NOW Magazine's Scores

  • Music
For 2,812 reviews, this publication has graded:
  • 43% higher than the average critic
  • 2% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 6.9 points lower than other critics. (0-100 point scale)
Average Music review score: 66
Highest review score: 100 The Life Of Pablo
Lowest review score: 20 Testify
Score distribution:
2812 music reviews
    • 89 Metascore
    • 80 Critic Score
    In 1995 at the Source Awards, Andre 3000 made an iconic callout: “The South got something to say.” In under 40 minutes, Solange re-asserts the claim on a grander scale: the South has still got something to say.
    • 89 Metascore
    • 80 Critic Score
    Apple's return to music is not only undeniably powerful, but Idler is arguably her best work yet.
    • 89 Metascore
    • 80 Critic Score
    While they’ve obviously raised production values for Merriweather Post Pavillion--the sound of guitars has been eclipsed by a sampledelic woosh and gurgle--Animal Collective fans will be relieved to find the group keeping a safe distance from mainstream pap.
    • 89 Metascore
    • 100 Critic Score
    Illmatic is timeless because of Nas’s introspective, hyper-detailed approach to his daily life--even to moments that don’t seem particularly notable.
    • 88 Metascore
    • 80 Critic Score
    American Band's force comes from its unflinching exploration of what it means to be American in 2016 and its assertion that questioning the status quo is necessary for the country to survive and thrive. Just in time for the presidential election.
    • 88 Metascore
    • 80 Critic Score
    Over the years, his raps grew less engrossing and his albums bombed atomically. But he’s back on point with OB4CL2, sounding as fierce and focused as ever.
    • 88 Metascore
    • 80 Critic Score
    Newsom's working with a darker palette of colours here, and in all respects--her ideas, musicianship and vocals--is evidently a master.
    • 88 Metascore
    • 60 Critic Score
    There's plenty to enjoy here, but very little to get worked up about.
    • 88 Metascore
    • 60 Critic Score
    There are moments where the restraint feels almost too determined, as though the abundance of care and attention to subtle detail also places a cap on the kind of impulsive energy essential to a rock-oriented band.
    • 88 Metascore
    • 80 Critic Score
    It’s relatable while remaining singular, and unsurprisingly it’s also (mostly) bangin’.
    • 88 Metascore
    • 80 Critic Score
    The most engaging film characters have likeable qualities that conflict with something that’s inherently hard to stomach. Brooklyn’s TV on the Radio masterfully employ this tension in Dear Science,--apparently their major breakthrough album.
    • 88 Metascore
    • 90 Critic Score
    A densely tangled masterpiece that floods and floors by straddling swaggering grooves and boggling cacophony.
    • 88 Metascore
    • 80 Critic Score
    A stellar, necessary batch of smart rock songs.
    • 88 Metascore
    • 80 Critic Score
    This album is full of bangers and achieves what so many hip-hop heads, old and new, are longing for: music with a message, loud and clear.
    • 88 Metascore
    • 80 Critic Score
    Despite all of its references, Reservation is original, cohesive, absorbing and Haze's most polished release to date.
    • 88 Metascore
    • 80 Critic Score
    While the sheer density of Bejar's writing can be overwhelming, Destroyer's Rubies is, on a musical level, the most 'accessible' disc he's released in years.
    • 88 Metascore
    • 80 Critic Score
    If any rap group could pull off a project this unwieldy, it's the Roots, and they make it seem effortless.
    • 88 Metascore
    • 100 Critic Score
    It's true that we've come to expect a certain level of genius from this band, but when they actually exceed expectations, as they do here, it's a clear sign that Radiohead will continue to reinvent themselves and drop more jaws along the way.
    • 88 Metascore
    • 80 Critic Score
    Themes of isolation and solipsism unfold musically as much as lyrically. Produced with help from Flaming Lips go-to guy Dave Fridmann, Lonerism surprises with layers of detail.
    • 88 Metascore
    • 100 Critic Score
    A master class in School of Iommi doom metal.
    • 88 Metascore
    • 100 Critic Score
    Art Angels is a major victory for deep weird.
    • 88 Metascore
    • 100 Critic Score
    This is Ghostface's best album.
    • 88 Metascore
    • 80 Critic Score
    You’re Dead! is experimental and often ambient, but has so much attention to detail and raw talent (Herbie Hancock, Angel Deradoorian, Kendrick Lamar) that it could never be background music.
    • 88 Metascore
    • 80 Critic Score
    An all-you-can-eat steak buffet for listeners. ... The musical arrangements are even sparser than Callahan’s last studio album, 2013’s Dream River, yet his foghorn voice remains intimately pushed to the forefront of the mix.
    • 88 Metascore
    • 80 Critic Score
    As good as it is, it’s clear that Vernon still has room to grow. A few songs could have used a little extra instrumental kick, and while his songs are great, you can tell he has more to offer. Keep an eye on this one.
    • 87 Metascore
    • 80 Critic Score
    Holter confidently and impressively takes her music wherever she wants.
    • 87 Metascore
    • 80 Critic Score
    The clever hook is keeping everything fuzzy enough to create a trippy mystique that makes it difficult to pinpoint what's happening or where it's all leading.
    • 87 Metascore
    • 80 Critic Score
    Although there's cosmic energy in the music's upward trajectory, it comes from a decidedly earthbound live-off-the-floor approach rather than meticulously sculpted production.
    • 87 Metascore
    • 80 Critic Score
    A couple of songs, like How To Forget, are well written but not quite interesting enough musically. Still, this album proves that Isbell is still one of the best songwriters in his genre.
    • 87 Metascore
    • 80 Critic Score
    While there’s nothing quite as disorienting and alien as Loveless’s dramatic opening song, Only Shallow, there’s notable evolution in both the songwriting and sound, and the overall flow of the album actually seems tighter.