Prefix Magazine's Scores

  • Music
For 2,132 reviews, this publication has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Music review score: 70
Highest review score: 100 Modern Times
Lowest review score: 10 Eat Me, Drink Me
Score distribution:
2132 music reviews
    • 77 Metascore
    • 80 Critic Score
    To say that Oh Holy Molar has a bite is a vast understatement -- the record grabs ahold of your skin and refuses to let go.
    • 63 Metascore
    • 50 Critic Score
    This is almost selfishly indulgent, and unless you haven't heard the previously released "Dr. Marten's Blues," you have very little to learn from the rest of the album.
    • 68 Metascore
    • 85 Critic Score
    With nothing wasted, it leaves you wanting nothing more.
    • 76 Metascore
    • 70 Critic Score
    It has a known start and finish, with a middle that's tied together cleanly enough.
    • 71 Metascore
    • 55 Critic Score
    Taken as a whole Shy Pursuit feels like a flat amalgamation of post-millennial indie-pop tropes clean-cut from the quirks and charms of their creators.
    • 75 Metascore
    • 55 Critic Score
    Most of these songs would make for a devastating end to an emotionally charged, disturbed album. But ten songs like that in a row?
    • 72 Metascore
    • 75 Critic Score
    Nupping proved it, and Natural History amplifies the point that Dope Body are a completely unimpeachable unit from a musical standpoint: able to fit in with contemporaries while still sounding undoubtedly like themselves, carrying on the proud outsider-rock tradition of their hometown.
    • 71 Metascore
    • 55 Critic Score
    The other moments here retread instead of reform, so while the trio's stubborn vision for their music is abmirable, its limitations become glaringly clear as you get to the record's end.
    • 64 Metascore
    • 50 Critic Score
    On the whole, Anxiety lacks the addictive quality of its predecessor, and it's certainly less musically interesting.
    • 75 Metascore
    • 80 Critic Score
    As a genre that's saturated with trends, micro-trends, and anti-trends, it's rare to find someone doing something that makes a legitimate claim at being totally unique.
    • 83 Metascore
    • 80 Critic Score
    Control System is one of the better mixtapes to come out this year.
    • 75 Metascore
    • 80 Critic Score
    It's the sound of a cooking band truly cooking it in the studio. Everything sounds like it's about to jump the rails at any given moment.
    • 60 Metascore
    • 75 Critic Score
    While the album, at times, feels a bit monochromatic, it maintains its intrigue and never loses its vision.
    • 82 Metascore
    • 75 Critic Score
    Words And Music expertly explores the intoxicated love of music and the sheer joy of being a music fan: feelings so universal that they will never be confined to particular eras.
    • 70 Metascore
    • 65 Critic Score
    The hooks often lack a singular focus, and there's a significant amount of fun to be had while working in a studio that's better off left on the cutting room floor.
    • 74 Metascore
    • 65 Critic Score
    Beautiful front to back, it's still an album that never quite asserts itself.
    • 84 Metascore
    • 85 Critic Score
    The true brilliance of Cancer For Cure is its refusal to find common ground, to come to the middle and meet anyone.
    • 80 Metascore
    • 90 Critic Score
    Its power and poise never ceases for 90 wonderful minutes.
    • 77 Metascore
    • 80 Critic Score
    If Family Perfume Vol. 1 can be seen as a progression where Presley is settling into his skin, Family Perfume Vol. 2 is a cathartic catalogue of letters never sent, the consequences of past decisions poignant enough to keep Presley musing, wide-eyed, remorseful--but nonetheless hopeful.
    • 70 Metascore
    • 60 Critic Score
    Black Mesa ventures deep into individuality but it's ultimately a fever dream that's more accessible to the man who created it rather than to an audience.
    • 73 Metascore
    • 70 Critic Score
    Dismania makes for an altogether appropriate title for an album this interested in gathering the common ingredients of despair, anger and disaffection.
    • 85 Metascore
    • 90 Critic Score
    It's his finest work yet, which is saying something, and the kind of record that will resonate for years not just because it's reveres history, but because it understands it and isn't afraid to demand answers from it.
    • 74 Metascore
    • 65 Critic Score
    Even if they are more refined, they may still sound very much like what Blackshaw has given us before.
    • 71 Metascore
    • 50 Critic Score
    Adventures in Your Own Backyard is about as confirmatory of an artist's status quo as an album can be; it takes Watson's style in no new directions, preferring instead to bask in its own childlike exuberance and to demonstrate all the trappings of ambition but little in the way of earning it.
    • 66 Metascore
    • 50 Critic Score
    Only Place doesn't say or feel much, which would be fine if it didn't sound like it was trying so hard to say or feel a lot.
    • 78 Metascore
    • 90 Critic Score
    In 2006, it seemed like Beach House couldn't outlive Beach House. In 2012, Bloom is the bar to clear.
    • 69 Metascore
    • 70 Critic Score
    For all its questing, though, the album's--and the band's--heart and soul are the simple arrangements which, layered upon one another like a stack of firewood, often signify something greater than their sum.
    • 75 Metascore
    • 85 Critic Score
    They act as a constant reminder of the power of music that isn't afraid to be ugly, blunt, and confrontational.
    • 74 Metascore
    • 65 Critic Score
    You could never truly expect a truly cohesive album from Santigold, and she's met expectations.
    • 78 Metascore
    • 80 Critic Score
    If "just trying to play with passion" is the ethos, then consider the band's sophomore album, Death Dreams, the perfection.