- Summary: Seemingly unwilling to stick to a successful formula, Radiohead follow their breakthrough album 'OK Computer' with this much more experimental work (recorded during sessions that also spawned the later-released 'Amnesiac' album), which ventures even further away from conventional songSeemingly unwilling to stick to a successful formula, Radiohead follow their breakthrough album 'OK Computer' with this much more experimental work (recorded during sessions that also spawned the later-released 'Amnesiac' album), which ventures even further away from conventional song structure and embraces electronica more fully (even sounding at times like Aphex Twin).… Expand
- Record Label: Capitol
- Genre(s): Rock, Electronic, Alternative
- More Details and Credits »
Comparing this to other albums is like comparing an aquarium to blue construction paper.... It's the sound of a band, and its leader, losing faith in themselves, destroying themselves, and subsequently rebuilding a perfect entity. In other words, Radiohead hated being Radiohead, but ended up with the most ideal, natural Radiohead record yet.
Kid A may feel cold and ahuman at first, but stick with it for the full 50 minutes: Listen long enough, and a fragile, flickering glow becomes apparent amid the chill. It?s the sound of human warmth flooding into a formerly alien space -- of Radiohead finally going exactly where they wanted.
Not content to embrace familiar dance-music genres like trance (the way Madonna does when she's feeling experimental), the band delves into the most outré electronic music imaginable, from the amniotic soundscapes of Brian Eno to the industrial gristle of Coil. The result is Radiohead's best album...
With Kid A, Radiohead has made the ultimate 3 a.m. stoner-headphone album, one that marks an entirely logical progression from -- if not necessarily an improvement upon -- the techno-but-not-really O.K. Computer.... Occasionally, it feels less like a rock record and more like a museum piece, and as a work of art, it's laudable. As an actual, listener-friendly offering, it leaves something to be desired: It's precisely the sort of record a band makes when it has endless amounts of time and money, and has spent long periods of time being told what geniuses its members are.
It is a kind of virtual rock in which the roots have been cut away, and the formal language -- hook, riff, bridge -- has been warped, liquefied and, in some songs, thrown out altogether. If you're looking for instant joy and easy definition, you are swimming in the wrong soup.... Kid A is a work of deliberately inky, often irritating obsession.
ResonanceA record that might've been amazing if the band had only bothered to write some actual songs. [#28, p. 62]
byrondJan 28, 2006Uhm. Do I even have to say anything at this point? If you don't like this record, you either A) Don't like music. B) Don't Uhm. Do I even have to say anything at this point? If you don't like this record, you either A) Don't like music. B) Don't understand artists or C) Loved the last Puddle of Mudd Cd. Buy it. Love it. Have sex to it. Drive to it. Show it to everyone you know. And if they don't like it? Stop talking to them. Even if they are your father. He's just not cool enough.… Expand
alfonsofFeb 12, 2004they remind me of the beatles...
