Mojo's Scores

  • Music
For 9,650 reviews, this publication has graded:
  • 53% higher than the average critic
  • 4% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
9650 music reviews
    • 83 Metascore
    • 80 Critic Score
    Into his eighth decade of unblinkered creativity, Hayward continues to thrill. [Dec 2023, p.93]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    The necessary and sustaining art-yin to their live knees-ups’ yang, with Theatre Of The Absurd… Madness have made an album that is among their absolute best. [Jan 2024, p.90]
    • 75 Metascore
    • 80 Critic Score
    The heavy-breathing White Rabbit and Scarper comes with a prickle of John Carpenter Menance, while Last Transmission or Imminent are hyper-vigilant Tangerine Dream. There are times when a less obviously doctored emotion bleeds through, though. [Jan 2024, p.94]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    This edition adds a 1999 concert. .... It's R.E.M. at their sweetest. [Jan 2023, p.99]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    The Complete Budokan 1978 is a richer picture of this restless nerve at work. [Jan 2024, p.101]
    • Mojo
    • 74 Metascore
    • 60 Critic Score
    Grace For Saints And Ramblers, from 2013's Ghost On host, is delivered with nonchalant Lou Reed rhythm; 2017's About A Bruise displays a freewheeling agility, while The Trapeze Swingers plus right into Beam's storytelling mode. [Jan 2024, p.91]
    • Mojo
    • 85 Metascore
    • 80 Critic Score
    When his sturdy tunes do hit the jackpot, one wonders why Kirsty MacColl's hit with A New England is such a rare cover. .... Like all political songsmiths, Bragg seeks to transcend the didactic and stir the blood, and largely succeeds. [Dec 2023, p.101]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    Unlikely to soundtrack your next dinner party, but it's hard not to marvel at Matmos's cut-and-paste mastery. [Jan 2023, p.93]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    Ultimately, Innerstanding finds Harrison marking out his own territory, sustaining a brooding musical atmosphere and filling it with sterling melodies. [Jan 2024, p.88]
    • Mojo
    • 72 Metascore
    • 60 Critic Score
    Pro-synth voluntaries like Znaniya (Falkor) can jar, but the highlights foreground Atwood-Ferguson as a widescreen visionary in the David Axelrod and Charles Stepney tradition, with a Rolodex of jazz hitters to call on. [Dec 2023, p.89]
    • Mojo
    • 82 Metascore
    • 80 Critic Score
    While the collection's title acknowledges the scary presence of three Misfits songs. As for "Mistakes", however, there really are none. [Dec 2023, p.105]
    • Mojo
    • 78 Metascore
    • 60 Critic Score
    Hatfield eschews radical reinventions, but her peeling away of the more finessed layers surrounding Lynne's indestructible melodies/chord sequences works a treat on Can't Get It out Of My head, Strange Magic and Telephone Line. [Nov 2023, p.92]
    • Mojo
    • 65 Metascore
    • 60 Critic Score
    Even if there are moments when Rockstar seems under-amped, you have to admire her chutzpah. [Jan 2024, p.89]
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    "It's not too late to find where you are," he sings on The Tern; Hadsel seems to tremble on the brink of that revelation. [Dec 2023, p.88]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    If the crackle of original Dylan electrifies Marshall's voice, she finds her own phrasing, both robust and reverent, as she ringmasters Ballad Of A Thin Man's mystic forces, or brings a limpid empathy to Like A Rolling Stone. [Dec 2023, p.92]
    • Mojo
    • 88 Metascore
    • 80 Critic Score
    Reminiscent of early Nathaniel Rateliff and John Moreland, and prime John Prine, there's no reason here to doubt Martin might one day eclipse them all. [Dec 2023, p.88]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    If life's what you make it, here Anderson makes it sound very beautiful indeed. [Dec 2023, p.92]
    • Mojo
    • 72 Metascore
    • 60 Critic Score
    The quieter moments work best, like the moody, organ-led reworking of Shakin' All Over, which lesser bands have thrashed into the ground over the years but really shines here. [Dec 2023, p.86]
    • Mojo
    • 80 Metascore
    • 60 Critic Score
    Though Anderson buries his voice and words in the maelstrom, his declared (if not immediately) apparent) theme of a constantly thwarted search for "true love" seems right at home in shoegazing's characteristic marriage of bliss and anxiety. [Dec 2023, p.93]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    Los Angeles already feels like a destination record, Lee, Tolhurst and Budgie putting their decades of world-building expertise to excellent use. If the world they have built is on the brink of collapse, it only adds to the thrill. [Dec 2023, p.85]
    • 75 Metascore
    • 60 Critic Score
    A queasy heat seeps into the Sonic Youth hiss and clang of My Little Tony, Jelsy's Bad Seeds metallic thrum and Shoo's slow, high plains drift. [Dec 2023, p.94]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    They are spare but complete, as rich as old letters or photographs. [Dec 2023, p.86]
    • Mojo
    • 78 Metascore
    • 60 Critic Score
    This new box set offers a ton of unreleased tracks (47 in total). Ranging from the ropey – Schoolyard sees him at the age of 32 singing about losing his virginity at 16 to, erk, a 14-year-old girl; Horny Pony features a toe-curling rap – to the bafflingly binned, they nonetheless provide real insight into Prince’s creative mind. Highlights include ghetto chronicle The Voice, jazz instrumental tribute Letter 4 Miles (recorded two days after his friend Davis’s death) and, best of all, the gently trippy Alice Through The Looking Glass. [Dec 2023, p.105]
    • 86 Metascore
    • 80 Critic Score
    This is an intimate portrait painted in bold strokes. [Dec 2023, p.90]
    • Mojo
    • 85 Metascore
    • 80 Critic Score
    Bauhaus Staircase shows OMD thriving as much as surviving. [Dec 2023, p.91]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    The production ideas and songs, however smart, won't change the world; they will, however, prompt large swathes to sing along. [Dec 2024, p.84]
    • Mojo
    • 67 Metascore
    • 60 Critic Score
    Even when further adrift from the lost funk sampledelia that made his name, Shadow's production brilliance shines through. [Dec 2023, p.90]
    • Mojo
    • 72 Metascore
    • 60 Critic Score
    No new ground is broken, but everyone emerges unscathed. [Dec 2023, p.86]
    • Mojo
    • 90 Metascore
    • 80 Critic Score
    The emphasis on experiment and process means there are fewer newly-excavated compositions - Like Veils Said Lorraine, a For The Roses orphan; the modal guitar reveries Sunshine Raga and Bonderia, the former with tabla and free-form trilling - but no less in the way of surprises. [Dec 2023, p.96]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    The story arc LeBlanc has stitched into the songs never get in the way of sheer enjoyment of the tunes he's created. Grand concepts are a tricky move for any artist, but LaBlanc pulls it off with plomb. [Dec 2023, p.91]
    • Mojo