This is the band’s 10th studio album, and it’s chock full of chugging, anthemic rock songs, torn straight from the ’80s airwaves. That’s no bad thing, even if in places, The Trigger Complex does sound lost in time.

This is so inoffensive, it’ll be hard for anyone to hate--or love.

The fluidity is back, all the parts gelling easily into a whole.

While it might leave your average post-rock fan will crave a bit of misery, Fair Youth is an undeniably engaging listen.

All Time Low's songs are more up-scale and better put-together on this record, and that takes some serious work.

Although parts of the album’s lower key, electronica-laced back end get a little overawed by the grandeur of the project they accompany, for the most part this is Angels & Airwaves at their most ballsy and creative.

Memphis May Fire are stepping it up with every release.

It’s the driving energy and urgency of hook-filled bangers like ‘Flies’ and ‘Not For You’ that makes this memorable.

A Thousand Suns is a more experienced and experimental Linkin Park. You may not get it to begin with but persevere and you'll be rewarded.

Featuring the classic, jagged and tar thick riffery and off-beat timing that have become Helmet's signature, Seeing Eye Dog is a great (especially re the vocals) and gritty listen.

There are strings, spoken word sections and sweeping solos, so while the themes and melodies may sound familiar, the overall tapestry rarely wears thin.

Psychic Babble's debut is proof that being chilled does not equate to being dull.

All the songs here are concise and to-the-point.

Youth Authority is a sun-drenched delight that sees the quintet firmly reconnecting with their roots.

Say Anything have always been a hard pill to swallow for some, and while Anarchy doesn't change that, it shows that they have far more than just the one spanner in the toolbox.

For all those teens who grew up disgracefully with Taylor and Jim Root's other band, Audio Secrecy is the soundtrack to the rest of their lives.

Ordinary Silence is light on gimmicks but big on heart.

While the spacious (and slightly dreary) prog textures remain, the lurching riffs of ‘Resurge’ and melodic highs of ‘Ornament’ hit the bullseye; showing how talented these four musicians truly are.

This is his new project and, unsurprisingly, it’s brilliant.

Although some of the quieter tracks can overstay their welcome, this is a well-structured album, hopping between these and frantic, uplifting songs.

[The production by Danger Mouse] doesn’t make much difference--they still sound exactly the same.

This is still above average dude rock from the Canadian five-piece.

While certainly an accomplished progression from 09's "Union" in terms of tempo, it's still a bit too midlevel and the band might stand out from their contemporaries if they were a bit more rough around the edges.

Amoral proves that Violens will stand proud knowing they can give a name to their organized mess, even if they don't know what it is yet.

The Constant does what it says on the, er, CD; constantly good, but with more focus it could have been brilliant.

Korn’s follow up to ’11’s dubstep-infused ‘The Path Of Totality’ is a completely different monster to its predecessor, and for all the right reasons.

It's good--really good--but only if you want it to be.

It’s a disappointing, day and night affair compared to the soaring triumph of last year’s ‘Joy, Departed.’