Country Weekly's Scores

  • Music
For 134 reviews, this publication has graded:
  • 73% higher than the average critic
  • 2% same as the average critic
  • 25% lower than the average critic
On average, this publication grades 6.3 points higher than other critics. (0-100 point scale)
Average Music review score: 78
Highest review score: 100 Fuse
Lowest review score: 50 The Party Ain't Over
Score distribution:
  1. Negative: 0 out of 134
134 music reviews
    • 99 Metascore
    • 100 Critic Score
    Ultimately, there's enough in this big box to last a fan weeks, months and years. It's not all equal, but it certainly leaves no stone unturned.
    • 94 Metascore
    • 80 Critic Score
    Country gospel at its most fervent and rousing.
    • 89 Metascore
    • 100 Critic Score
    If you’ve ever bemoaned the absence of traditional country sounds in an era of pop, rock and even hip-hop production, be still—Ashley Monroe is throwing you a country music lifeline.
    • 89 Metascore
    • 100 Critic Score
    A staggeringly great collection of original tunes that paint vivid, honest portraits of real life, from a uniquely feminine perspective.
    • 88 Metascore
    • 100 Critic Score
    Each track evokes an emotion, a giggle, a tear or a memory, but always a hunger for what’s next.
    • 87 Metascore
    • 100 Critic Score
    ZBB has never sounded as energized or as fierce.
    • 87 Metascore
    • 83 Critic Score
    The River & The Thread will require multiple listens to truly appreciate, so set aside some time to soak in this one.
    • 87 Metascore
    • 100 Critic Score
    On this album, she has found what works best for her on the contemporary side and front-loads the project with those songs.
    • 87 Metascore
    • 91 Critic Score
    The trio’s second album, Annie Up, (thankfully) picks up where their debut, Hell on Heels, left off, offering more engaging studies of real-life heartbreak, domestic inertia and the daily trials of womanhood.
    • 86 Metascore
    • 100 Critic Score
    Although the title is also an album track referring to hair color, the depth of this project goes further than Miranda’s roots.
    • 86 Metascore
    • 80 Critic Score
    Though he's capable of being playfully satisfied, Dwight is at his best when he's consumed by yearning.
    • 85 Metascore
    • 91 Critic Score
    His best is pretty dang good.
    • 84 Metascore
    • 100 Critic Score
    This set proves that good storytelling never goes out of style.
    • 84 Metascore
    • 80 Critic Score
    The album's bluesy country sound may not make waves at radio, but these ladies are on track to give country concertgoers a little hell of their own.
    • 84 Metascore
    • 80 Critic Score
    In honoring his friend and inspiration, the late writer Hank Cochran, Jamey Johnson recorded one of the most heartfelt albums of the year.
    • 84 Metascore
    • 100 Critic Score
    This is no less than the story of a flawed man finding his own greatness--the primary factor behind the power and substance of these simple, no-frills performances, as well as the reason why any serious fan of Cash or country music history will want to walk the line it so compellingly traces.
    • 83 Metascore
    • 100 Critic Score
    With due respect to her previous fine efforts, Four the Record is easily Miranda's best album yet.
    • 82 Metascore
    • 70 Critic Score
    Both the chestnuts and The Band selections here sound best in their original versions (partly due to the diminished power of Levon's voice after his bout with throat cancer). But his singing brims with spirit, and he and his cohorts deliver these mostly vintage tunes with gusto.
    • 82 Metascore
    • 80 Critic Score
    Brad Paisley, having been raised on traditional country music, is one of a handful of contemporary stars who could title an album This Is Country Music (with all that the title implies) without raising more than a few eyebrows.
    • 82 Metascore
    • 100 Critic Score
    With The Woman I Am, Kellie has made a natural evolution while managing to stay true to those things that are important to her.
    • 82 Metascore
    • 80 Critic Score
    Fans of Matraca's songwriting, who have waited for more than a decade for a new album, will likely agree with another of that song's lyric lines: one more is never enough.
    • 81 Metascore
    • 80 Critic Score
    Lyrically and musically, the songs stream effortlessly from accessible to intricate, creating an estimable country album with a steady undercurrent of blues and rock.
    • 81 Metascore
    • 80 Critic Score
    On his latest, Marty meshes country with Memphis rockabilly and bluegrass-inspired background vocals throughout the disc.
    • 81 Metascore
    • 91 Critic Score
    Like most projects released by Americana singer/songwriter or heritage acts, Tarpaper Sky is best enjoyed like a book, in its entirety as opposed to a chapter here and there.
    • 81 Metascore
    • 83 Critic Score
    Lucky may prove a bit too laid-back for the diehards out there, who might prefer a rougher-edged collection, but this is a fresh take on Merle’s classics, as interpreted by the still-fabulous Suzy.
    • 81 Metascore
    • 91 Critic Score
    On Blue Smoke, the country legend travels many different paths and sounds only like herself.
    • 81 Metascore
    • 80 Critic Score
    It's all life, and Martina, with her unforced country-pop sensibility, gets it all to add up on Eleven.
    • 80 Metascore
    • 83 Critic Score
    Bruce and Kelly let their plaintive, tight harmonies deliver the goods, a refreshing break from the bombast that often substitutes for real emotion in much of the current fare.
    • 80 Metascore
    • 100 Critic Score
    Alan’s album is the real thing, a “must” whether you’re a bluegrass buff or just a fan of fine music.
    • 80 Metascore
    • 80 Critic Score
    While touching upon Led Zep's more pastoral moments and Raising Sand's rootsy variety, Robert avoids rehashing his former glories.