Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.7 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 80 Metascore
    • 80 Critic Score
    Much of the material here would fit seamlessly on any of their records since 1996's No Code. ... Gigaton is a reminder that Pearl Jam are a band totally comfortable in their own skin. [Jun 2020, p.104]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    It's potent stuff. Visceral is an understatement. [Jun 2020, p.103]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    Leithauser's voice is its usual delicious scuffed-up howl, the music covers a broad indie-rock sprawl, but the focus here is the stories. [Jun 2020, p.102]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    The Chatham Singers furnish these 12 tracks of street crackle and pop with skeletal verve. [Jun 2020, p.94]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    Against all odds, this is a brilliant second act. [Jun 2020, p.97]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    Soft soul, gibbering jazz fusion and the cyber-futurism of overseer Flying Lotus still works a collective shock. [Jun 2020, p.96]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    An intimate, close and enjoyably ambiguous record. [Jun 2020, p.94]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    Beautiful stuff. [Jun 2020, p.94]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    That Godrich is a master at harnessing restless energy should be no surprise. Here is further proof. [May 2020, p.112]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    The album's deft genre-hopping is navigated with a confidence that comes from clearly hard-won experience. [May 2020, p.110]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    This is lush music to get lost in. [May 2020, p. 100]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    It's clever, effortless and very likable. [May 2020, p.110]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    High Risk Behaviour is about as enjoyable as the sound of bored small-town kids thrashing around with guitars gets. [May 2020, p.107]
    • Q Magazine
    • 88 Metascore
    • 80 Critic Score
    This utterly beautiful balm of a record feels less like a confessional, and more a vessel for warmth, serenity and worldly wisdom. [May 2020, p.114]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    Unusually welcoming entry point. [May 2020, p.92]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    A set of songs that can be chilling but never cold. [May 2020, p.109]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    There's not much room for nuance, but who needs subtlety when you've got pounding riffs and heroic guitar solos like this. [May 2020, p.112]
    • Q Magazine
    • 86 Metascore
    • 80 Critic Score
    Six albums in, Baxter Dury has realised a sound and lyrical approach that is unmistakably his alone. [May 2020, p.101]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    It's a suitably schizophrenic listen, the bubblegum-pop attack of Wasted On You and Move To San Francisco contrasted with the soul-searching anxieties of the album's second half. [May 2020, p.100]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    It's an experimental, fitful listen that rewards concentration. [May 2020, p.103]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    Naturally, it's an immaculately stoned affair. ... You might not be able to teach old punks new tricks, but who cares when they perform as well as this. [May 2020, p.115]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    It coats its spiritualism in an optimism that is never less than radiant. [May 2020, p.113]
    • Q Magazine
    • 70 Metascore
    • 80 Critic Score
    Troy and Edwards bring some bite to the Lips' experimentation, keeping their more wayward indulgences in check while they do it. There's still a stellar breadth of sound and colour on offer. [May 2020, p.104]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    Effectively a double album proving that time hasn't blunted Heaton's lyrical sharpness. [May 2020, p.108]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    Princess Nokia's genre-surfing might be attention-grabbing, but it's her honesty, openness and clarity of expression that make her a musician you can really invest in. [May 2020, p.111]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    Princess Nokia's genre-surfing might be attention-grabbing, but it's her honesty, openness and clarity of expression that make her a musician you can really invest in. [May 2020, p.111]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    It's business as usual, but when business produces songs as lovely as November's sumptuous indie-pop it's hard to resist. [May 2020, p.110]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    One of the finest of his career. [May 2020, p.109]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    These songs coalesce into visionary rabble-rousing. [May 2020, p.106]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    Miss Anthropocene is not quite as brilliantly weird as its predecessor, but is certainly compelling enough to maintain Grimes' status as one of the most fascinating pop stars on the planet. [May 2020, p.105]
    • Q Magazine