Uncut's Scores
- Music
For 11,100 reviews, this publication has graded:
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50% higher than the average critic
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5% same as the average critic
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45% lower than the average critic
On average, this publication grades 1.1 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
Highest review score: | Miles Davis at Newport: 1955-1975 The Bootleg Series, Vol. 4 | |
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Lowest review score: | Let Me Introduce My Friends |
Score distribution:
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Positive: 8,188 out of 11100
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Mixed: 2,838 out of 11100
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Negative: 74 out of 11100
11100
music
reviews
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- Critic Score
The big swings taken here serve them just as well as the coiled intensity of their first releases. [Jun 2021, p.27]- Uncut
Posted May 5, 2021 -
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It does feel [like] a somewhat softer collection than its predecessor. [Feb 2012, p.84]- Uncut
Posted Feb 13, 2012 -
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Posted Sep 25, 2014 -
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Posted May 18, 2017 -
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The 11 original compositions here are full of warm compassion and ripe wisdom. [Sep 2020, p.27]- Uncut
Posted Aug 19, 2020 -
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It's evolution not revolution, putting its author's sound deeper into her own context. [Aug 2020, p.32]- Uncut
Posted Jul 13, 2020 -
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The whole is a total joy, a triumphant demonstration if the virtues of the music celebrated in the rollicking "It Came From The South." [Sep 2018, p.29]- Uncut
Posted Aug 13, 2018 -
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Transience might just be his late-career peak--a deliciously sour, sarky and occasionally moving study of modern life and his place in it. [Jun 2019, p.37]- Uncut
Posted May 30, 2019 -
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Posted May 11, 2023 -
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Plenty of musicians have subsequently tried to channel that weirdness. Rose, though, always seemed to explore ancient territory with vigour and good humour on his records - and Luck In The Valley, his last, is one of the best.- Uncut
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If you lost touch with Cowboy Junkies some time ago, perhaps taking their unhurried grandeur for granted, All That Reckoning presents a brave, beautiful and timely opportunity to pick up the thread. [Sep 2018, p.24]- Uncut
Posted Jul 19, 2018 -
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Though occasionally guilty of easy-listening tastefulness, the Haikus rarely sound less than gorgeous. [Oct 2021, p.28]- Uncut
Posted Sep 14, 2021 -
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It is short--just over 30 minutes--but it feels sprightly and substantial. [Oct 2015, p.84]- Uncut
Posted Aug 27, 2015 -
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Opener "diaphanous" appropriately shimmers, its murmured refrain like a private pep talk as the song builds around it. [Sep 2020, p.31]- Uncut
Posted Aug 3, 2020 -
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Posted May 10, 2017 -
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An American oddball, for sure, but one to treasure. [Jan 2002, p.146]- Uncut
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With his delivery having reached comfortable cruising altitude, this is an effective reminder of what success is about--leaving the hustle behind. [Jan 2008, p.91]- Uncut
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Severant works better than you'd think, and at its best it is breathtaking. [Jan 2012, p.90]- Uncut
Posted Dec 12, 2011 -
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Off-kilter chamber pop telling ear-pricking tales: worth staying in for. [May 2021, p.31]- Uncut
Posted Apr 14, 2021 -
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Posted Jun 18, 2021 -
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Six albums in and The Icarus Line remain terrifying, riding a tsunami of malevolent noise, sweat and havoc while producing some of the most intense and exceptional rock music around. [Oct 2013, p.70]- Uncut
Posted Sep 5, 2013 -
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There is something about this music that is warming, aqueous, immersive and endlessly engaging. [Mar 2024, p.18]- Uncut
- Posted Mar 20, 2024
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Whether deployed as a meditation aid or an object for more focused listening, Lovegaze succeeds handily. [Jan 2024, p.31]- Uncut
Posted Jan 12, 2024 -
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10 songs that glint like shards of glass yet brim with love, grief, courage, existential doubt and all the stuff that makes us human, to a soundtrack of grungy alt.rock cut with torch-song melodrama and Lenker-ish folk. [Sep 2023, p.27]- Uncut
Posted Aug 16, 2023 -
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Huge, head-rushing opener “Happy New Year” and sad banger “Hall Of Mirrors” exemplify the giddy “new” LEG, while the country-folk “Sunday”, powerfully harmonised “Strange Conversations” and Angel Olsen-ish title track are maturations of their earlier sounds. [May 2022, p.30]- Uncut
Posted Mar 31, 2022 -
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We Have Band seldom make things look easy--and sees them achieve a kind of punk-funk perfection, regardless of fashion. [May 2014, p.81]- Uncut
Posted May 29, 2014 -
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These 10 tightly wound, mystical mini-epics are underpinned by Jared Tankel's precision horns, and Brian Profilio, whose John Bonham drums bring the black country rock. [May 2019, p.24]- Uncut
Posted Apr 12, 2019 -
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Posted Jun 7, 2019 -
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In an angry, impatient world it takes real dedication to carve out space for music this blissful. [Oct 2019, p.33]- Uncut
Posted Sep 9, 2019 -
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Any spiritual ecstasy on offer here appears to be of a more private kind, although no doubt offering a glimpse of the divine to believers. On other listeners, particularly those unfamiliar with Sanskrit and either ignorant or dismissive of the belief system of which these songs are an expression, its effects will be less certain. But the longer you listen, the more you’re drawn in and the less aesthetically confining the music’s self-imposed restraints seem. [Aug 2021, p.36]- Uncut
