Select's Scores
- Music
For 41 reviews, this publication has graded:
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31% higher than the average critic
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0% same as the average critic
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69% lower than the average critic
On average, this publication grades 12.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 60
| Highest review score: | Bow Down To The Exit Sign | |
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| Lowest review score: | Songs From an American Movie Vol. One: Learning How to Smile |
Score distribution:
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Positive: 10 out of 41
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Mixed: 27 out of 41
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Negative: 4 out of 41
41
music
reviews
- By Date
- By Critic Score
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- Critic Score
With 35 other albums to choose from, this is hardly a good starting point. But for diehards there's further proof that Young has neither burned out nor faded. [Jan 2001, p.101]- Select
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Renegades is Rage's most satisfying record since their debut. [Jan 2001, p.104]- Select
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An uninspiring and unnecessary 'experimental' effort, sounding like 'Volume 1' out-takes. [Oct 2000, p.110]- Select
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More accesible than ever, but more fallible too, The W is the album that brings the Wu-Tang Clan down to earth. [Jan 2001, p.98]- Select
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The record is permeated with an air of bashed-out-before-tea desperation. [Jan 2001, p.106]- Select
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Numan is now crafting music that sounds identical to his disciples. [Nov 2000, p.118]- Select
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The best tracks here are quite unlike anything else in hip hop. [Jan 2001, p.107]- Select
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[Sean] O'Hagan's over-mined aesthetic falls short of his repute. [Jan 2001, p.101]- Select
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Roni Size has abandoned his grooves for a tougher hip-hop-oriented approach. The results are hit and miss... [Nov. 2000, p.122]- Select
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Bravado and roleplay being the essence of rock, problems only arise when the real Everlast, a Grammy-winning crossover artiste, rears his head. [Nov. 2000, p.116]- Select
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ASTH emphasizes the group's commitment to eclecticism. (Oct. 2000, p.102)- Select
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A work of warm-hearted ambition, embracing ragtime, disco beats, melodic Johnny Marr-isms... and echoes of Bacharach.... A classic debut LP with a lifetime's worth of triumphs and tragedies packed into it. [July 2000, p.112]- Select
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Like its most obvious forebear, David Bowie's 'Low,' what's not present is as important as what's actually here. The main absentees, then, are choruses, coherent lyrics, crescendos, and guitars.... But, really, what do you want for sounding like Aphex Twin circa 1993? A medal? [Nov. 2000, p.108]- Select
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An album that sits together with silken cohesion... (Oct 2000, p.108)- Select
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'Music'... sees Madonna cast as a nu disco diva taking a taxi ride through a world which is definitely hers. Much of it sounds like Daft Punk. It's fun. (Oct 2000, p.100)- Select
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It's the violently romantic finale 'New World,' though, that should see doubts finally stifled. Rivalling Massive Attack's 'Teardrop' in its breathtaking loveliness, it's among the best things she's done. (Oct. 2000, p.102)- Select
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Like most live LPs, this is ultimately an artefact for fans rather than newcomers, but it's quite some arefact. (Oct 2000, p.112)- Select
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With only the occasional flawed moment and the cast list up a definite notch or two from previous 6ths album 'Wasp's Nest,' this is a delicate jewel. (Oct 2000, p.104)- Select
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The Mary J. Blige duet '911' and dope ode 'Homegrown' confirm his knack for reggae-inflected hits. [Sep 2000, p.108]- Select
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The Golden D is unconcerned with hanging together with any particularly musical coherence. [July 2000, p.102]- Select
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The immediate impression of 'Art Official Intelligence' is of one big party. [Sep 2000, p.104]- Select
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Will quite necessarily go Top Five in any sensible end-of-year poll. [July 2000, p.102]- Select
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Too often the combination of [the producers'] stiff mixing desks and Canibus' relentless vocals is akin to being harangued by a particularly loquacious madman. [Sep 2000, p.114]- Select
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There are many things in life worth avoiding... But none can compare to the horrific spectacle of Everclear attempting to lighten up and show the world their jolly side. [Sep 2000, p.112]- Select