New Musical Express (NME)'s Scores
- Music
For 6,017 reviews, this publication has graded:
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55% higher than the average critic
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4% same as the average critic
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41% lower than the average critic
On average, this publication grades 1.9 points lower than other critics.
(0-100 point scale)
Average Music review score: 71
Highest review score: | to hell with it [Mixtape] | |
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Lowest review score: | Maroon |
Score distribution:
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Positive: 4,237 out of 6017
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Mixed: 1,627 out of 6017
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Negative: 153 out of 6017
6017
music
reviews
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- New Musical Express (NME)
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A muddled album that claims to love pop, but seems thoroughly averse to having any kind of fun.- New Musical Express (NME)
- Posted Aug 20, 2021
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[Danger Mouse's] electronics in ‘Lucid’ detract from the caper and the sub-Lily Allen skank of ‘Jelly Belly’ is ill-advised, while ‘The Running Goblin’’s harpsichord mires it in a midden of shtick.- New Musical Express (NME)
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Her debut had some killer pop singles like 'Black Horse And The Cherry Tree', but on Drastic Fantastic her talent and quirks have been mostly hidden under a gloss of studio production and bland AOR.- New Musical Express (NME)
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It quickly grows dreary when there’s not a knowing smirk to match the intensity.- New Musical Express (NME)
- Posted Aug 7, 2020
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On the whole, this is a mixed bag. ‘LP1’ shows a more grown-up side to the former One Direction member, and cherry-picks from pretty much every genre that’s in vogue right now. The problem is that it doesn’t tell us much about Liam Payne.- New Musical Express (NME)
- Posted Dec 6, 2019
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Overall, U2 have built a stadium rock cruise liner they’ve zero interest in rocking, and Experience is 50 minutes of very plain sailing indeed.- New Musical Express (NME)
- Posted Nov 29, 2017
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This barrage of generalised morality is cozened by overwrought production that sees the sun-baked reggae backbone of his previous efforts stripped out to make way for a confusing hotch-potch of styles and an overwhelming sense of desperation.- New Musical Express (NME)
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Combin[es] the chummy West Coast country pop of The Thrills with the plink-plonk pub piano philosophising of Embrace. [3 Jun 2006, p.33]- New Musical Express (NME)
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Sticking to the formula followed by fellow Welsh emo posers Lostprophets and Funeral For A Friend, the generic metalcore verses and overblown choruses are all present and correct.- New Musical Express (NME)
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Sadly, it seems that with 'Audioslave' these people who were involved in some very exciting rock records in the 1990s, now seem happy to be making some bad ones from the 1970s.- New Musical Express (NME)
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Benjamin Power, on his first record as Blanck Mass, isn't really breaking their spacey, rushing mould, instead slowing it down and ironing out the thrills.- New Musical Express (NME)
- Posted Jun 30, 2011
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This isn’t a country album at all; rather it’s an excuse for Diplo to wear some razzle-dazzle Nudie Cohn-style suits and fancy cowboy hats.- New Musical Express (NME)
- Posted May 28, 2020
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Listening to 'Blue' is like meeting your first girlfriend ten years on, and realising that the things you fell in love [with] are long gone. [19 Jun 2004, p.56]- New Musical Express (NME)
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The record peaks with its first two songs.... The rest is Condon shirking off the grandeur of his earlier arrangements with his simplest songs yet, but without showing he’s got the songwriting chops to move on.- New Musical Express (NME)
- Posted Sep 22, 2015
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More often than not Origins falls flat, with insipid choruses and melodramatic refrains. Big, bold and a little bit naff, this is another bread and butter album from a mindbogglingly huge group.- New Musical Express (NME)
- Posted Nov 15, 2018
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Although Cruz’s downfall comes when he acts the player (‘Break Your Heart’, ‘Dirty Picture’), it’s obvious his real talent comes when he exchanges vocal manipulation for balladeering as on ‘Falling In Love’, and disregards romantic cynicism for a rather hopeful ‘The 11th Hour’.- New Musical Express (NME)
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The more this album wears on, the more it feels a world away from the band who once grabbed attention with that charming and vibrant 2003 album. ‘Lovers Rock’ features moments that will satisfy those who’ve stuck by the band this far, but it ultimately feels like The Dears are running out of gas.- New Musical Express (NME)
- Posted May 18, 2020
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File this under 'disappointing'.- New Musical Express (NME)
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They appear to be sincere in their sloganeering so you’ve got to admire them, but, really, the message of a song like ‘New Orleans’ gets seriously undermined by the shiny Busted balloon it’s caught inside.- New Musical Express (NME)
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This album was their biggest and best opportunity to change that perception, but no matter how many freight-loads it ends up selling by, it hasn't succeeded.- New Musical Express (NME)
- Posted May 24, 2011
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They've stuck the bleeps on autopilot, the beats on cruise control, and can only be bothered writing a handful of half-decent tunes. [5 Feb 2005, p.50]- New Musical Express (NME)
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Resembles the Arcade Fire if they were from the Renaissance era and rubbish. [23 Jul 2005, p.50]- New Musical Express (NME)
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There ain't too much here that's going to add to her legacy. Rather, there's the unmistakable sense of someone treading water, with even the OK bits here sounding uninspired.- New Musical Express (NME)
- Posted Jun 27, 2011
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Problem is, there's a dearth of ideas here that means the whole shebang clings to cloying, torturously repetitive pastiche rather than doing anything particularly innovative.- New Musical Express (NME)
- Posted May 23, 2011
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Placebo have been plumbing the same vein for so long, they've slipped into self-parody and come out the other side with their lipstick all smudged.- New Musical Express (NME)
- Posted Sep 23, 2013
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Faux-feminist tracks such as 'Dirty Mind' are more Austin Powers than Phil Spector, too self-conscious to hit the heart-bursting heights of the originals, too much a pastiche to forge anything new. [15 Jul 2006, p.37]- New Musical Express (NME)