For 1,599 reviews, this publication has graded:
-
62% higher than the average critic
-
3% same as the average critic
-
35% lower than the average critic
On average, this publication grades 0.1 points lower than other critics.
(0-100 point scale)
Average Music review score: 73
Highest review score: | Chemtrails Over the Country Club | |
---|---|---|
Lowest review score: | The New Game |
Score distribution:
-
Positive: 1,361 out of 1599
-
Mixed: 176 out of 1599
-
Negative: 62 out of 1599
1599
music
reviews
-
- Critic Score
For anyone remotely interested in how great art is made, [the deluxe edition] is the equivalent of an audio master class as Dylan works, reworks and reworks again the song until it sonically captures the energy, defiance, outrage, empathy, celebration and liberation embedded in the lyrics.- Los Angeles Times
- Posted Nov 4, 2015
- Read full review
-
- Critic Score
The new box set does indeed help shed new light on the music and the entire project by way of the various bonus features that now accompany the original album... To paraphrase Rod Stewart, every album may indeed tell a story, but some stories are dramatically more compelling than others. The story of "Graceland" is one of the most compelling in all of pop music.- Los Angeles Times
- Posted Jun 8, 2012
- Read full review
-
- Critic Score
The result of Apple’s self-imposed social distancing is the stunning intimacy of the material here — a rich text to scour in quarantine. Her idiosyncratic song structures, full of sudden stops and lurching tempo changes, adhere to logic only she could explain, which forces you to listen as attentively as though a dear friend were bending your ear.- Los Angeles Times
- Posted Apr 17, 2020
- Read full review
-
- Critic Score
"Smile" emerges as a beautiful and cohesive work, at times deeply moving, at others oddly whimsical, at still others eerily disturbing but celebratory. [27 Sep 2004]- Los Angeles Times
-
- Critic Score
This record is so expansive that it's tough to wrestle into shape, even as it overflows with wit, smarts and a masterful skill of the language and phrasing.- Los Angeles Times
- Posted Mar 17, 2015
- Read full review
-
- Critic Score
He [Brian Wilson] more skillfully balanced inspiration and aspiration elsewhere.- Los Angeles Times
- Posted Nov 1, 2011
- Read full review
-
- Critic Score
“Rough and Rowdy Ways” rolls out one marvel after another, with killer playing from the singer’s road band.- Los Angeles Times
- Posted Jun 15, 2020
- Read full review
-
- Critic Score
Rife with the kind of sublimely loose grooves achievable only through instrumental precision, Black Messiah is as vital as it is sublime.- Los Angeles Times
- Posted Dec 17, 2014
- Read full review
-
- Critic Score
Beyoncé’s ambitions outstrip those of her peers. ... Yes, Homecoming is one of the greatest live albums ever. If nothing else, the intention behind her performance makes it so. ... So much action. So many cues and rhythms, so much narrative momentum. Its melodic and rhythmic quotes need footnotes to fully absorb, and her voice resonates with history. Still, calling it the best live album of all time may be a stretch. ... Hell if I know, but it ranks way, way up there. ... So yeah, it’s fair to say that Beyoncé, and this work, is genius.- Los Angeles Times
- Posted Apr 23, 2019
- Read full review
-
- Critic Score
You want immaculate structure and production, there are plenty of albums available. You want the sound of life, of a voice summoning all its powers to shake a room and be heard, this recording is waiting.- Los Angeles Times
- Posted Sep 23, 2014
- Read full review
-
- Critic Score
The Promise album, with gems like the Crystals' homage "Ain't Good Enough for You" and the lilting ballad "Candy's Boy" (a far cry from "Darkness' " aggressively lustful revision "Candy's Room") showcases the danceability, catchiness and even sentimentality Springsteen had to rein in to create "Darkness."- Los Angeles Times
- Posted Dec 8, 2010
- Read full review
-
- Critic Score
The new version has been remastered from the original tapes, and the results are spectacular. ... Clark rightly considered it his masterwork, and decades later, this reissue has reaffirmed his belief. A seamless blend of American music — twangy guitars, a rhythm section that taps out dynamic funk and soul patterns, an understated mix of piano, synth and keyboards and lots of backing singers — it connects genres and movements with ease.- Los Angeles Times
- Posted Nov 8, 2019
- Read full review
-
- Critic Score
