Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.7 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 68 Metascore
    • 80 Critic Score
    Catching the eye more than the ear, the rickety Maybe I Am Amused features Nirvana's Krist Novoselic. Meatier stuff surfaces on the quintessentially sludgy War Pussy, while I Want To Tell You thrillingly imagines Osborne's heroes, Kiss, covering The Beatles in hypermelodic proto-psych mode. [Jul 2016, p.111]
    • Q Magazine
    • 85 Metascore
    • 80 Critic Score
    Curiously compelling for something so minimal, it's like nothing else around. [Jul 2003, p.110]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    It's magical stuff. [July 2011, p. 116]
    • Q Magazine
    • 73 Metascore
    • 80 Critic Score
    The 11 [songs] selected for The Green Album hark back to the keenly observed power pop of Weezer's multi-platinum '94 debut, and there isn't a bad apple among them. [Aug 2001, p.142]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    The results are quietly measured and beautifully judged. [Sep 2014, p.115]
    • Q Magazine
    • 64 Metascore
    • 80 Critic Score
    The sound of an artistic slump coming to an end. [Dec 2017, p.107]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    The old Jarvis Cocker is back. [Dec 2006, p.130]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    There's a brief slump with One Last's fey melodies, but it's not enough to derail proceedings. A serious talented young band. [Jun 2010, p.119]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    A dark well of frustration, anger and guilt illuminated by just the smallest crack of redemptive light. [Dec 2013, p.106]
    • Q Magazine
    • 68 Metascore
    • 80 Critic Score
    There is a pleasing wide scope to his source material. [Mar 2019, p.116]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    The more Pulled Apart By Horses yield to their chaotic instincts, the greater they become. [May 2017, p.111]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    Kline's disclosures are striking because they feel genuinely homespun, less rallying cry than cheery counsel from a friend perched on your bed. [May 2018, p.107]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    Pitched somewhere between James Blake and Erykah Badu, it's a subtly delightful album. [Mar 2015, p.109]
    • Q Magazine
    • 65 Metascore
    • 80 Critic Score
    All told, a sunny delight. [Oct 2013, p.107]
    • Q Magazine
    • 58 Metascore
    • 80 Critic Score
    Drowners wear their influences with pride, but their charm is all their own. [Mar 2014, p.112]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    The nostalgia would be overwhelming were it not for Bayley's ability to offset it with woozy, elastic beats. [Aug 2020, p.102]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    What stops it from feeling like an exercise in arch, vintage chic fancy dress is the warmth of their tunes and the lively untidiness if the execution. [Sep 2020, p.109]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    What was often missing was much in the way of engaging, nuanced songwriting. Four alums in, though, there are clear signs of progress. [May 2011, p.121]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    Bloom is one of those rare records that skirt close to perfection, an effortless and intriguing listen that can't help but drag a more significant audience into Bloom's orbit. [Jun 2012, p.98]
    • Q Magazine
    • 100 Metascore
    • 80 Critic Score
    It still sounds fabulous and relevant too, though this Super Deluxe Edition with lots of superfluous add-ons and a super £50-plus price tag to match is surely for completists only. [Aug 2011, p.133]
    • Q Magazine
    • 67 Metascore
    • 80 Critic Score
    There are unexpected pleasures in the margins. [Oct 2015, p.105]
    • Q Magazine
    • 66 Metascore
    • 80 Critic Score
    He's sounding like a contender again, something only Borrell himself would have ever betted on. [Dec 2018, p.113]
    • Q Magazine
    • 83 Metascore
    • 80 Critic Score
    Beauty made for basking in. [Dec 2019, p.114]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    There's clarity on The Haunted Man that comes from the sense of physical boundaries being pushed, of personal space being tested to its limits. [Nov 2012, p.97]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    Onwards and upwards. [Oct 2013, p.109]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    What A Boost sounds like somebody trying to make a confusing world slot together in a way that ultimately makes sense. [Jun 2019, p.115]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    An endlessly repeatable mood music masterpiece. [Mar 2014, p.119]
    • Q Magazine
    • 66 Metascore
    • 80 Critic Score
    Their most exceptional record yet. [Jun 2016, p.115]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    Fever Breaks is sharp and lean. [Jul 2019, p.114]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    A collection that feels like a fresh bookend to their first three classic albums. [May 2015, p.115]
    • Q Magazine