Exclaim's Scores

  • Music
For 4,923 reviews, this publication has graded:
  • 58% higher than the average critic
  • 4% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Music review score: 75
Highest review score: 100 The Ascension
Lowest review score: 10 Excuse My French
Score distribution:
4923 music reviews
    • 79 Metascore
    • 70 Critic Score
    Wenu Wenu does a decent job presenting the veteran singer, but your desire to return to this disc hinges upon your enthusiasm for that instrument's unique sound.
    • 79 Metascore
    • 80 Critic Score
    He might have the Midas touch when it comes to genre, but when it comes to his last word, Terje is wise enough to say it in his first language.
    • 79 Metascore
    • 80 Critic Score
    He really can write a song, and the fact that it never wears out its welcome makes his music damn enjoyable.
    • 79 Metascore
    • 80 Critic Score
    With their debut full-length, WEVAL have proven that they're willing to approach their music with their ears wide open and their possibilities endless.
    • 79 Metascore
    • 80 Critic Score
    From the diamonds on the chains he hedonistically spits about while prospering to the shameless confessions he unveils at the nadir of despair, the way Lanez embraces his flaws makes his music stand out.
    • 79 Metascore
    • 80 Critic Score
    The album is an ode to all that Khruangbin have achieved and a look forward to everything that is to come.
    • 79 Metascore
    • 80 Critic Score
    Every track on Texas Moon is a moment of catharsis, delivered with as much swagger as spirituality.
    • 79 Metascore
    • 60 Critic Score
    If you can get past the haughty lyrics on "Fickle Sun (ii)," for instance, then its minimalist piano notes will surely impress. And yet, even that song's musicianship sounds downright conventional compared to preceding tracks "Fickle Sun (i)" and opening track "The Ship," a 21-minute composition that begins with solemn synth moans like a distant vessel's horn.
    • 79 Metascore
    • 70 Critic Score
    These songs don't contain the spine-tingling embrace of death that fuelled Leonard Cohen and David Bowie's final albums, but Nelson faces his realities head on here, with grit and a grin.
    • 79 Metascore
    • 80 Critic Score
    Near to the Wild Heart of Life isn't the record fans waited five years for. But backed into a corner, Japandroids have penned a truly great record filled with all the guitar hooks, shout-along choruses about nights spent drinking, sweating and longing to be somewhere else that we've come to expect.
    • 79 Metascore
    • 80 Critic Score
    The Heliocentrics' most beguiling effort to date.
    • 79 Metascore
    • 70 Critic Score
    The tracks on Apocalypse, girl flow into one another like smooth, glassy water, and the collaborations, with improv cellist Okkyung Lee, harpist Rhodri Davis and Swans' Thor Harris, add texture.
    • 79 Metascore
    • 80 Critic Score
    Dulli and company manage to elatedly deliver everything long-standing fans crave in an Afghan Whigs album--and they do so in spades.
    • 79 Metascore
    • 80 Critic Score
    On Brill Bruisers, the band's glory days have returned.
    • 79 Metascore
    • 90 Critic Score
    Didn't He Ramble shimmers, saunters and charms; Hansard has never sounded so good.
    • 79 Metascore
    • 70 Critic Score
    Lux Prima certainly isn't Karen O's most urgent or explosive work, but it all sounds exceptionally lovely.
    • 79 Metascore
    • 90 Critic Score
    Otherworldly and full of enchantment, Deerhoof's 13th studio album, The Magic, finds the wholly original and ever-engaging band at their most cohesive and versatile.
    • 79 Metascore
    • 80 Critic Score
    For more than a decade, Lady Gaga has encouraged us to 'just dance' regardless of the pain hidden deep within ourselves. While she may have veered off from her own advice over the past few years, Chromatica proves that Gaga is back and better than ever.
    • 79 Metascore
    • 80 Critic Score
    Sol Invictus isn't perfect, and it's not their best work, but Faith No More creaking with a little rust and blinking cobwebs is still a glorious thing.
    • 79 Metascore
    • 80 Critic Score
    Bigger, bolder, and even more exploratory than his 2020 debut Your Hero Is Not Dead, An Inbuilt Fault.
    • 79 Metascore
    • 70 Critic Score
    A neon sugar rush that occasionally fizzles out with filler tracks, Nothing's Real ultimately leaves a lasting impression.
    • 79 Metascore
    • 70 Critic Score
    It looks like there may be some wind left in this crew's sails after all.
    • 79 Metascore
    • 70 Critic Score
    Brood Ma's vision of the future may be dark, but on the challenging, rewarding DAZE, his future as a purveyor of its soundtrack is all but secured.
    • 79 Metascore
    • 60 Critic Score
    It's all good, but none of it is great. Still, if this is merely the first taste of an eventual vault series of releases from Townes Van Zandt's musical archive, it's more than enough to make us hunger for more.
    • 79 Metascore
    • 80 Critic Score
    Karaoke Angel is a beautiful surprise from Sarlé, whose career as a solo artist has only just begun.
    • 79 Metascore
    • 80 Critic Score
    This is tough-talking, hard-living stuff, but it's been infused with a welcome dose of 21st century sexual politics.
    • 79 Metascore
    • 70 Critic Score
    Where Donovan really soars is the quieter moments on the record.
    • 79 Metascore
    • 70 Critic Score
    Putting the tiger back in a 15-year old cage works well for the band, for the most part. You can feel Stump chafing against the creative box he's put himself back in, and the tension it creates in the music gives many of these songs a sense of immediacy.
    • 79 Metascore
    • 60 Critic Score
    Like much of Willie's work these days, Band of Brothers might not bring many new fans into the fold, but it's sure to please those already there.
    • 79 Metascore
    • 80 Critic Score
    Seeds strikes the perfect balance, as Madlib's thickly layered funk and soul samples and cabinet rocking beats pair with Muldrow's gloriously off-kilter vocals and free-form song structures to make this her most satisfying release to date.