Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.7 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 59 Metascore
    • 30 Critic Score
    Contains far too many bland ballads. [Feb 2006, p.105]
    • Q Magazine
    • 59 Metascore
    • 20 Critic Score
    They fail to relocate it [their exuberance] on the follow-up, which if anything, is even drearier. [Sep 2011, p.104]
    • Q Magazine
    • 58 Metascore
    • 20 Critic Score
    An album that's--unusually--both disorienting and immensely tedious. [Nov 2012, p.103]
    • Q Magazine
    • 58 Metascore
    • 20 Critic Score
    Only Haim's contribution to Red Eye enlivens the tedium. [Aug 2013, p.99]
    • Q Magazine
    • 58 Metascore
    • 20 Critic Score
    A risible attempt to recapture long-vanished glories. [Nov 2007, p.137]
    • Q Magazine
    • 58 Metascore
    • 20 Critic Score
    It's marooned in novelty. [Apr 2005, p.121]
    • Q Magazine
    • 57 Metascore
    • 20 Critic Score
    The only area in which JC tops Justin is cheesy double entendres. [Jun 2004, p.96]
    • Q Magazine
    • 57 Metascore
    • 20 Critic Score
    They may still want to party every night, but it would take a Kiss Kasket full of Viagra to animate this limp cock rock. [Dec 2009, p. 116]
    • Q Magazine
    • 57 Metascore
    • 20 Critic Score
    Not good. [Oct 2012, p.106]
    • Q Magazine
    • 57 Metascore
    • 20 Critic Score
    Give this album a very wide berth. [Feb 2011, p.120]
    • Q Magazine
    • 57 Metascore
    • 20 Critic Score
    The title track and Come Out To LA hit home with the impact of a piece of GCSE Social Studies course work. [Apr 2018, p.108]
    • Q Magazine
    • 56 Metascore
    • 30 Critic Score
    Most of it already sounds a decade old. [Dec 2003, p.137]
    • Q Magazine
    • 56 Metascore
    • 30 Critic Score
    As bland as paint. [May 2005, p.110]
    • Q Magazine
    • 55 Metascore
    • 20 Critic Score
    Numbingly tedious, bashed-out-in-an-afternoon grunt-a-longs about, well, numbingly tedious stuff that we may already have come to term with. [Aug 2012, p.109]
    • Q Magazine
    • 55 Metascore
    • 20 Critic Score
    The band sound bored. [Dec 2012, p.103]
    • Q Magazine
    • 54 Metascore
    • 20 Critic Score
    The problem here isn't sullying Jackson's memory and reputation: he was perfectly capable of doing that himself. The problem is that Michael simply isn't good enough. [Feb. 2011, p. 108]
    • Q Magazine
    • 54 Metascore
    • 20 Critic Score
    A numbing montage of half-formed ideas and too-slick production. [Jul 2003, p.100]
    • Q Magazine
    • 52 Metascore
    • 30 Critic Score
    They wouldn't be totally awful if Client A could actually sing. [Oct 2003, p.103]
    • Q Magazine
    • 52 Metascore
    • 30 Critic Score
    Tough to endure even once. [Aug 2003, p.110]
    • Q Magazine
    • 52 Metascore
    • 20 Critic Score
    Alas, they're not very good. [Feb 2005, p.102]
    • Q Magazine
    • 52 Metascore
    • 20 Critic Score
    There are no real songs here, only weak gags and unfunny skits. [Jan 2007, p.152]
    • Q Magazine
    • 51 Metascore
    • 30 Critic Score
    There are so many idiotically composed adverts between tracks, you wonder if you haven't tuned into a local radio station by accident. [Sep 2003, p.99]
    • Q Magazine
    • 51 Metascore
    • 20 Critic Score
    If that hardly sounds like the greatest thing to happen to hip hop in recent times, it's nothing compared to his fourth LP, which is a litany of lazy beats and even lazier rhymes; "Your mama she gets crazy," he instructs on Krazy. [Dec 2009, p. 120]
    • Q Magazine
    • 51 Metascore
    • 10 Critic Score
    This is hollow, pretentious and deeply dull music. [Apr 2007, p.116]
    • Q Magazine
    • 51 Metascore
    • 20 Critic Score
    Most disappointing of all... is the drab nature of Ryder's contribution: slurred, incoherent, and largely based around drug stories and lots of swearing. [Aug 2003, p.103]
    • Q Magazine
    • 50 Metascore
    • 20 Critic Score
    They run a schizophrenic gamut of cinematic moods that bleed into one another jammed together into one disorienting hour that reaches its end without any discernible narrative reward. [Dec 2012, p.104]
    • Q Magazine
    • 50 Metascore
    • 20 Critic Score
    Joel and Benji Madden's fifth album of anthemic dumbness. [Dec. 2010, p. 110]
    • Q Magazine
    • 50 Metascore
    • 20 Critic Score
    At least Nickelback know how to write a tune. [Jul 2003, p.104]
    • Q Magazine
    • 50 Metascore
    • 20 Critic Score
    Musically, it sucks. [Feb 2005, p.98]
    • Q Magazine
    • 49 Metascore
    • 0 Critic Score
    As worthless as it's possible for music to be. [Feb 2005, p.100]
    • Q Magazine