Kerrang!'s Scores

  • Music
For 1,582 reviews, this publication has graded:
  • 63% higher than the average critic
  • 4% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 1.8 points higher than other critics. (0-100 point scale)
Average Music review score: 75
Highest review score: 100 Yellow & Green
Lowest review score: 20 What The...
Score distribution:
1582 music reviews
    • 67 Metascore
    • 60 Critic Score
    You get exactly the sort of greasy grooves you'd expect, but with a whole lot of Cuban cool thrown in as well. [14 Nov 2015, p.52]
    • Kerrang!
    • 70 Metascore
    • 60 Critic Score
    This is a collection of good and sometimes very good songs from a band hacking their way towards their 40th birthday. [15 Jan 2011, p.51]
    • Kerrang!
    • 69 Metascore
    • 60 Critic Score
    It might not always offer its charms up easily, but Crisis Works is an auspicious debut. [7 May 2011, p.52]
    • Kerrang!
    • 58 Metascore
    • 60 Critic Score
    The fury here comes from an ominous intensity and oppressive claustrophobia. And that makes this album raw, anarchic, bleak and enjoyably nasty. [45 May 2012, p.53]
    • Kerrang!
    • 73 Metascore
    • 60 Critic Score
    It won't be to all tastes, but those that care will cherish Simple Maths dearly. [7 May 2011, p.52]
    • Kerrang!
    • 71 Metascore
    • 60 Critic Score
    It's an album that succeeds on its own terms but if it really does mark the effective end of Opeth as a metal band, that will remain our loss. [Sept 17 2011, p.50]
    • Kerrang!
    • 82 Metascore
    • 60 Critic Score
    Over the course of their 10-year career, The Black Dahlia Murder have struck rigorously to their melodic death signature sound while delivering engaging albums, and Ritual maintains this standard. [25 Jun 2011, p.51]
    • Kerrang!
    • 74 Metascore
    • 60 Critic Score
    It's a little one-dimensional in places, but there's no denying the strength of feeling raging underneath. [3 Nov 2012, p.53]
    • Kerrang!
    • 76 Metascore
    • 60 Critic Score
    There's loads to admire here--but plenty to test your patience, too. [11 Jan 2014, p.54]
    • Kerrang!
    • 76 Metascore
    • 60 Critic Score
    Maintaining their business-as-usual ethic it's nonstop Americana-a-go-go. [15 Oct 2016, p.52]
    • Kerrang!
    • 67 Metascore
    • 60 Critic Score
    Limitless is often thwarted by its execution rather than its ambition. [27 Feb 2016, p.50]
    • Kerrang!
    • 78 Metascore
    • 60 Critic Score
    It's when they channel the early days of '70s metal on the Deep Purple-ish Endless Night that they're at their best.... A little more such magic, and Graveyard would be great. [3 Nov 2012, p.53]
    • Kerrang!
    • 65 Metascore
    • 60 Critic Score
    Like its two predecessors, this is solid Skunk that doesn't quite have the songs to match their ground-breaking first two albums. [9 Jan 2016, p.51]
    • Kerrang!
    • 59 Metascore
    • 60 Critic Score
    It's an energetic debut that certainly shoes that this band is full of--as yet untapped--potential. [11 Feb 2012, p.52]
    • Kerrang!
    • 67 Metascore
    • 60 Critic Score
    It's just that Dirty work is merely a good album, when it should be a great one. [4 Jun 2011, p.51]
    • Kerrang!
    • 65 Metascore
    • 60 Critic Score
    It has one or two fine songs, A Song For A Son is probably Billy's best since Adore in 1998 but , decent though it is, it's not a Smashing Pumpkins record. [5 Jun 2010, p.50]
    • Kerrang!
    • 68 Metascore
    • 60 Critic Score
    While this is as trying and testing as it is unique, it's certainly not without its charms. [4 Jun 2011, p.51]
    • Kerrang!
    • 61 Metascore
    • 60 Critic Score
    Cheap Girls aren't the most original band around, but they rock in all the right places. [10 May 2014, p.54]
    • Kerrang!
    • 78 Metascore
    • 60 Critic Score
    Good in the dark on headphones, but it's not going to get the party started. [25 Jan 2014, p.54]
    • Kerrang!
    • 71 Metascore
    • 60 Critic Score
    On this third album, his gnarly riffs and garage-level production are as unpolished and far-out as ever, but the element of surprise has turned into comforting familiarity. [5 Sep 2015, p.52]
    • Kerrang!
    • 69 Metascore
    • 60 Critic Score
    Opener The Funeral presents a far less cartoonish performer than he was on 2020's overly-cute second album Weird!. This alone makes the whole thing magnitudes more enjoyable. The energised electro-pop of Memories (a duet with WILLOW) and the brooding Sex Not Violence continue on a similar tack, showing a width of creative goalpost while actually keeping things together.
    • 62 Metascore
    • 60 Critic Score
    Its lo-fi, organ-heavy, cheap drum machine-driven jams reveal his ear for fusing classic team-dream rock'n'roll with demented pastiche. [Sept 17 2011, p.51]
    • Kerrang!
    • 79 Metascore
    • 60 Critic Score
    Thirty years on from the release of their earth-jolting, trouble-divining self-titled debut, Killing Joke show no signs of either mellowing or cracking a smile. [Sept. 25, 2010, p. 51]
    • Kerrang!
    • 66 Metascore
    • 60 Critic Score
    There may not dispense with metalcore's regular musical motifs, then, yet the ire throughout is genuine enough that you can feel flecks of venom melting vocalist Matty Mullins' microphone. [4 Jun 2011, p.53]
    • Kerrang!
    • 76 Metascore
    • 60 Critic Score
    This new solo album is at its strongest when Greg finds new ways to express himself. Where there are traces of the Whigs’ soul power, as on Sempre and The Tide, it’s hard not to compare the songs unfavourably to his day job.
    • 63 Metascore
    • 60 Critic Score
    The overall result being that Dananananaykroyd have finally made actual songs rather than the exercises in unpredictability they have in the past. [11 Jun 2011, p.51]
    • Kerrang!
    • 67 Metascore
    • 60 Critic Score
    The sextet have stepped up their game on this record, boasting some real song writing chops too. [2 Jul 2011, p.51]
    • Kerrang!
    • 62 Metascore
    • 60 Critic Score
    The whole thing is suitably drenched with nihilism, once more conveying the sense that, in their world, smiles should result in a beating, because everything is truly hopeless. [1 Jul 2017, p.52]
    • Kerrang!
    • 67 Metascore
    • 60 Critic Score
    Minus The Bear are back on track. [22 Sep 2012, p.51]
    • Kerrang!
    • 66 Metascore
    • 60 Critic Score
    However much it lacks the crunch and thrust of classic Helmet albums like Meantime or Betty, though, Seeing Eye Dog is still a fine addition to the band's catalogue. [4 Sep 2010, p.52]
    • Kerrang!