Spin's Scores
- Music
For 4,254 reviews, this publication has graded:
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50% higher than the average critic
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3% same as the average critic
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47% lower than the average critic
On average, this publication grades 2.6 points lower than other critics.
(0-100 point scale)
Average Music review score: 70
Highest review score: | To Pimp A Butterfly | |
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Lowest review score: | They Were Wrong, So We Drowned |
Score distribution:
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Positive: 3,052 out of 4254
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Mixed: 1,147 out of 4254
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Negative: 55 out of 4254
4254
music
reviews
- By Date
- By Critic Score
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- Spin
- Posted Jun 4, 2018
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For now, we’re stuck with a record that’s both intentionally and unintentionally frustrating: A record about self-loathing where the actual remorse is absent, where its creator would insist that’s the point.- Spin
- Posted Jun 1, 2018
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The strangest and most ambitious album yet by the electronic composer and producer born Daniel Lopatin. For all its references to the past, Age Of is a distinctly 21st-century collage. ... When the Baroque arpeggios that close “The Station” enter a lockstep reminiscent of his synth-drone score for the 2017 thriller Good Time, for instance--it’s a musical thrill that renders questions about historical fidelity irrelevant.- Spin
- Posted Jun 1, 2018
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From murky ambience to noise, free jazz, and beyond, Hval deploys sounds with a careful attention to feeling, building lush collages with a strategic intent further amplified in the lyrics. While ultimately smaller and less ambitious than her previous full-lengths, The Long Sleep grasps at ideas about presence, affect, and influence, recognizing the important potential of networks of all types in the lives of all who listen.- Spin
- Posted May 29, 2018
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The album is claustrophobic and unrelenting, but also intensely exhilarating in its brevity.- Spin
- Posted May 29, 2018
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That’s the beauty of Universalists: there’s no use trying to pin it down. What’s more, doing so discredits its core thesis: music is music, plain and simple. Gat manages to capture the ecstasy of his live performance, while expanding his production and experimental practice to a global, and—dare I say—universal palette.- Spin
- Posted May 25, 2018
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In 2018, as it becomes more pressing than ever for artists to use their platforms to speak out, Love Is Dead pursues clarity, both in production and politics, with mixed results.- Spin
- Posted May 24, 2018
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Their most relaxed to date. ... Whereas the first installment of the series seemed uneasy and disjointed in its span of styles, Love Yourself: Tear’s genre-hopping sounds like the group is simply having a good time.- Spin
- Posted May 24, 2018
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Instead of sounding like a half-baked aberration or a tedious, overlong experiment, Die Lit broadcasts a refreshing and well-developed aesthetic--one that feels like Carti’s specific achievement. Its appeal feels distinctly corporeal, like it’s inducing some swag-rap equivalent of ASMR through exploring a limited and tightly EQd collection of sounds.- Spin
- Posted May 21, 2018
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Sparkle Hard is the kind of quirky and realized record made by an artist with nothing to prove.- Spin
- Posted May 21, 2018
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Parquet Courts’ ridiculously good new album Wide Awake!, is a delirious ode to the power of collectivity thinly masquerading as a gameday anthem.- Spin
- Posted May 21, 2018
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Rausch’s ambitious structure is an incomplete but laudable step forward. If Narkopop was a belated capstone on the first era of Gas, Rausch might be the first real statement of a coming second phase. And its status as second-tier Voigt doesn’t necessarily portend dire things to come.- Spin
- Posted May 18, 2018
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Across the album’s 13 exceedingly catchy yet contradictory tracks, Puth laments his success and desirability while boasting about both. ... Voicenotes feels like a step, at the very least, in the right direction.- Spin
- Posted May 18, 2018
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- Spin
- Posted May 16, 2018
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The result is an eclectic mix of tempos and moods that maintain Kozalla’s sense of whimsy without sacrificing earnestness.- Spin
- Posted May 14, 2018
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By nature the album highlights their aesthetic differences, but at no point makes a strong argument for their separation. Still, it’s a bit of an awkward listen, with each of the three discs displaying obvious charms but none following through on its promise completely.- Spin
- Posted May 11, 2018
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There’s little to be found here with the immediacy of yore, but this ends up working in the album’s favor: the more you give in to these vibes, the more the vibes give back. That goes double for Turner’s lyrics, which are playfully quotable in a manner that recalls the opaque asides of Destroyer’s Dan Bejar.- Spin
- Posted May 11, 2018
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While writing some of the most accessible music of her career, she makes fun of the assignment a bit while completing it. The maturity of her songwriting voice on Rebound is staggering, and makes her enterprise feel like an emotionally embodied exercise as well as a technical, aesthetic one.- Spin
- Posted May 9, 2018
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Beyondless is a far cry from the New Brigade immediacy that attracted fans, but it offers something perhaps much more valuable: longevity, if you’re on their side.- Spin
- Posted May 7, 2018
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The hopelessness that loomed over his prior work gives way to a sort of circumspect hope on The Horizon Just Laughed, a new sense of things working out or having the chance to, and that’s victory enough.- Spin
- Posted May 4, 2018
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Her ability to transcend her influences has always been song-to-song, and that’s true here, too. But it also feels like she is inching closer to a breakthrough: an album that fully lives up to her reputation and ambition.- Spin
- Posted May 3, 2018
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By no stretch of the imagination is Beerbongs & Bentleys a good album, but it’s admirable in its commitment to its strangely singular dirtbag vision of L.A. luxury. It isn’t consistent enough to mold Post Malone fully into the Soundcloud rap version of Ed Sheeran, but it will certainly allow him to stick around for at least a few more years.- Spin
- Posted May 2, 2018
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Grid of Points is as untidy as 2005’s Way Their Crept or 2008’s Dragging a Dead Deer Up a Hill. What’s different--and what’s key--is that in her ongoing embrace of the piano, Harris has made room in her artistry for a new sensation: the unmistakable glow of comfort.- Spin
- Posted Apr 26, 2018
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Even when the concept stumbles, parts of Vide Noir are pretty enjoyable listening anyway, like the flecks of psychedelic guitar across the title track and the filigree detail and sensual current of “Moonbeam.”- Spin
- Posted Apr 25, 2018
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Its smug, unexplored sense of intellectual superiority is pretty much all it has to offer. Musically, it’s an hourlong misallocation of the considerable resources that made a nu-metal minor classic out of 2000’s Mer de Noms.- Spin
- Posted Apr 25, 2018
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- Spin
- Posted Apr 24, 2018
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Sparrow transcends its own tastefulness, and odds are excellent you’ll find it gorgeous.- Spin
- Posted Apr 24, 2018
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It’s a commendable effort, with Cole putting himself in a creative territory to respond to critics, peers and progeny. His messages are timely despite the fact that they continue, rather than conclude, a larger conversation.- Spin
- Posted Apr 23, 2018
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- Spin
- Posted Apr 18, 2018
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Invasion of Privacy is a cohesive piece of work that demands to be heard in full, from front to back, side to side, on the pole and on the stove.- Spin
- Posted Apr 17, 2018
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