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- Summary: The latest full-length release from Atlanta post-punk trio Omni features a guest appearance by Izzy Glaudini of Automatic.
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- Record Label: Sub Pop
- Genre(s): Pop/Rock, Alternative/Indie Rock
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Score distribution:
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Positive: 8 out of 8
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Mixed: 0 out of 8
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Negative: 0 out of 8
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Feb 16, 2024The result is indie rock, and Omni, at their 100% best and most exhilarating.
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Feb 16, 2024We find Omni changing the formula only slightly and having incredible success with it. Highly recommended. Underrate them at your peril.
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UncutFeb 13, 2024An instantly engaging, 11-track set with zip, heart, sly humour and real staying power, which shucks off the often dry terseness of the genre without trashing its template. [Feb 2024, p.34]
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MojoFeb 13, 2024It's over in a flash, an exhilarating fairground ride you won't want to disembark. [Mar 2024, p.88]
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Feb 16, 2024Souvenir never feels nostalgic. It’s too fast-paced, with only one song extending past three-and-a-half seconds. It’s too brisk, mechanical and brittle to deal in memories. The album shines when it delivers those high-octane moments of rock. These are no souvenirs; they’re gifts for the present.
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Feb 27, 2024The band’s deepest, and strongest, album to-date.
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Feb 13, 2024Listening to Souvenir, I can’t help but think of Stuck, the Chicago post-punk-into-no-wave outfits that sometimes refers to itself as “evil Omni.” .... Comparing the two, you might begin to wonder if there’s anything solid behind Omni’s detached cleverness, it’s super clean, super manicured attack. Maybe regular Omni could benefit from a touch of evil.