New Musical Express (NME)'s Scores
- Music
For 6,014 reviews, this publication has graded:
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55% higher than the average critic
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4% same as the average critic
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41% lower than the average critic
On average, this publication grades 1.9 points lower than other critics.
(0-100 point scale)
Average Music review score: 71
Highest review score: | to hell with it [Mixtape] | |
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Lowest review score: | Maroon |
Score distribution:
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Positive: 4,234 out of 6014
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Mixed: 1,627 out of 6014
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Negative: 153 out of 6014
6014
music
reviews
- By Date
- By Critic Score
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- New Musical Express (NME)
- Posted Apr 28, 2014
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While its synthetic atmospheres initially intrigue... The music wavers indecisively between structure and formlessness, ending up as curiously misshapen objects, half-finished designs.- New Musical Express (NME)
- Posted Jul 27, 2012
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Alas, it's unlikely that the applause will stretch to actually wanting to listen as the looping metallic effects, heart-attack drums and seemingly played-backwards female vocals confuse more than impress.- New Musical Express (NME)
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While their true believers might not mind the record’s overall lack of variety, for anyone new to the band there’s little on None The Wiser to separate them from the indie-rock chaff.- New Musical Express (NME)
- Posted Jan 21, 2014
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Sadly, The (I)NC have mistaken the ultra-safe sound of maximum R&B for the scream of revolution. [24 Jul 2004, p.49]- New Musical Express (NME)
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- Critic Score
Too often, ¡Tré! falls back on a formula--fast, box-ticking choruses fashioned from chords you can count on the fingers of one hand--that Green Day have pretty much stretched to breaking point.- New Musical Express (NME)
- Posted Dec 10, 2012
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If it’s your introduction to them, there’s likely just about enough to convince you to dig a little further. ... But if you’re a survivor of the ‘00s indie scene, there are no new tricks here that’ll stump you. The by-the-numbers feel of ‘Four Leaf Clover’ makes us feel like the unlucky ones, and ‘Tesco Disco’ should have been left in the reduced section.- New Musical Express (NME)
- Posted Sep 4, 2018
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It does little to either push Turner forward or tell these stories satisfactorily.- New Musical Express (NME)
- Posted Aug 16, 2019
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Gone are the fizzy sun-drenched hooks and pint-chucking riffs, and in their place are mawkish vocals, melodramatic breaks and dreary lyrics.- New Musical Express (NME)
- Posted Apr 8, 2019
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There are far too many children’s voices, snatches of birdsong, glissandi of saccharine strings, and always the half-heard, half-sensed thwack of Frisbee upon social media manager.- New Musical Express (NME)
- Posted Jul 1, 2016
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'Plans' is produced within an inch of its shiny, whitebread life and the Cutie seem to have lost their faux-naive subtleties, becoming the non-thinking man's Coldplay along the way. [27 Aug 2005, p.74]- New Musical Express (NME)
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- Critic Score
Their rootsy rattle'n'roll fails to connect with anything more grabbing than a vague lyrical nostalgia.- New Musical Express (NME)
- Posted Jan 18, 2012
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Their default position is to panel it: hard-driving Zep-worship so unvarying in its pace that Everyday Demons comes on like one long undead riff plus a lot of yawled guff about about being an ‘Evil Man’ with ‘Demon Eyes.'- New Musical Express (NME)
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An affectionate, fuzzy-felt melodic alt.country rocking affair with sugarcane barbed lyrics. [26 Jun 2004, p.54]- New Musical Express (NME)
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A slow slog through a murky alternate dimension, from a band who made their name on vibrancy and experimentation, Inside The Rose is frustratingly lacking in both.- New Musical Express (NME)
- Posted Mar 22, 2019
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All we learn from these wispy solo offerings is that Lemonheads songs are not improved by persistent cassette hiss and background noise.- New Musical Express (NME)
- Posted Feb 3, 2012
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- New Musical Express (NME)
- Posted May 2, 2012
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- New Musical Express (NME)
- Posted Sep 30, 2013
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Amid the smartly rendered pastiche of this debut, Bainbridge references Prince and Janet Jackson, yet turns those joyous sounds unpleasantly arch.- New Musical Express (NME)
- Posted Mar 20, 2012
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Mostly it's just a heavily lacquered drone, an album so restrained as to sound almost calculated. [29 Jan 2005, p.58]- New Musical Express (NME)
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- Critic Score
Sounds like an even less energetic Alicia Keys. [24 Jun 2006, p.43]- New Musical Express (NME)
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- Critic Score
It’s hard to see where Bugg goes from here: he’s either a man still in search of a niche or, more worryingly, locked into the wrong one.- New Musical Express (NME)
- Posted Aug 31, 2017
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Tongue-in-cheek humour is Pump’s biggest selling point, but many of the album’s 16 songs (most of which have a running time of just over two minutes) feel like little more than regurgitated punchlines or uninspired variations on themes already set up and adequately executed on the rapper’s early tracks.- New Musical Express (NME)
- Posted Feb 27, 2019
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Sure, 'J.Lo' is competent, but like Lopez's voice, it lacks sincerity and warmth.- New Musical Express (NME)
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Despite some positives, Gesaffelstein isn’t able to recreate past glories, nor advance on them--or even successfully reinvent himself. By the end of it, you’re mostly left feeling confused and underwhelmed.- New Musical Express (NME)
- Posted Apr 8, 2019
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Through this, In Plain Sight has a frustrating tendency to lean on cliché; there’s a nagging feeling of déjà vu in listening to a record that has been made thousands of times before.- New Musical Express (NME)
- Posted May 24, 2019
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- New Musical Express (NME)
- Posted Jan 18, 2012
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Honesty is often lost in overproduction, both in the music and in his lyricism. It is listenable, summery and occasionally thought-provoking, but tired in its laboured pushes for emotional sincerity.- New Musical Express (NME)
- Posted Apr 4, 2019
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Occasionally they hit an addictive groove, but you'd hope so given that the songs are each five to 10 minutes long. Messy, and not in the good way.- New Musical Express (NME)
- Posted Mar 22, 2011
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Ant's famous sartorial attention to detail doesn't extend to the music here, as experimentalism meanders into the bizarre and unlistenable.- New Musical Express (NME)
- Posted Jan 22, 2013
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