“Motomami” practically throbs with the freedom of someone flush with creative capital; its stylistic sprawl shares something with Beyoncé’s “Lemonade,” while the album’s mix of harsh noise and sculpted pop melody can recall the music M.I.A. made after “Paper Planes” became a left-field hit in the late 2000s.- Los Angeles Times
- Posted Mar 18, 2022
- Read full review
-
- Los Angeles Times
- Posted Sep 20, 2018
- Read full review
-
- Los Angeles Times
- Posted Apr 25, 2016
- Read full review
-
- Critic Score
It's almost too much, really, but Waits doesn't release albums very often, so you can make it last.- Los Angeles Times
- Read full review
-
- Critic Score
A dance syncretism made of menacing beats skittering from dark dancehall to mashed-up jungle, super-warped bass frequencies, stark anti-hooks, and a voice that is the most authentic to emerge in years. [18 Jan 2004]- Los Angeles Times
-
- Critic Score
Mixing warm, New Age-suggestive electronic tones with conversational, heart-to-heart lyrics meant to stick on first listen, her work floats through space with a glistening, emotionally rich shimmer.- Los Angeles Times
- Posted Apr 1, 2019
- Read full review
-
- Critic Score
Melodrama is so much more potent when Lorde is owning her newfound authority, as in the album’s dizzying opening track, “Green Light,” in which she urges a lover to follow her “wherever I go” over a surging house groove that keeps escalating in intensity.- Los Angeles Times
- Posted Jun 16, 2017
- Read full review
-
- Critic Score
OutKast's duo have made a cohesive statement that not only cries at the boundaries of rap music but vaults over them to a place where the music sounds like neon colors and the only rule is that you must free your mind. Your ears will follow.- Los Angeles Times
- Posted Apr 17, 2012
- Read full review
-
- Critic Score
It’s as sprawling and as rigorous as we’ve come to expect from the most intellectually ambitious artist in music.- Los Angeles Times
- Posted Apr 1, 2024
- Read full review
-
- Critic Score
Moses Sumney and Mike Hadreas have made the albums of our strange quarantine season — bleak but tender, sprawling yet intricately detailed, as suffused with the need for physical contact as they are alert to its dangers and prohibitions. ... Stunning art-soul record. ... Yet as busy as the music can occasionally feel, both albums keep close track of the singers’ voices, which always merit the attention.- Los Angeles Times
- Posted May 19, 2020
- Read full review
-
- Critic Score
It's a masterpiece of storytelling, empathy in the midst of chaos.- Los Angeles Times
- Posted Oct 24, 2012
- Read full review
-
- Critic Score
The production is as dry as old wallpaper. But as a kind of Art Brut storytelling, it is magnificent.- Los Angeles Times
- Read full review
-
- Critic Score
While hearing the band tear through early takes on pillars from the trumpeter's electric period such as "Miles Runs the Voodoo Down" and "Spanish Key," it's hearing the band upend some of Davis' older material that may be most striking.- Los Angeles Times
- Posted Feb 6, 2013
- Read full review
-
- Critic Score
Wild and ravishing “Renaissance,” which came out Friday and immediately reshaped the conversation about 2022’s most important music. ... “Renaissance” is miles ahead of the competition. ... It’s like a carefully curated library, this whole thing, with an astonishing depth of knowledge regarding rhythm and harmony that puts Beyoncé as an arranger and bandleader on a level with Prince and Stevie Wonder.- Los Angeles Times
- Posted Aug 1, 2022
- Read full review
-
- Critic Score
At times, the fumes of ambition are so thick off "The ArchAndroid," it's hard to absorb in one sitting. All the same, it's a star-making debut.- Los Angeles Times
- Read full review
-
- Critic Score
With The Guitar Song, he's made an ambitious work that goes down easy. Johnson may masquerade as a throwback but what he really aims for is timelessness, and he usually hits his mark.- Los Angeles Times
- Read full review
-
- Critic Score
“Teenage Dream” recycles a song title of Katy Perry’s and echoes a twisty-turny melody of Lana Del Rey’s. Yet Rodrigo’s emotional presence is so strong throughout “Guts” — so believable even at its most unrelatable — that you never lose the sense of a specific young person navigating a trial of her own making.- Los Angeles Times
- Posted Sep 18, 2023
- Read full review
-
- Critic Score
In its emotional sprawl — not to mention its diverse assortment of styles, from dusty soul to throbbing trap to trippy psychedelic rock — “SOS” evokes natural memories of “The Miseducation of Lauryn Hill” and “Beyoncé.”- Los Angeles Times
- Posted Dec 8, 2022
- Read full review