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Summary:
The debut full-length studio release for the Arizona alternative rap group features guest appearances from Aminé, Dylan Brady, Cakes Da Killa, DRAM, Freddie Gibbs, JPEGMAFIA, Pro Teens, Rico Nasty, and Tony Velour.
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- Record Label: Senaca Village
- Genre(s): Rap, Alternative Rap, Underground Rap
- More Details and Credits »
Top Track
Jailbreak the Tesla | |
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Fuck it, jailbreak the Tesla Fuck it, jailbreak the Tesla Fuck it, jailbreak the Tesla Fuck it, jailbreak the Tesla Ninth grade, yeah, prom dates,... | See the rest of the song lyrics |
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Score distribution:
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Positive: 6 out of 7
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Mixed: 1 out of 7
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Negative: 0 out of 7
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May 22, 2019I can't imagine there will be too many rap albums this year that better Injury Reserve's debut. This is a band who can achieve the same volatility and straight-up ingenuity of BROCKHAMPTON, on less than a quarter of the manpower.
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May 22, 2019Injury Reserve is as cohesive a hip-hop album as one can hope. This is thanks, in large part, to Parker’s ever-so-versatile production, though also, I think, Groggs’ and, in particular, Ritchie’s growing scepticism with modern hip-hop culture, and a heightened awareness of its pretensions.
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May 22, 2019With many other moments that dive into depression, death, addiction among other heavier topics, Injury Reserve’s debut record surpasses any and all expectations as a seamless concoction of serious topics flawlessly juxtaposed by extraterrestrial sounds, humor and righteous anger.
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May 23, 2019Stepa J. Groggs and Ritchie with a T are solid, if not remarkable, rappers. And that's fine. What sets them apart is that they feel like real dudes. ... Injury Reserve's real driving force, though, is producer Parker Corey.
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May 31, 2019Despite the strength of the track list, there’s little doubt that Groggs, Parker and Ritchie are the stars of the show. The trio’s chemistry infects every track on Injury Reserve.
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May 22, 2019When Corey is at his most inventive, Injury Reserve feels remarkably fresh and singular. ... Too often, though, Injury Reserve gets stuck between its experimental urges and its pop ambitions. In searching for a happy medium, it’s never quite noisy enough or quite catchy enough.
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Q MagazineJun 14, 2019This debut full-length channels abrasive energy akin to early SoundCloud rap. [Summer 2016, p.111]
Score distribution:
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Positive: 7 out of 7
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Mixed: 0 out of 7
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Negative: 0 out of 7
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Sep 26, 2019
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May 23, 2019
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Jun 11, 2019
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May 23, 2019Although this album is sometimes difficult to listen, it's a great project with top-notch production, great features, and fantastic lyrics.
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May 30, 2019
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May 22, 2019
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Jul 28, 2019
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