Mojo's Scores

  • Music
For 9,681 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
9681 music reviews
    • 83 Metascore
    • 100 Critic Score
    Tempest is Dylan's best musical album of this century, a vibrant maximising of strict rules and the savaged-leather state of that voice. [Oct 2012, p.84]
    • Mojo
    • 90 Metascore
    • 100 Critic Score
    Eight long-deleted vinyls 45s and EPs bring back prized gems by The Congos, Linval Thompson and Freddy McKay, the 24-page large-format booklet putting everything into perspective. [Jan 2020, p.104]
    • Mojo
    • 74 Metascore
    • 100 Critic Score
    Perhaps not as many musical genres are represented as might have been but it's still a good reminder of just how many styles Holly's music crossed and influenced, if not invented. [Aug. 2011, p. 99]
    • Mojo
    • 87 Metascore
    • 100 Critic Score
    It routinely achieves a perfect fusion of forma nd content. [Dec 2021, p.87]
    • Mojo
    • 100 Metascore
    • 100 Critic Score
    By revealing a snapshot of the creative process part-way through, the working mix included on IV's companion CD only adds to tone's grasp of their artistic achievement. [Nov 2014, p.106]
    • Mojo
    • 81 Metascore
    • 100 Critic Score
    This is unashamedly traditional: committed, personal and really quite perfect. [May 2014, p.91]
    • Mojo
    • 86 Metascore
    • 100 Critic Score
    The result is an album that goes far beyond emulation or pastiche to capture the emotional heart of a strange and elusive film, soaring from rapturous highs to quiet, introspective lows, vital romantic life undercut by a melancholy twilight sadness. [Apr 2018, p.89]
    • Mojo
    • 86 Metascore
    • 100 Critic Score
    SFA's first truly flawless album.... Sad, lush, romantic, beautiful, heartbroken, crazy, this is an album powerful enough to make you shout out loud in public or cry alone at night. [Aug 2001, p.96]
    • Mojo
    • 84 Metascore
    • 100 Critic Score
    Fantasy Empire buzzes, drills and throbs with a brutal power that is relentlessly, terrifyingly exciting. [Apr 2015, p.89]
    • Mojo
    • 94 Metascore
    • 100 Critic Score
    The fabulous final versions of these songs often haven't travelled far from their rougher cuts, possibly because Harvey's voice, matured into a sumptuous growl, anchors the mood in enough grandeur. [Nov 2020, p.94]
    • Mojo
    • 99 Metascore
    • 100 Critic Score
    Sensitively remixed and remastered--like cleaning stained glass for brighter colours--and in combinations of formats, here's a masterpiece that lives up to its legend. [Oct 2018, p.106]
    • Mojo
    • 88 Metascore
    • 100 Critic Score
    [They] have made an evolutionary leap in rock. [Jun 2005, p.108]
    • Mojo
    • 85 Metascore
    • 100 Critic Score
    Have One on Me is a very mature work indeed, even its resonant, discursive themes are underpinned by Newsom's usual playfulness. [Apr 2010, p.90]
    • Mojo
    • 91 Metascore
    • 100 Critic Score
    A jarring and gorgeous reminder that our suffering is neither new nor negligible. [May 2021, p.79]
    • Mojo
    • 90 Metascore
    • 100 Critic Score
    There's much to digest here but absolutely no filler--each song is a priceless gem. [Jan 2004, p.110]
    • Mojo
    • 87 Metascore
    • 100 Critic Score
    Some of the songwriting is exceptional. [Dec 2003, p.114]
    • Mojo
    • 86 Metascore
    • 100 Critic Score
    The result is fittingly breathtaking, a singer destroying his own work, yet creating something more elegiac and profound in the process. [Aug 2016, p.90]
    • Mojo
    • 87 Metascore
    • 100 Critic Score
    What Dizzee Rascal has done with this record is find his own - profoundly satisfying - balance between grime's digital vortex of ringtones and car alarms and an older more contemplative electronic tradition. [Oct 2004, p.104]
    • Mojo
    • 75 Metascore
    • 100 Critic Score
    Elephants On Acid finds Cypress Hill not only recapturing the dynamism and urgency of their early-90s heyday, but also taking that energy somewhere completely new. [Nov 2018, p.84]
    • Mojo
    • 88 Metascore
    • 100 Critic Score
    A richer feast, from more humble ingredients, could scarcely be imagined. [May 2012, p.82]
    • Mojo
    • 73 Metascore
    • 100 Critic Score
    Less exotic perhaps than the West Coast, Brazilian, German and Franco-Italian musical forays of the past, but even more remarkably musical, intriguingly textured and affecting. [Nov 2003, p.130]
    • Mojo
    • 89 Metascore
    • 100 Critic Score
    Luminous and alive, Dear Scott is just what Mick does: Head music, straight from the heart. [Jun 2022, p.82]
    • Mojo
    • 92 Metascore
    • 100 Critic Score
    Great songs and renewed relevance aside, Woody at 100's greatest bounty may still be Guthrie's own sketches and illustrations, beautifully reproduced in the book. [Oct 2012, p.101]
    • Mojo
    • 87 Metascore
    • 100 Critic Score
    His rare talent for corralling emphatic musicians into his rhythmically intense, entrancing vision adds a whole new spin to the Indo-jazz continuum. [Aug 2019, p.91]
    • Mojo
    • 74 Metascore
    • 100 Critic Score
    In a way, Trampin' is to this decade what Horses was to the '70s: a repudiation of its time, and the promise of a way forward. [Apr 2004, p.98]
    • Mojo
    • 93 Metascore
    • 100 Critic Score
    All this may seem so exhaustive as to verge on the absurd, but fear not. It is the most fascinating document imaginable. [Dec 2016, p.100]
    • Mojo
    • 81 Metascore
    • 100 Critic Score
    [An] alarming intimacy is the bedrock of Devils & Dust. [Jun 2005, p.92]
    • Mojo
    • 95 Metascore
    • 100 Critic Score
    The quantity and quality of the songs they have unearthed that didn't make it onto Deja Vu is pretty amazing. [Jun 2021, p.99]
    • Mojo
    • 75 Metascore
    • 100 Critic Score
    New stuff for him every bit, from pain to process, and consequently unprecedented in his previous work is the sweet melancholy measure of his voice. His songwriting, too, emerges liberated, lyrics forged, melodies flowing. [Apr 2013, p.86]
    • Mojo
    • 82 Metascore
    • 100 Critic Score
    Intense, painfully frank, hysterically funny,and in the end, exultant... OSIGTS isn't always an easy listen, but it does offer a fearless experience that invests pop with more theatricality than the form can usually tolerate. [Jul 2012, p.80]
    • Mojo