodies and sentiments that linger, softly and poignantly, long after the music ends.
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