Slant Magazine's Scores

For 3,119 reviews, this publication has graded:
  • 35% higher than the average critic
  • 3% same as the average critic
  • 62% lower than the average critic
On average, this publication grades 7.7 points lower than other critics. (0-100 point scale)
Average Music review score: 65
Highest review score: 100 Who Kill
Lowest review score: 0 Fireflies
Score distribution:
3119 music reviews
    • 64 Metascore
    • 40 Critic Score
    Ye
    Ye‘s emotional claustrophobia is at times effective: As a chronicle of living with mental illness, this is Kanye’s most unsparing work to date. ... But Ye just feels unfinished, as if he wanted to avoid another debacle like the rollout of the also-unfinished The Life of Pablo and turned in a rough draft to make deadline. Unlike Pusha’s Daytona, which is all muscle and sinew, Ye feels like a mix of the weakest moments from The Life of Pablo.
    • 59 Metascore
    • 40 Critic Score
    Despite the extensive coordination involved in featuring so many notable guests, All Wet too often feels half-baked, with Dupieux stirring up interesting ideas only to tire of them too quickly.
    • 67 Metascore
    • 40 Critic Score
    It's a very safe affair, full of platitudes and conspicuous all-American gestures.
    • 72 Metascore
    • 40 Critic Score
    Home feels like an afterthought, the sound of Chung's craft diluted to the point where it's barely there.
    • 77 Metascore
    • 40 Critic Score
    Though Cooder's clearly singing and playing from his bleeding heart on Election Special, the results make one wish that he'd pass both his mic and his guitar back to his brain.
    • 70 Metascore
    • 40 Critic Score
    Maybe if you've heard one Green Day rock opera, you've heard them all. Anyone who owns American Idiot probably won't need its lesser twin, and those who steered clear won't come groveling for forgiveness.
    • 71 Metascore
    • 40 Critic Score
    Hard Times and Nursery Rhymes is throwback after throwback, the album where the roots-rock traditionalism that has always been the counterweight to Ness's punk modernism finally comes crushing down on the whole Social Distortion enterprise.
    • 71 Metascore
    • 40 Critic Score
    E seems to walk a fine line between triumph and disaster on every album he releases, and even if on End Times Mr. Everett falls pretty obviously over the wrong side of that line, it's as easy to blame the flop on a trick of probability than on a clear artistic trajectory.
    • 60 Metascore
    • 40 Critic Score
    Non-Fiction is just blandly lazy about developing its representation of women, like it is about everything else. That lack of specificity renders the album ironically hindered by its own overt conception: a story album unable to sustain interest as fiction, non- or otherwise.