Rolling Stone's Scores

For 5,915 reviews, this publication has graded:
  • 34% higher than the average critic
  • 4% same as the average critic
  • 62% lower than the average critic
On average, this publication grades 6.1 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 Magic
Lowest review score: 0 Know Your Enemy
Score distribution:
5915 music reviews
    • 49 Metascore
    • 40 Critic Score
    Mims has good taste in beats. But this album seems just . . . superfluous.
    • 63 Metascore
    • 40 Critic Score
    Too much of The Curse would be blandly anonymous if not for Harry's inimitable coo.
    • 53 Metascore
    • 40 Critic Score
    [Bemberger's] annoyingly wordy yelp carries only a few memorable lines and fewer melodies. [14 Oct 2004, p.98]
    • Rolling Stone
    • 55 Metascore
    • 40 Critic Score
    There's admirable sonic purity to these live recordings, but that only underscores the astonishing lack of verve in the performances.
    • 71 Metascore
    • 40 Critic Score
    Much of Flat-Pack Philosophy is mired in a muddle. [9 Mar 2006, p.94]
    • Rolling Stone
    • 53 Metascore
    • 40 Critic Score
    Love songs like "On the Wing"--a ballad with a plush, twinkling electro beat where the singer lies awake dreaming of his beloved-- are serious mush, like an amorous e-mail you'll regret in the morning.
    • 62 Metascore
    • 40 Critic Score
    Rote emo-core, all predictable quiet-loud shifts and overwrought vocal melodies. [5 Aug 2004, p.108]
    • Rolling Stone
    • 65 Metascore
    • 40 Critic Score
    "Never Never" is a power ballad, and "Love & Meth" is not as funny as one might hope, though the brilliantly titled "Paranoid and Aroused" is.
    • 62 Metascore
    • 40 Critic Score
    Jay Sean works his fluttery falsetto alongside Rick Ross on "Mars" and finds a serviceably sexy jam with "All on Your Body," which features Ace Hood, but even at its best, Neon barely flickers.
    • 66 Metascore
    • 40 Critic Score
    For his seventh album, Deadmau5 has turned from an electro-house polymath into the world's most unnecessary Nine Inch Nails tribute act.... However, erase the Reznor fan fiction from this 141-minute behemoth, and there's a solid 64-minute house record hidden in there.
    • 42 Metascore
    • 40 Critic Score
    The beats on iSouljaBoyTellem--built by Soulja and Mr. Collipark--are beefier. And Soulja Boy's willingness to drill songs into your skull is less charming.
    • 46 Metascore
    • 40 Critic Score
    The reality of Jennifer Lopez is...blah.
    • 61 Metascore
    • 40 Critic Score
    A compilation that never quite jells.
    • 59 Metascore
    • 40 Critic Score
    The coldness of the instrumentals is compounded by the duo’s vocal delivery.
    • 51 Metascore
    • 40 Critic Score
    His debut--a ho-hum jaunt through an America full of dog-eared Bibles, rugged pickup trucks and girls "hot as July, sweet as sunshine"--works overtime playing up his wide-eyed charm.
    • 41 Metascore
    • 40 Critic Score
    If Enya were a Pokemon, she'd be Jigglypuff, the little pink monster who renders her opponents powerless by singing them to sleep.... The Irish multi-instrumentalist-singer-composer's skill at ephemeral sonic watercolors has grown wearisome, like a relative who tells the same stories every holiday.
    • 51 Metascore
    • 40 Critic Score
    Dragged down by radio-courting melodies and ready-made rhymes, this album's first half is particularly calculated.
    • 76 Metascore
    • 40 Critic Score
    Veers close to self-parody.
    • 67 Metascore
    • 40 Critic Score
    Gilmour sounds like his own man here, but you wish he had someone--anyone--to push him beyond these new adventures in tedium. [9 Mar 2006, p.92]
    • Rolling Stone
    • 71 Metascore
    • 40 Critic Score
    The gentle French lyrics make these already sleep-inducing neo-soul stylings seem even more bland and polite than you'd imagine. [29 May 2003, p.66]
    • Rolling Stone
    • 71 Metascore
    • 40 Critic Score
    Kind of a drag.
    • 53 Metascore
    • 40 Critic Score
    A shaky stab at Soulja manhood, the third disc from the Crank That cutie finds him hitting drinking age, torn between pup and pit bull.
    • 57 Metascore
    • 40 Critic Score
    Five years at the pulpit have dimmed his flow. [30 Sep 2004, p.190]
    • Rolling Stone
    • 71 Metascore
    • 40 Critic Score
    A handful of pleasant, tuneful pop songs guaranteed not to disturb the peace.
    • 67 Metascore
    • 40 Critic Score
    Long on verbosity but short on personality. [19 Aug 2004, p.123]
    • Rolling Stone
    • 49 Metascore
    • 40 Critic Score
    They played slick, heroic neo-grunge for the Clear Channel era, where all regions melted into one long, Nickelback impression. They're still clinging to that anthemic plod a decade later, like an eight year-old who can't bear to throw out a dead hamster.
    • 59 Metascore
    • 40 Critic Score
    You root for the good intentions and enjoy the glints of sunlight from singer/viola player Anna Bulbrook. But portentous verses thud like birds against fuselage.
    • 52 Metascore
    • 40 Critic Score
    Almost all of the tunes here (particularly "So Excited") try to replicate Jackson's early work, with diminishing returns.
    • 67 Metascore
    • 40 Critic Score
    On Educated Guess, which DiFranco wrote, produced, recorded and mixed entirely on her own, this awkward, improbable tendency goes unchecked, as does DiFranco's penchant for jarring arrangements.
    • 68 Metascore
    • 40 Critic Score
    MNEK is a strong singer capable of bracing jumps into his falsetto register. But he seems to have been so immersed in writing for others that he’s lost his own voice.