Feb 22, 2011Upon first listen I can see why old school Radiohead fans won't like this album, I didn't either. After a few listens though the album grew onUpon first listen I can see why old school Radiohead fans won't like this album, I didn't either. After a few listens though the album grew on me. Radiohead took a leap of faith here by making an album totally opposite of their past masterpieces (The Bends & OK Computer). This transition kind of reminds me of Dylan going acoustic. His loyal folk fan base was horrified and didn't want anything to do with him after that. Thankfully artists make music for themselves and what that is and what the fans want may be two different things. If artists just stuck to their roots we they would never be able to grow intellectually and musically. Kid A is a fantastic album and is well worthy of all the praise it has and continues to receive and "Everything In It's Right Place" is one of the best songs of all time.… Expand
theduffMar 7, 2007its genius. q magazine gave this 3 out of 5 and then it got vited the 10th best album ever last year in their own magazine, oh the irony. its genius. q magazine gave this 3 out of 5 and then it got vited the 10th best album ever last year in their own magazine, oh the irony. this album is a work of art, it leaves coldplay, snow patrol and keane other heart on sleeve bands trailing in their dust. absolute brilliance. then they follow it up with the unbelievable ammnesiac and the very underrated hail to the thief, i for one cannot wait for this years new album, which contains perhaps their greatest ever song nude.… Expand
Sep 14, 2011Radiohead continues being a great band by changeing their sound and its for the best. Bands have to evolve or they will become stale andRadiohead continues being a great band by changeing their sound and its for the best. Bands have to evolve or they will become stale and boring but thankfully that won't happen to radiohead. Also this is my favorite album by them.… Expand
Oct 21, 2014Kid A is indubitably one of the best albums of the past decade, and Radiohead's crowning achievement. Rarely have I listened to an album soKid A is indubitably one of the best albums of the past decade, and Radiohead's crowning achievement. Rarely have I listened to an album so cohesive and unified. Every song paints a beautiful picture and the songs flow from one to each other so naturally. Listening to this album, I experienced the sensation one has while watching a good plot twist in a movie. I felt my previous notions of the world disassembled. It was an ethereal but otherworldly experience. It's like if "Everything in its Right Place" sets the stage for the events of the album, "Kid A" shows the unbridled innocence of the world we see, and then something really, really bad happens on "The National Anthem". The rest is survival. The lyrics, bizarre and arbitrary as they might seem on first glance, really have a distinct purpose serving the atmosphere of the song. Could you imagine "Everything in its Right Place" without the now iconic "I woke up sucking on lemon" line?
The musicianship here is impeccable. "Everything in its Right Place" is an almost hypnotic trance in 10/4 time that leaves you simultaneously disturbed and intrigued. "The National Anthem" features blistering horns and brass that slowly metamorphoses into hectic hysteria, which the bass line still serving as an undercurrent of survival and hustle and bustle beneath. Brilliant. "How to Disappear Completely" is an acoustic ballad, but not in the traditional sense, and feature's Greenwood's Penderecki-esque string arrangements. "Idioteque" sees the band exploring some bleak territory in its lyrics hidden beneath the veneer of a dance song, while songs like "Optimistic" and "In Limbo" defy genre classification.
This is a really magnificent piece of work. The only drawback is that it's not very accessible for a casual listener. But for those willing to take on this accomplishment, you will be heavily rewarded. It's a fantastic album and work of art and I highly recommend you listen to it altogether.
Must tracks – All of them. But since I restrict myself to three I'll say Idioteque, Everything in its Right Place, and How to Disappear Completely.… Expand
lewistMay 12, 2006this album is fucking awful.
Published: December 15, 2009We collect over 20 best-of-the-decade lists from leading music publications and websites, and reveal which albums turn up the most.
Awards & Rankings
|The Bootleg Series, Vol. 12: The Best of the Cutting Edge 1965-1966 - Bob Dylan|
|You Can Make Me Dance, Sing or Anything: 1970-1975 [Box Set] - Faces|
|Ork Records: New York, New York - Various Artists|
|The Ties That Bind: The River Collection [Box Set] - Bruce Springsteen|
|Elitism for the People 1975-1978 [Box Set] - Pere Ubu|
|No Closer to Heaven - The Wonder Years|
|Alone & Unreal: The Best of the Clientele [Deluxe Edition] - The Clientele|
|M3LL155X [EP] - FKA Twigs|
|Divers - Joanna Newsom|
|Film Music [Box Set] - Mikael Tariverdiev|
|That's the Spirit - Bring Me the Horizon|
|Vile Child - Milk Teeth|
|The RCA Victor and T-Neck Album Masters: 1959-1983 [Box Set] - The Isley Brothers|
|Radio Static High - Hey Colossus|
|Art Angels - Grimes|
|John Howard & the Night Mail - John Howard & The Night Mail|
|Delusion Moon - Meat Wave|
|Have You in My Wilderness - Julia Holter|
|Blackstar - David Bowie|
|Nashville Obsolete - Dave Rawlings Machine|