I Bet on Sky isn't the immediate winner that Farm was, but it's emphasis on tunefulness versus smack-you-in-the-face noise makes for a surprising winner and a pleasant late career left turn that gets better with each listen.

Overall, this is an album that blends choral and electronic to create something that amounts to little more than unobtrusive background music. It lacks both the cultural depth of world music and the dynamic disco beats of their earlier offerings.

Although many tribute albums have a tendency to come across as disposable, Red Hot + Fela stands with the best Red Hot has to offer.

Beginners seems like an introduction to Hutson and his past: fears, anxieties and faults and memories. It's all packaged in a brilliant album that satisfies any cravings for well-written, subtle and resonant folk rock.

Cunningham's DJ-Kicks exclusive "Bird Matrix" probably won't fill a dance floor, but its moody detachment is, like the rest of the record, entrancing in its own right.

You can't fault µ-ZIQ for branching out of the staid EDM clichés that oversaturate the electronic music landscape, but unfortunately, Chewing Corners is a little too disorganised.

While Sex & Food is a disjointed effort with Nielson's usual ingenuity wavering at times, fans will undoubtedly find favourites in certain tracks. It's an anxious, up-and-down affair, with moments of reward sprinkled within its lethargic haze.

Though relying on their well-worn instrumental strengths and lacking Light Upon the Lake's compositional variance, Forever Turned Around sharpens Whitney's songwriting for another intimate collection of heartfelt tunes.

His songs no longer have the raw-nerve urgency they once did, which makes Upside Down Mountain a pleasantly peaceful listen, but lacking the power and urgency of his best work.

Love Yes is a remarkable step forward for TEEN, blending the stylistic influences of their first two records to present a seamless and singular voice.

The star power of the record's guests overshadows the album's best moments.

My Beautiful Dark Twisted Fantasy remains the apex of West's maximalist visions, and while The Life of Pablo certainly aims high, it isn't as consistently pointed in delivering both music and message as its big-budget predecessor was. And yet, it remains a modern gospel that is undeniably West's own, with a handful of vexatious moments peppered throughout the undeniably visionary ones.

A detailed effort worth unfolding that reveals more each time.

On Wide Open, Weaves prove that they can flirt with convention without losing their edge.

With Cupid Deluxe, Hynes has revealed his exquisite vision, one that swells with inspiration from his various collaborators.

Seven Davis Jr's debut attempts to stay afloat on the strength of a few strong tracks, but ends up sounding stretched a little too thin.

Bitchitronics is as gangsta as ambient music can get.

Nothin' But Blood is religious music for people who are too drunk and high to give a damn what God may think.

Although Sunshine Kitty could be shaved down a bit, this album feels like the first time Tove Lo is really situating herself on her own ground. It's sexy, raw, and honest — but above all, Sunshine Kitty is just really good dance music. Essentially, every song on this album would bring anyone to their feet.

Tahoe is the kind of ambient album we've come to expect from Warmsley--mostly due to the fact that it's not your typical ambient album.

Saint Heron is a statement, a musical manifesto with a collaborative vision for today's R&B.

Paint My Bedroom Black is a shiny and haunted — but unwaveringly hopeful— collection that sees her carve out her own kohl-liner rimmed space in the modern pop pantheon.

Tooth & Nail is mellow, but not un-edgy.

His songwriting is excellent throughout as well, with structured but never repetitive forms that are always leading to some worthwhile payoff. Cast nails both style and substance; an exciting debut.

Stepa J. Groggs and Ritchie with a T are solid, if not remarkable, rappers. And that's fine. What sets them apart is that they feel like real dudes. ... Injury Reserve's real driving force, though, is producer Parker Corey.

Purists will always pine for Sonic Youth and their glory days, but with a band and album this good, who cares about the past?

Hardly Electronic is a mature and polished album from a band confident enough to let their influences guide their sound without overshadowing it. Longtime fans will obviously snap this up, but anyone with an interest in classically-minded pop arrangements and great songs will find much to like on this unexpected gem from the Essex Green.

On Migration Stories, M. Ward doesn't change the way he delivers his material as much as he alters the way it reverberates once it hits you.