While achingly sincere rock bands aren’t hard to come by these days, Fatherson have more than enough melodic nous to get listeners invested.

To hear a band with such obvious and deep passion playing unencumbered and liberated rock music is an utterly captivating experience that Rock Sound would thoroughly recommend. Holding nothing back sounds exactly like this, everyone else please take note.

So is it any good? Does it matter? Limp Bizkit are bigger than ever before so getcha groove on, stop taking things seriously.

Nothing groundbreaking, but sure to keep fans of the band happy.

There is a welcome confidence throughout The Latest Fashion that Attack! Attack! have not previously shown and it's likely to propel this lot to great things.

It is with frightful ease that one can declare 'Days Go By' as a parody of the efforts which came before.

Commercially-driven producers or not, though, the band have a knack for keeping their sound current and contemporary –- while still being reminiscent of their early material.

If you're checking out their fifth album to discover groundbreaking, controversial new music, you are a strange individual indeed.

Overall, If Not Now, When? is the sound of Incubus coming of age. It's not particularly experimental nor is it completely straightforward but it is concise and a risk that's paid off.

Overall, it’s a decent summer barbecue soundtrack, but hardly vintage Sublime.

They're no longer a phenomenon; instead, Sum 41 have continued to mature into a rather good band.

Sure, the relative absence of co-frontman Mike Shinoda saps some of the band’s unique character and they get bogged down in sluggish, downcast dirges in the final stretch, but there’s also a sense of liberation running through these 10 tracks; the mark of artists unshackled from their past, stepping into the unknown.

While not quite as cack as recent efforts by Bad Brains or DYS, it still defies belief that this should ever see the light of day.