You get the impression that the sound is simply a synthesis of all the things he has listened to and enjoyed. [Nov 2001, p.76]

Groove Armada's most mature and settled work to date. [Sep 2001, p.83]

It's all ground we've covered before, but Jamiroquai do it so well and with such style that it is still worth a tumble. [Sep 2001, p.86]

The result is confused, equal parts avant garde, rock and electronic. [Sep 2001, p.90]

Expertly produced with perfected lyrical skills. [Oct 2001, p.84]

When US aren't dipping into other musical genres to "keep it fresh," the classic blippy sound shines through on "Love Song" and "Punk Club." [Aug 2001, p.82]

With its soaring guitars and crashing drums, Tweekend sounds more like a rock album than an electronic album. [Aug 2001, p.77]

Lots of rock stars have proclaimed their kinship for DJ culture, but Perry Farrell's passion seems to be one of the more genuine. [Jul 2001, p.82]

It is good to see such experimentation by an artist in a field usually associated with being so genre-specific. [July 2001, p.82]

His most refined sound to date. [Jul 2001, p.80]

Quite an experiment in not only the limits of drum 'n' bass, but listenability as well. [Jul 2001, p.81]

Maybe the stint scoring music for the acclaimed film The Virgin Suicides helped them segue their too-atmospheric-for-the-room lingerings into something more tangible. [May 2001, p.76]

Everybody Got Their Something has something for almost everybody... [Jul 2001, p.86]

In stark contrast to his previous experiments with computer sound artifacts and process-driven minimal click arias, Commers barrels out with harsh walls of thrashing interference and feedback in track after track. [Aug 2001, p.78]

A pretty solid IDM-goes-funky effort. [May 2001, p.78]

While not weighty or moody or even all that original at times, you can say one thing: Leroy's Beck-cum-brit-pop at least knows how to entertain better than most of what Carl Craig's put out lately. [Jul 2001, p.82]

The duo's ingenuity and willingness to push the envelope shines as brave and completely commendable. [Apr 2001, p.90]

The sonic equivalent of a stolen gun with its numbers sanded off: sexy, groovy, mysterious, scary. [Apr 2001, p.94]