Mojo's Scores

  • Music
For 5,128 reviews, this publication has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 1.4 points lower than other critics. (0-100 point scale)
Average Music review score: 70
Score distribution:
5,128 music reviews
    • 97 Metascore
    • 100 Critic Score
    This album was Williams' breakthrough, with excellent songs.... A 20-track bonus CD offers a 14-song live set from that time and some very nice radio performances. [Mar 2014, p.105]
    • Mojo
    • 81 Metascore
    • 100 Critic Score
    It's reassuring that Beck Hansen can still pull an original record as substantive and absorbing as this one out of the hat. [Mar 2014, p.86]
    • Mojo
    • 81 Metascore
    • 100 Critic Score
    This is unashamedly traditional: committed, personal and really quite perfect. [May 2014, p.91]
    • Mojo
    • 95 Metascore
    • 100 Critic Score
    Though true sub-notes of contemplation are hard to find in Noel’s initial tranche of songs, there’s vulnerability in his solo version of Half The World Away recorded live in a Tokyo hotel room on September 16, 1994, as Oasis madness spiralled in earnest. It’s this expanded edition’s one true unreleased gem. [Jun 2014, p.102]
    • 93 Metascore
    • 100 Critic Score
    This 1981 release was the middle and probably the greatest of Grace Jones's Compass Point trio. [Jun 2014, p.106]
    • Mojo
    • 80 Metascore
    • 100 Critic Score
    Brace yourself. This album is more clinging than quicksand, it is uncompromising, transcendent voodoo. [Sep 2014, p.92]
    • 94 Metascore
    • 100 Critic Score
    On this recording--as well as his body of work--Trane proved that music is the superior language. And that there is only one John Coltrane. [Oct 2014, p.100]
    • Mojo
    • 86 Metascore
    • 100 Critic Score
    You couldn't wish for a more fitting musical soundtrack to the rest of your 2014. [Nov 2014, p.96]
    • Mojo
    • 99 Metascore
    • 100 Critic Score
    The Basement Tapes ignored every record-producing rule while remaining true to the muse. [Dec 2014, p.109]
    • Mojo
    • 100 Metascore
    • 100 Critic Score
    By revealing a snapshot of the creative process part-way through, the working mix included on IV's companion CD only adds to tone's grasp of their artistic achievement. [Nov 2014, p.106]
    • Mojo
    • 100 Metascore
    • 100 Critic Score
    The seething, sweat-drenched yet shiny Doolittle is the complete package--and still a reason to believe. [Jan 2015, p.108]
    • Mojo
    • 90 Metascore
    • 100 Critic Score
    No Cities To Love stares down its troubles, power and joy ultimately lying in the hands of the people who can write such songs. [Feb 2015, p.86]
    • Mojo
    • 82 Metascore
    • 100 Critic Score
    An instinctive and honest sublimation of a state of mind, full of intriguing revelations but leaving enough questions unanswered to keep you ever seeking more in its grooves. [Feb 2015, p.88]
    • 90 Metascore
    • 100 Critic Score
    This is a fine celebration of a finely poetic band. [Feb 2015, p.103]
    • Mojo
    • 82 Metascore
    • 100 Critic Score
    This extraordinary record is more refreshing burst than last gasp and its timelessness speaks more to life than death.
    • 97 Metascore
    • 100 Critic Score
    You can file the seven bonus alternative mixes under "interesting" rather than "essential," but the sheer magnificence of the rest remains undiminished. [Apr 2015, p.108]
    • Mojo
    • 84 Metascore
    • 100 Critic Score
    Fantasy Empire buzzes, drills and throbs with a brutal power that is relentlessly, terrifyingly exciting. [Apr 2015, p.89]
    • Mojo
    • 92 Metascore
    • 100 Critic Score
    Bouquets from a Cloudy Sky is a fitting celebration of a band that, 50 years after the release of their debut, remain utterly unrepentant. [Mar 2015, p.107]
    • Mojo
    • 79 Metascore
    • 90 Critic Score
    Their most affecting and cohesive statement to date. [Oct 2001, p.108]
    • Mojo
    • 71 Metascore
    • 90 Critic Score
    [A] sensual, endlessly inventive record. [Aug 2003, p.106]
    • Mojo
    • 80 Metascore
    • 90 Critic Score
    An extraordinary album. [Aug 2002, p.95]
    • Mojo
    • 79 Metascore
    • 90 Critic Score
    Sea Change aches too thoroughly to be mere career shift. It's the kind of album that at times seems too sad for the singer's own good. [Album of the Month, Oct 2002, p.90]
    • Mojo
    • 81 Metascore
    • 90 Critic Score
    Could well be her finest yet. [Oct 2001, p.128]
    • Mojo
    • 75 Metascore
    • 90 Critic Score
    The playing is terrific throughout... [Jan 2001, p.98]
    • Mojo
    • 84 Metascore
    • 90 Critic Score
    A phenomenal album.... As always, Wire embrace the technology of the day while always sounding somehow out of time. [May 2003, p.91]
    • Mojo
    • 87 Metascore
    • 90 Critic Score
    Hood have crafted a singular meeting of modern electronics, carefully layered arrangements and more conventional rock melancholia. [Dec 2001, p.96]
    • Mojo
    • 80 Metascore
    • 90 Critic Score
    Greying at the edges, its tremor more pronounced, his voice is sober, honest, defiant. And it turns rock songs into something that sounds as old as the hills.
    • 77 Metascore
    • 90 Critic Score
    This is a truly freeflowing masterpiece that stands shoulder to shoulder with Mos Def's 'Black On Both Sides.'
    • 75 Metascore
    • 90 Critic Score
    A satisfying, and often very moving, body of work. [Dec 2001, p.100]
    • Mojo
    • 87 Metascore
    • 90 Critic Score
    A seamless, melodic blend of psychedelia and C&W... the songs and instrumentals here hang together beautifully. [Nov 2004, p.95]
    • Mojo