Tiny Mix Tapes' Scores

  • Music
For 2,889 reviews, this publication has graded:
  • 42% higher than the average critic
  • 2% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 4.7 points lower than other critics. (0-100 point scale)
Average Music review score: 68
Highest review score: 100 Lost Wisdom pt. 2
Lowest review score: 0 America's Sweetheart
Score distribution:
2889 music reviews
    • 68 Metascore
    • 50 Critic Score
    I think a big part of the problem is the singing. The lyrics are alternately cloying and curious, and they’re sung in a pretty and formal manner.
    • 60 Metascore
    • 50 Critic Score
    A disappointment, maybe, but that’s to be expected – and shouldn’t we prefer that he want to give us something new?
    • 75 Metascore
    • 90 Critic Score
    Security is absolutely accessible, with a broad, potentially surprising appeal for those willing to listen.
    • 77 Metascore
    • 70 Critic Score
    Another quixotic, cerebral, and indispensable album from one of Canada’s great talents.
    • 64 Metascore
    • 70 Critic Score
    True, Money Mark has a typical singer-songwriter vocal presence, but lighthearted lyrics sprinkled with clever one-liners here and there do a sufficient job.
    • 80 Metascore
    • 80 Critic Score
    All of a Sudden I Miss Everyone isn’t the band reinventing themselves. Instead, you’ll have to settle for Explosions in the Sky perfecting their craft, which is nice to hear regardless of genre.
    • 65 Metascore
    • 60 Critic Score
    Sex Change will please both their fans and newcomers; in fact it might be one of the best intros to their work so far.
    • 70 Metascore
    • 50 Critic Score
    King for a Day will definitely ‘love you long time’ with its bloated tracklisting, but you’ll soon realize that the attention-getting devices are working in reverse. Sure, they’ll cause you to crook your neck and gaze curiously, but once it all comes into focus, you’re likely to move on to better things.
    • 78 Metascore
    • 80 Critic Score
    Although his rough-around-the-edges production and label affiliation suggest he is a folkie or New Weird American, his songwriting harkens back more to Tin Pan Alley than The Incredible String Band.
    • 83 Metascore
    • 70 Critic Score
    Their flutters of effects, long, frosted periods of sonic dormancy, pefectly balanced twin vocals, and general sense of space set them apart from the herd with a surety you only see in the elite.
    • 84 Metascore
    • 80 Critic Score
    While spare in its construction, Copia offers a bounty of emotion for those who give it the chance.
    • 74 Metascore
    • 80 Critic Score
    An unapologetically lovely affair that is sure to soothe the frazzled nerves of its discerning listening public.
    • 79 Metascore
    • 80 Critic Score
    Juggling potential contradictions with the greatest of ease, In Advance of the Broken Arm ushers in a new voice in rock, one that seems poised to be blazing trails for years to come.
    • 80 Metascore
    • 90 Critic Score
    The more I listen to Tones of Town, the more I can’t get it out of my head.
    • 78 Metascore
    • 80 Critic Score
    NMW works as a ‘00s update of British invasion rock and orchestral and baroque pop, just as Jeff Lynne and the boys updated those sounds for the ‘70s.
    • 65 Metascore
    • 40 Critic Score
    It’s a difficult album to love, or even like. But, for all its faults — and there are many — there is enough here to make one think that maybe, just maybe, Bloc Party are capable of making, with their third LP, the kind of challenging yet highly accessible pop album they think they’ve made here.
    • 63 Metascore
    • 50 Critic Score
    Dip
    The collages he’s created are undoubtedly lovely, but as they stand, the songs sound more like attractive opportunities for great musicality than confident realizations of it.
    • 63 Metascore
    • 50 Critic Score
    Replacing the kitschy DIY aesthetic with intentional roughness and bloating each nook and cranny with some sort of sound, what’s emphasized is its production, not its songwriting.... At the same time, however, it’s the production that makes the album somewhat interesting.
    • 68 Metascore
    • 80 Critic Score
    His choruses are instantly memorable and his word-soup lyricism easily places him in the upper echelon of intelligent emcees, somewhere between MF Doom and Dose One.
    • 65 Metascore
    • 70 Critic Score
    There’s No 666 will challenge you as much as anything you’ve heard in the last year, in both good ways and bad.
    • 72 Metascore
    • 60 Critic Score
    A generous musical vocabulary enables each song to speak with both a familiar voice and novel inflections.
    • 77 Metascore
    • 90 Critic Score
    [A] near-masterpiece.
    • 78 Metascore
    • 80 Critic Score
    Deerhoof may be more serious this time around, but the music’s still very imaginative and fun.
    • 80 Metascore
    • 90 Critic Score
    What makes these songs so positively delicious, in the same way that going on a bender can be a welcome alternative to crying into a pillow, is that Barnes realizes how seductive misery can be.
    • 78 Metascore
    • 50 Critic Score
    While Menomena’s sound has matured and their musical prowess has grown considerably, similarities between songs of old and new are unmistakable.
    • 75 Metascore
    • 70 Critic Score
    [It] finds her in fine form.
    • 67 Metascore
    • 40 Critic Score
    Chalk this one up as a failed experiment, albeit one that ups enthusiasm for explorations to come.
    • 72 Metascore
    • 50 Critic Score
    The lyrics are particularly generic, even for a pop band, and they render The Broken West’s mission obsolete.
    • 74 Metascore
    • 50 Critic Score
    An album that, much like Pinback’s 2004 full-length Summer in Abaddon, is more immediate in its appeal but suffers from repeated listens.
    • 45 Metascore
    • 70 Critic Score
    Mos Def’s third album is worth a careful listen: it’s not a happy record, and there are few, if any, genius rhymes. But it speaks volumes about the frustration and resignation of the underprivileged.