For 1,599 reviews, this publication has graded:
-
62% higher than the average critic
-
3% same as the average critic
-
35% lower than the average critic
On average, this publication grades 0 points lower than other critics.
(0-100 point scale)
Average Music review score: 73
Highest review score: | Chemtrails Over the Country Club | |
---|---|---|
Lowest review score: | The New Game |
Score distribution:
-
Positive: 1,361 out of 1599
-
Mixed: 176 out of 1599
-
Negative: 62 out of 1599
1599
music
reviews
- By Date
- By Critic Score
-
- Critic Score
Though several doses of this languid, tension-filled music get a tad draining, taken altogether it is a suitable sound for our troubling times, and there's an invigorating mysteriousness.- Los Angeles Times
- Read full review
-
- Critic Score
Nouns showcases the appealing joy to No Age's process, the band attacking its music with relish and humor.- Los Angeles Times
- Read full review
-
- Critic Score
Bun B's second solo record is an impressive late-career triumph, one with a poignancy and resonance worthy of his dedication and devotion to the memory of his departed friend.- Los Angeles Times
- Read full review
-
- Critic Score
Featuring some of the Reverend's finest work in years, Green's latest is proof positive that as important as it is to show up, you still need to know how to lay it down.- Los Angeles Times
- Read full review
-
- Critic Score
Though it tails off toward the end, the second Weezer-Rubin collaboration (and the band's third self-titled album, out June 3) is a rush, starting with a sustained, four-song soliloquy on pop music's allure.- Los Angeles Times
- Read full review
-
- Critic Score
The sound is more varied and lighter on its feet with touches of harpsichord and banjo but anchored by the Hold Steady's signature: thick, humid arena rock, a high-pressure system of cresting guitars and pianos that injects these dramas with tension and embraces all their contradictions and ambiguities.- Los Angeles Times
- Read full review
-
- Critic Score
Releasing another full-length effort less than a year later is unusual, but the accelerated pace might account for the infusion of freshness that makes Hymn and Her so arresting.- Los Angeles Times
- Read full review
-
- Critic Score
Along with peers such as Emmylou Harris and John Hiatt, who also launched their careers in the '70s, Crowell seems to have found the fuel to just keep getting better.- Los Angeles Times
- Read full review
-
- Critic Score
It's no surprise that Ne-Yo sings about women on his excellent third album, Year of the Gentleman.- Los Angeles Times
- Read full review
-
- Critic Score
There's a raw energy on Little Honey--which arrives this week, a little more than a year after 2007's "West"--that's as refreshing as it is palpable.- Los Angeles Times
- Read full review
-
- Critic Score
Though he gripes that fans are always bringing up Tribe, The Renaissance is a showcase for Q-Tip's cool and empathetic consciousness.- Los Angeles Times
- Read full review
-
- Critic Score
Despite the fret board fireworks, this is an honest love letter to the art of making music.- Los Angeles Times
- Read full review
-
- Critic Score
Animal Collective still struggles with effective counterweights to its euphoric beauty--the attempt at romance on 'Bluish' is off-putting and some of the murkiness can exhaust and undermine--but it shifts so rapidly, with such conviction, that it's more fun to hunker down and surrender.- Los Angeles Times
- Read full review
-
- Los Angeles Times
- Read full review
-
- Critic Score
Most tracks stir the pulse; a few evoke the film’s overarching tenderness. Rahman’s trademark sound is polyrhythmic, nuanced and utterly polished but without sacrificing an edgy contradiction that keeps all the songs spinning on their heads.- Los Angeles Times
- Read full review
-
- Critic Score
All I Ever Wanted is a masterful rapprochement with the mainstream, full of cheerfully ear-snagging tunes, inventive production, exhilarating vocals and enough inherent Kelly-ness to put aside fears that her label bosses implanted blond electrodes in her brain to make her behave.- Los Angeles Times
- Read full review
-
- Critic Score
He organically forges those into an utterly distinctive voice that takes what's come before and artfully moves it forward with the power of a certain steel-driving man.- Los Angeles Times
- Read full review
-
- Critic Score
These songs contain O's most expressive singing yet, and the tension between her vocal performances and the band's playing results in music richer in emotion than anything the trio has done since 'Maps,' its breakout hit from 2003.- Los Angeles Times
- Read full review
-
- Critic Score
UGK 4 Life is the rare swan song that manages to be essential for the music alone.- Los Angeles Times
- Read full review
-
- Critic Score
There's plenty of apprehension in Metric's lyrics, but Fantasies isn't about wallowing. As Haines sings, "If somebody's got soul, you've got to make them move." Metric more than gets the job done.- Los Angeles Times
- Read full review
-
- Critic Score
If Swoon isn't quite this year's "Tusk," the Silversun Pickups are exploring fresh territory of their own and keeping it easy to follow.- Los Angeles Times
- Read full review
-
- Critic Score
Its musical and lyrical themes recur without fuss, and each track has its own strong identity that speaks to but isn't weighed down by the larger (and beneficially looser) narrative.- Los Angeles Times
- Read full review
-
- Critic Score
Michele is more wry than most feel-good sisters, and never sentimental. She doesn't offer any solutions to the predicament of women caught up in sweet, rough love; like those blues queens of yore, she just takes you there. The journey is gift enough.- Los Angeles Times
- Read full review
-
- Critic Score
A feast for repeated listening, Veckatimest yields the kind of eccentricities a fan can spend months winding and unwinding.- Los Angeles Times
- Read full review
-
- Critic Score
Vancouver duo Brian King and David Prowse throw themselves into every song as if it's the last one they'll ever play. That go-for-broke attitude carries their third album, which is less about the songs than the sheer joy of playing them.- Los Angeles Times
- Read full review
-
- Critic Score
Marrying firebrand lyrics with massive, pedal-pushing guitar riffs, SSSC (it sounds like a union acronym, doesn't it?) revels in the kinds of big, earnest gestures that emblematized 1990s alternative rock.- Los Angeles Times
- Read full review
-
- Critic Score
The fables and fantasy lives they depict are rendered in fairly understandable terms. Yet Far still shows the range that Spektor can travel within her dreamy world.- Los Angeles Times
- Read full review
-
- Critic Score
Its songs cast the universal emotion as gentle on the surface, with a riptide, and some bubble with quickening desire.- Los Angeles Times
- Read full review
-
- Critic Score
He sings of the land and of people who struggle to hold on to some small piece of it. It's especially powerful considering the ways in which he's transcended significant struggles of his own.- Los Angeles Times
- Read full review
-
- Critic Score
Despite its undercurrent of outrage, Branches--which expands Pedro's folksy sound with creamy keyboards, processed drum beats and the occasional spritz of glam-rock guitar.- Los Angeles Times
- Read full review