Rolling Stone's Scores

For 5,917 reviews, this publication has graded:
  • 34% higher than the average critic
  • 4% same as the average critic
  • 62% lower than the average critic
On average, this publication grades 6.1 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 Magic
Lowest review score: 0 Know Your Enemy
Score distribution:
5917 music reviews
    • 60 Metascore
    • 40 Critic Score
    Frantic, faceless, fake-sexy R&B.
    • 47 Metascore
    • 40 Critic Score
    On their fourth album, these Florida rockers muster up anthems that would embarrass a Hallmark Card hack.
    • 57 Metascore
    • 40 Critic Score
    The tracks are pale imitations of the hyperspeed high-hat-and-bass sound Luger originated - fitting accompaniment for two MCs coasting by.
    • 68 Metascore
    • 40 Critic Score
    But mostly, McGraw sounds empty.
    • 53 Metascore
    • 40 Critic Score
    The album equivalent of a Civil War reenactment. [30 Sep 2004, p.190]
    • Rolling Stone
    • 52 Metascore
    • 40 Critic Score
    The sludge is so overbearing that anyone born during the Eighties will wonder what once made them special. [28 Oct 2004, p.103]
    • Rolling Stone
    • 65 Metascore
    • 40 Critic Score
    [Alex] Ebert's voice is the most polarizing set of pipes this side of the Darkness' Justin Hawkins, and most listeners won't be able to get past it.
    • Rolling Stone
    • 50 Metascore
    • 40 Critic Score
    His nice-guy-with-a-retrograde-flow shtick is fast running out of steam.
    • 67 Metascore
    • 40 Critic Score
    Overrun with bland, airbrushed introspection.
    • 50 Metascore
    • 40 Critic Score
    Kowalczyk is revisiting themes he's been mining for years. The band's signature sound of slowly rising choruses punctuated by Kowalczyk's rumbling wail has also grown quite stale.
    • 56 Metascore
    • 40 Critic Score
    Ja Rule plays it painfully safe on his second album, doling out pop hooks over gimmicky production.
    • 50 Metascore
    • 40 Critic Score
    Even by the standards of a remix album, Air's latest is a bit insubstantial.
    • 43 Metascore
    • 40 Critic Score
    Riddled with resentment and lyrics that land with a self-serious thud, Memories is a stunningly drab record. For the most part songs plod along at a strenuously mid-tempo pace, and are mostly lacking in any sonic detail that would reward closer listening.
    • 47 Metascore
    • 40 Critic Score
    This Los Angeles party-hop duo can't decide if they want to rhyme like the Beastie Boys or booty-croon like Taio Cruz. So on their second album (which includes the hit "Party Rock Anthem"), they do both, making for a disc of brain-cell-depleting jams.
    • 54 Metascore
    • 40 Critic Score
    If you play this album really loud – and leave your brain marinating in formaldehyde on a shelf for a half-hour – it's crudely effective. Play it a second time, and you may want to kill yourself.
    • 54 Metascore
    • 40 Critic Score
    Their music is punky, clubby, intensely annoying and other qualities their fans will describe as "fun," but therein lies the band's integrity: They tend to stay out of the middle of the road.
    • 59 Metascore
    • 40 Critic Score
    For people who enjoy watching celebrities fall apart, America's Sweetheart should be more fun than an Osbournes marathon.
    • 58 Metascore
    • 40 Critic Score
    She's doing the same thing she did last time, except it's not as much fun.
    • 50 Metascore
    • 40 Critic Score
    Whatever novelty their sound once had has long since worn off, and the foreboding poetry and constipated howl of Wiccan singer Sully Erna are almost laughable.
    • 73 Metascore
    • 40 Critic Score
    Beet, Maize and Corn is way too mellow, sounding something like immaculately crafted retro elevator music.
    • 56 Metascore
    • 40 Critic Score
    He delivers overheated poetry like "As history gets lost and as I took that final breath, I felt alive," and his bandmates rock like shiny Satans.
    • 61 Metascore
    • 40 Critic Score
    Mostly tepid adult-contemporary black pop. [22 Jan 2004, p.69]
    • Rolling Stone
    • 54 Metascore
    • 40 Critic Score
    Though Carlton's a better lyricist than faded contemporaries such as Michelle Branch, that fussy piano tends to muscle her out of her own songs.
    • 64 Metascore
    • 40 Critic Score
    In the end... The Big Bang feels as hollow as a CGI-fueled Hollywood blockbuster.
    • 70 Metascore
    • 40 Critic Score
    It’s hard for a band like STP to change and grow, especially after the losses of two iconic frontmen, so perhaps Perdida will function more like a steppingstone to something greater. But for now, they sound like half the band they used to be.
    • 53 Metascore
    • 40 Critic Score
    Lacks any fire whatsoever.
    • 76 Metascore
    • 40 Critic Score
    Unfortunately, Haunted reverberates with tired samples, rehashed echo effects and beats so plodding they could stop a metronome.
    • 66 Metascore
    • 40 Critic Score
    Much of the time it sounds like Clinic are just playing around with their noisemakers and not having much fun. [2 Sep 2004, p.141]
    • Rolling Stone
    • 57 Metascore
    • 40 Critic Score
    Producer Medasyn's beats are uneven, and so is Sov's hood-rat humor: weak on what should be a layup college-pub rant, inexplicable on a song about sex with food.
    • 47 Metascore
    • 40 Critic Score
    Their [producers Mattman & Robin's] spacious productions are an odd fit for Dan Reynolds' tortured dude-isms.