New Musical Express (NME)'s Scores

  • Music
For 3,794 reviews, this publication has graded:
  • 50% higher than the average critic
  • 4% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 4.1 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 Embryonic
Lowest review score: 0 Jagged Little Pill Acoustic
Score distribution:
3,794 music reviews
    • 97 Metascore
    • 90 Critic Score
    'Smile' stands up with any of the great music of the 20th century. [25 Sep 2004, p.63]
    • New Musical Express (NME)
    • 95 Metascore
    • 90 Critic Score
    The good--no, the astonishing--news is that this constantly engrossing record repays a decade and a half's faith and patience. D'Angelo has scuttled down the digital chimney with an early Christmas gift with long-lasting rewards: not just one of the best records of 2014, but one that will stay with you throughout next year, too.
    • 94 Metascore
    • 90 Critic Score
    It's the best thing he's done since his game-changing debut, and heartening evidence to suggest the self-professed Louis Vuitton don is in a good place right now.
    • 92 Metascore
    • 90 Critic Score
    One of the most assured debut albums of the last five years.
    • 92 Metascore
    • 90 Critic Score
    The eloquence, barbarism, tenderness and sweat-drenched vitality of 'Elephant' make it the most fully-realised White Stripes album yet.
    • 91 Metascore
    • 90 Critic Score
    'A Grand Don't Come For Free' is proof that 'Original Pirate Material' wasn't a happy fluke.
    • 91 Metascore
    • 100 Critic Score
    Simply put, Strokes have every quality rock'n'roll requires from its finest exponents and Is This It is where they come together.
    • 90 Metascore
    • 90 Critic Score
    For those of us who still believe in music's power to redeem, 'Funeral' feels like detox, the most cathartic album of the year. [5 Mar 2005, p.49]
    • New Musical Express (NME)
    • 90 Metascore
    • 90 Critic Score
    The angriest, least compromised, most utterly justified pop record in years ?
    • 90 Metascore
    • 90 Critic Score
    Z
    By balancing progression with consolidation, technology with tradition, MMJ have created a work of stunningly expansive ambition. [15 Oct 2005, p.36]
    • New Musical Express (NME)
    • 89 Metascore
    • 90 Critic Score
    Cranking the urgency and confrontation of last year's self-titled debut to neck-breaking intensity, RTJ2 is an urgent, paranoid album for a violent, panicked time.
    • 89 Metascore
    • 90 Critic Score
    Soul music full of remarkable sonic ideas.
    • 89 Metascore
    • 90 Critic Score
    'Since I Left You' is proof that while being a vinyl junkie might not make you a teen idol, crafting a joyous, kaleidoscopic masterpiece of sun-kissed disco-pop definitely will.... Cool? Sure, whatever. Brilliant? Undoubtedly.
    • 89 Metascore
    • 90 Critic Score
    It's thrillingly obvious that Junior Boys have made one of the year's best albums. [31 Jul 2004, p.41]
    • New Musical Express (NME)
    • 89 Metascore
    • 90 Critic Score
    Their world - sexual, drug-filled, and occasionally paranoid - has become progressively darker, and as such we find them nothing less than guardians of the rock flame.
    • 88 Metascore
    • 90 Critic Score
    It’s an insane and challenging, ambitious and exceptional work of art.
    • 88 Metascore
    • 90 Critic Score
    Slightly less lo-fi than previous efforts--although as it blends together Slayer, Japanese noisecore and warp-speed prog intricacy, sound recording fidelity is a relative concept. [5 Nov 2005, p.45]
    • New Musical Express (NME)
    • 88 Metascore
    • 90 Critic Score
    This is wild music, a celestial cabaret that absorbs and unsettles.
    • 88 Metascore
    • 90 Critic Score
    Odd, addictive, unsettling and beautiful. [8 Jul 2006, p.41]
    • New Musical Express (NME)
    • 88 Metascore
    • 90 Critic Score
    PJ Harvey's best album since 1991's 'Dry', a return to the feral intensity of that remarkable debut.... The clarity of the electric guitars played by Harvey, Rob Ellis and Mick Harvey is enough to make you fall in love with elemental rock all over again.... You could quibble Harvey has absolved her responsibilities by making an album earthed in the New York sound of 20 or 30 years ago. But when rock is so invigorating, so joyous about love, sex and living, all arguments are null and void.
    • 88 Metascore
    • 90 Critic Score
    While this is clearly not the record Smith intended to make, it's still an immensely gripping and cohesive piece of work. [23 Oct 2004, p.47]
    • New Musical Express (NME)
    • 88 Metascore
    • 90 Critic Score
    Sonically, it was staggering.
    • 88 Metascore
    • 90 Critic Score
    [A] brilliant album.
    • 88 Metascore
    • 90 Critic Score
    This is murderously good stuff. [25 Sep 2004, p.64]
    • New Musical Express (NME)
    • 88 Metascore
    • 90 Critic Score
    'Remedy' is probably as good a dance album as anyone from these Isles has produced this decade.
    • tbd Metascore
    • 90 Critic Score
    It is one thing to make a clever record, it is quite another to make a clever record that could pass for a pop album, and which oozes humanity while simultaneously delivering a perfect snapshot of modern British life.
    • 87 Metascore
    • 90 Critic Score
    Lyrically it's astonishing. [28 Aug 2004, p.55]
    • New Musical Express (NME)
    • 87 Metascore
    • 90 Critic Score
    Uniformly excellent.... Few, if any, British bands are making music quite like this right now.
    • 87 Metascore
    • 90 Critic Score
    Low have always sought to make music that can both swell the heart like a gospel tune and capture the amplified absence of a funeral parlour. It's difficult to imagine a more perfect expression of their vision than this.
    • 87 Metascore
    • 90 Critic Score
    Let's Stay Friends arrives as a startling cannon-shot message of brain-thawing intent.