Splendid's Scores

  • Music
For 793 reviews, this publication has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 1.8 points higher than other critics. (0-100 point scale)
Average Music review score: 75
Highest review score: 100 Humming By The Flowered Vine
Lowest review score: 10 Fire
Score distribution:
  1. Negative: 20 out of 793
793 music reviews
    • 76 Metascore
    • 60 Critic Score
    Like the Austin Powers films, there's a sense that authenticity has been betrayed in some vague and troubling way.
    • 68 Metascore
    • 80 Critic Score
    Picking up where Wasp’s Nest left off, Hyacinths and Thistles finds Merritt constructing a complex sonic playground in which a host of guest vocalists have come to frolic. While the songs might initially be Merritt’s, each vocalist manages to transform each piece into something uniquely personal.
    • 77 Metascore
    • 90 Critic Score
    Without a doubt the best Elvis Costello record that Costello never recorded.... wistfully irresistible pop confections filled with effervescent melodies and clever lyrical wordplay.
    • 71 Metascore
    • 90 Critic Score
    One of the best instrumental albums you are likely to hear this year.
    • 72 Metascore
    • 80 Critic Score
    All the best songs here seem to launch from the point at which Technique left off; they have the same bounce, the same speed and many of the same hooks (especially in "Bert's Theme", "Kashmere" and "I've Got a Feeling") as that Hook-dominated New Order record.
    • 80 Metascore
    • 70 Critic Score
    While I'm thoroughly satisfied with the maturity and elegance of Silence is Sexy, I can't help but wish they'd push the sonic envelope a bit more aggressively and try to add a bit more discomfort to the listening process.
    • 85 Metascore
    • 70 Critic Score
    Though not as darkly elegant as Permutation, Supermodified is still rife with sophisticated Brazilian lounge-jazz samples and unpredictable drum'n'bass skitterings, this time augmented with more overt nods to hip-hop and Aphex Twin-style sympho-electronica.
    • 76 Metascore
    • 90 Critic Score
    This is a record in which Warren has fused elements of dance, rock, trance and folk to create exquisite pieces of crystalline future-leaning pop.
    • 67 Metascore
    • 70 Critic Score
    This is an album about technology, albeit not in the typical sense. While it wears the trappings of loungecore retro-futurism and new wave simplicity, The Geometrid has more to do with the "warmth" of technology and the increasingly essential comforts it provides.
    • 82 Metascore
    • 80 Critic Score
    It's intelligent and novel and manages to avoid sounding clichéd -- a bona fide feat these in these postmodern days
    • 84 Metascore
    • 80 Critic Score
    Expansively orchestrated, Nixon ultimately comes off as beautiful but slightly disturbing...
    • 84 Metascore
    • 80 Critic Score
    This time out, Moby manages to establish himself not only as a talented multi-instrumentalist and genre-jumper, but as someone who can write interesting songs in a variety of genres -- a point he's missed in the past.
    • 79 Metascore
    • 80 Critic Score
    Underworld's music rarely makes dull listening, even at its most linear.