Rock Sound's Scores

  • Music
For 497 reviews, this publication has graded:
  • 67% higher than the average critic
  • 3% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.4 points higher than other critics. (0-100 point scale)
Average Music review score: 75
Highest review score: 100 That's the Spirit
Lowest review score: 20 Bright Black Heaven
Score distribution:
  1. Negative: 2 out of 497
497 music reviews
    • 96 Metascore
    • 80 Critic Score
    Even after 20 years in the game, there are still few better. Welcome back, sirs.
    • 94 Metascore
    • 90 Critic Score
    This is a ruthless, heartbreaking and agonisingly profound release from a truly unrivalled band.
    • 93 Metascore
    • 80 Critic Score
    The Menzingers' third album sees them take their slightly atypical song structures (they're not much into the verse / chorus / verse way of thinking) and make them catchier than ever.
    • 92 Metascore
    • 90 Critic Score
    Uneasy listening doesn’t get much better.
    • 92 Metascore
    • 70 Critic Score
    An album that will creep up on you time and time again, Two Parts Viper is more evidence that all you need to incite a riot is a guitar, drums and pure attitude.
    • 92 Metascore
    • 90 Critic Score
    The Poles’ most infectious work as it bristles with the best songs they’ve ever written.
    • 91 Metascore
    • 90 Critic Score
    From start to finish there’s almost nothing to fault here.
    • 90 Metascore
    • 90 Critic Score
    This record could slot into any punk rock fan’s record collection in the last 15 years and get worn out--it’s just great, timeless songwriting.
    • 90 Metascore
    • 80 Critic Score
    The elephant in the room though, is new vocalist Denis Stoff, and the questions over his ability to replace a gifted albeit difficult frontman. Largely, his quest is a triumphant one, and he turns in an admirable performance.
    • 90 Metascore
    • 90 Critic Score
    It’s not a progressive album per se, but The Finer Things is a bar-raising attempt at revolution in pop-punk.
    • 89 Metascore
    • 80 Critic Score
    Gut-busting, heart-wrenching and captivating from vicious beginning to devastating conclusion, the likes of ‘Cannibals’, the jolting ‘Arkhipov Calm’ and beautifully excruciating title track capture the band at their most ambitious and dominant.
    • 89 Metascore
    • 80 Critic Score
    The songs soar in unison with the band’s grand vision. Those songs are a riot, too.
    • 89 Metascore
    • 90 Critic Score
    A record that pushes the boundaries of post-rock to stratospheric new levels.
    • 89 Metascore
    • 90 Critic Score
    Where 07’s ‘Is Dead’ hinted at the band experimenting with a more progressive sound, it was nowhere near as cohesive and accomplished as this. I Was Trying To Describe You To Someone is a phenomenal album.
    • 88 Metascore
    • 80 Critic Score
    Nobody does dreamy indie patter quite like this.
    • 88 Metascore
    • 100 Critic Score
    It’s a 43-minute blast of ingenious, future-proof rock, virtually flawless but from a band that--importantly--are still flawed like the rest of us. This is the best album you’ll hear this year and more significantly, it’s the most important rock album of the decade.
    • 88 Metascore
    • 70 Critic Score
    This album is a fine introduction to one of the scene’s most exciting and original new bands. Keep an eye on this lot.
    • 88 Metascore
    • 80 Critic Score
    'No Answers' reassures any doubt that Thursday have taken a new direction, with Cure-esque moments creeping in amidst their hardcore backbone. And guess what? This is Thursday leading what they now do best.
    • 87 Metascore
    • 80 Critic Score
    The Massachusetts quartet are back with a new EP that reminds us what made them so exciting in the first place.
    • 87 Metascore
    • 90 Critic Score
    It's a record that tells its own story, but its impact resonates far beyond.
    • 87 Metascore
    • 80 Critic Score
    Possessing more jagged edges than a shed full of rusty chainsaws, You Will Never Be One Of Us is 21 minutes of frenzied, guttural hardcore of the highest calibre.
    • 87 Metascore
    • 90 Critic Score
    The almost unbearably intense ‘Slowburn’ and ambient ‘My World’ are just two cuts of an album littered with highlights, meaning by the end of this 33-minute pummeling, you’ll only need one word: breathtaking.
    • 87 Metascore
    • 80 Critic Score
    Whether opting for the sledgehammer (check out the riffs on ‘The New Reality’) or an icy scalpel (the warped post-punk of ‘Ugly’), the Pittsburgh four-piece rain down a hail of killer blows. Welcome to Hell.
    • 87 Metascore
    • 80 Critic Score
    There's a glorious new depth to the old formula here showcasing undeniable talent.
    • 87 Metascore
    • 80 Critic Score
    The Australian punks tone down the fury on album two, and manage to achieve so much without it.
    • 86 Metascore
    • 70 Critic Score
    This eight-song effort serves as a breathless, panic-inducing assault on the senses; delivering A-grade riffs, punch-in-the-throat immediacy and more ass-kicking per second than many will be able to withstand.
    • 86 Metascore
    • 80 Critic Score
    Partycrasher is still overflowing with singalong moments and air guitar opportunities that should remind you why A Wilhelm Scream are one of the best punk bands we’ve ever had.
    • 86 Metascore
    • 80 Critic Score
    While Dillinger might have become more melodic over their years, they have categorically never softened. There are songs on here that will strip paint at 500 yards, curdle fresh milk and happily go toe-to-toe with the best of their back catalogue. That’s no small accolade.
    • 86 Metascore
    • 90 Critic Score
    Their name might suggest one thing, but this lot are definitely not going around in circles; this is their best record yet.
    • 86 Metascore
    • 70 Critic Score
    Packed with ragged, neurotic and enjoyably volatile punk rock, Parachutes picks up the baton from 2014’s ‘.STOMACHACHES.’ and runs it into new territory.