Playlouder's Scores

  • Music
For 823 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 3.1 points lower than other critics. (0-100 point scale)
Average Music review score: 70
Highest review score: 100 An End Has A Start
Lowest review score: 0 D12 World
Score distribution:
  1. Negative: 56 out of 823
823 music reviews
    • 72 Metascore
    • 70 Critic Score
    Home recording gives 'In Case We Die' an apathetic politeness that lacks any real grrrrr, which is a shame.
    • 56 Metascore
    • 40 Critic Score
    While 'Bleed Like Me' is easily better than 'Beautiful Garbage', it's still not worth buying. It's recognisably Garbage, but it's unarguably garbage too.
    • 76 Metascore
    • 90 Critic Score
    Everything feels bolder than before, more assured of the rightness of singing from places that most lyricists fear to tred. In textures and words alone, 'Open Season' is a country mile ahead of any of the supposedly heroic guitar debuts knocking around in 2005.
    • 84 Metascore
    • 80 Critic Score
    The Books make the incongruous harmonious, the silly sensitive and the complex easy to understand. 'Lost And Safe' will sweep you up into an aural world where, for once, beauty and humour co-exist.
    • 70 Metascore
    • 90 Critic Score
    A wondrous re-emergence.
    • 71 Metascore
    • 70 Critic Score
    'Elevator' is not as instant as 'Make Up The Breakdown', though it has adequate catchy tunes in the style of XTC and Joe Jackson to retain most of the interest from those who enjoyed them last time.
    • 76 Metascore
    • 80 Critic Score
    'Suspended Animation' is less a compendium of songs and more a splurging, raging, raping jazz metal fusion machine, weaving in samples, gong noises and assorted cartoon horror.
    • 72 Metascore
    • 80 Critic Score
    This record is, the odd awful phrase here or there aside, rather marvellous.
    • 78 Metascore
    • 50 Critic Score
    Too often tracks drag us down below the high standard an artist like Beck Hanson has set himself. Red Hot Chili Peppers outtakes with some harmonica and vocoder balanced incongruously on top are frankly not good enough.
    • 57 Metascore
    • 20 Critic Score
    The ham-fisted attempt to modernise Stereophonics' sound... falls flat at every attempt as samples, effects and the odd electronic buzz avoid the underlying mulch like gas-gun fired dried peas off titanium.
    • 88 Metascore
    • 80 Critic Score
    When 'Arular' works - a good three-quarters of the time - it's unmissable.
    • 82 Metascore
    • 80 Critic Score
    'Silent Alarm' is a brilliantly accomplished art rock record that immediately immerses you in a world of taut, late 80s post-punk, melodic indie. It rarely lets up.
    • 73 Metascore
    • 80 Critic Score
    The jewel in Scott's creative crown is that he has an uncanny knack of keeping it flowing, even when his beats and tones are jerking our sensibilities to shreds with their cerebral madness.
    • 78 Metascore
    • 80 Critic Score
    What's great about this album is they've managed to wield the same monolithic power riffs but make them count, with melodies and ideas way more consistent than before.
    • 75 Metascore
    • 70 Critic Score
    As with most such collections you're going to get good, bad and extremely ugly, and this is no exception. The fact it spans three CDs seems a bit indulgent considering some of the material should be consigned to an incinerator never to be heard again.
    • 57 Metascore
    • 40 Critic Score
    Too much of it is straightforward four-to-the-floor anodynity, and a number of tracks run out of ideas almost immediately, explore touchstones they've caressed more inspiringly before or, worse, do both.
    • 78 Metascore
    • 80 Critic Score
    Essentially, 'Employment' is a very British record; an entirely Britpop creation spawned ten years after the event.
    • 80 Metascore
    • 90 Critic Score
    'Wind In The Wires' is a magnificent record full of the language, imagery and sound of travel.
    • 78 Metascore
    • 100 Critic Score
    Great pop from a great band.
    • 72 Metascore
    • 20 Critic Score
    Like most of the cities Doves sing about, these songs are grey, drizzly, often unpleasant, and more often than not... very, very dull.
    • 75 Metascore
    • 90 Critic Score
    Miraculously the lyrics never sound like the pompous shite they undoubtedly are. They fit the music and make the whole picture even more laughably and absurdly brilliant.
    • 68 Metascore
    • 60 Critic Score
    Alright, so there's no 'Destroy The Heart', the lyrics are uniformly unremarkable, and the odd track is even, dare we say, a touch ropey... 'Days Run Away' is still better than it's got any right to be, and a marginally heroic homecoming with it.
    • 65 Metascore
    • 80 Critic Score
    It's an album that's unlikely to yield any massive hits, but like that other iconic singer songwriter, Joni Mitchell, Tori Amos has survived initial success to end up in a place where she has the space to do exactly what she likes in pretty much the only way she seems to know how.
    • 49 Metascore
    • 90 Critic Score
    There's a confidence and a swagger that wasn't there before, Green uncapping the band who can convert his quirky sketches into clever, swinging masterpieces.
    • 71 Metascore
    • 60 Critic Score
    It's a joy to listen to but tough to recommend.
    • 65 Metascore
    • 80 Critic Score
    This is probably the most adventurous musical journey of Garnier's life.
    • 78 Metascore
    • 80 Critic Score
    He has humour and cerebral sharpness in spades.
    • 79 Metascore
    • 90 Critic Score
    Easily one of the most essential sessions albums ever released, this, and probably one of the year’s most essential, full stop.
    • 86 Metascore
    • 90 Critic Score
    LCD Soundsystem have set 2005's bar very high indeed and they sound like they’ve barely got started.
    • 80 Metascore
    • 80 Critic Score
    They've created a world of tender reflection encompassing engaging melodic cycles, pastoral textures, glitchy interjections, acoustic decoration, melancholic strings, loose, jazz tinged drums, lonely horns, yearning guitar laments and delicate vocals: All melded into ebbs and flows that form a coherent universe through songs which all have their own defining characteristics.