Posted Jul 22, 2021 -
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Admonitions remains a fiery testament to Endless Boogie’s creative rejuvenation. And while this instalment of the saga may end with that imaginary action hero looking like a far cry from his usual condor self, don’t be fooled – he’s just saving it for the sequel. [Dec 2021, p.28]- Uncut
- Posted Dec 16, 2021
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A lively, impassioned record that proudly eschews convention and celebrates its outsider roots. [Apr 2022, p.31]- Uncut
Posted Mar 2, 2022 -
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If these [tracks] feel like throwbacks, they're no more so than Norah Jones' best work, and there's nonetheless something timeless about the breezy "While You Were Sleeping" and, with its chugging guitars, "Lovesick". [Oct 2023, p.29]- Uncut
Posted Sep 7, 2023 -
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- Critic Score
For what keeps Field Songs on the right side of unyielding darkness, what keeps it ringing with an affirming note of beauty, is the certain knowledge that however black it gets, "the sun's about to rise."- Uncut
- Posted Jul 12, 2011
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Primrose Green is disorientating, casting new light on modes you thought you knew well. [Apr 2015, p.65]- Uncut
Posted Mar 17, 2015 -
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The 20-year-old punctuates beautifully languid, trip-hoppy vignettes with a voice redolent of Martina Topley-Bird and a neat line in spoken word poetic musings. [Feb 2021, p.32]- Uncut
Posted Jan 25, 2021 -
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Cheat Codes finds Danger Mouse rolling with a new lyrical foil and this one feels like it could run and run. [Sep 2022, p.22]- Uncut
- Posted Aug 10, 2022
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Funny, and--beneath the psych flourishes--quietly devastating. [Jun 2012, p.93]- Uncut
Posted May 31, 2012 -
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Ambarchi and O'Rourke bed their extended compositions down in richer tones, with glassing electronic hums and roiling organs moving on shifting sands. [Apr 2015, p.71]- Uncut
Posted Mar 12, 2015 -
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Debris is an astonishing debut, not just for the power of the songs, but for the journey that they trace. [Feb 2020, p.34]- Uncut
Posted Jan 16, 2020 -
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His spacious and captivating 2020 LP Alexandra felt like a breakthrough in this respect; Fleeting Adventure is even better.- Uncut
- Posted Aug 1, 2022
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Impressively, in a nod to Avery's crowd-pleasing and circuit-bending skills, this is a techno album that seldom sags. [Nov 2013, p.65]- Uncut
Posted Oct 8, 2013 -
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Posted Nov 23, 2016 -
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Delivers intimately detailed tales set to hushed arrangements. [Sep 2023, p.37]- Uncut
Posted Jul 17, 2023 -
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Despite his melancholy rep, Lekman's rarely sounded sunnier. [Mar 2017, p.32]- Uncut
Posted Feb 3, 2017 -
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Jara's story gives a dramatic, yearning quality to the libretto that suits Bradfield's epic style, and allows a sense of unity to emerge through individual songs. [Sep 2020, p.27]- Uncut
Posted Aug 12, 2020 -
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Posted Jul 28, 2011 -
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A subtle, unshowy set it may be, but Toumani & Sidiki shows that this particular family affair will endure... perhaps for another 70 generations. [May 2014, p.75]- Uncut
Posted May 1, 2014 -
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His style is scraggly yet sophisticated, ranging boldly from country drones to rambunctious rural ragas. [Oct 2016, p.26]- Uncut
Posted Sep 8, 2016 -
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The underlying sense given off by the LP's inventive chord changes, soaring melodies, eloquent language and silky vocals--notably on the rhapsodic "Semaphore" and "Flight"--is that of a 21st century Joni Mitchell. [Oct 2016, p.31]- Uncut
Posted Sep 16, 2016 -
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Posted Mar 28, 2022 -
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Live At Goose Lake is messy, thrilling and utterly unhinged. In other words, it's The Stooges at their best. [Sep 2020, p.44]- Uncut
Posted Aug 7, 2020 -
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These songs often sound like Broadway-style miniatures tilted at strange angles. [Feb 2021, p.30]- Uncut
Posted Jan 15, 2021 -
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Bowles' music is rarely less than seductive, the product of both a gifted multi-instrumentalist and restless cultural forager. [Nov 2018, p.26]- Uncut
Posted Dec 13, 2018 -
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Jain often subverts the placid mood with playful details, like the fractalised vocals that fill "Our Touching Tongues" or the synth arpeggios that add a sprightly energy throughout. [Apr 2024, p.35]- Uncut
Posted Apr 25, 2024 -
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As the LP continues, you are progressively engrossed. [Oct 2015, p.84]- Uncut
Posted Sep 16, 2015 -
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Posted May 30, 2017 -
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Posted Nov 27, 2018 -
- Critic Score
Cray's oft-overlooked voice croons with rare tenderness over the Bobby "Blue" Bland cut "You're The One," and there's a spiky funk to Don Gardner's "My Baby Likes To Boogaloo." But Cray's own compositions are just as striking. [Apr 2020, p.26]- Uncut
Posted Feb 27, 2020 -
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Touched by sadness but tinged with hope, this is a masterful album on which the sound of tradition is rendered vital and visceral in a very present sense. [Oct 2020, p.33]- Uncut
- Posted Sep 4, 2020
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It’s a story as old as Pet Sounds, but one that bears repeated re-telling. [Jul 2021, p.31]- Uncut
Posted Jun 17, 2021 -
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There's no revolutionary do-over taking place here, just solid, reliable indie rock from a songwriter who knocks it out with what's bordering on flippant ease. [Apr 2022, p.28]- Uncut
Posted Mar 2, 2022 -
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Posted Jul 11, 2023 -
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Posted Nov 20, 2023 -
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While the album is packed with inventive moments, there's no more lacerating skronk, for a very good reason: the emotions the band is mirroring don't call for it. [Oct 2011, p.82]- Uncut
Posted Sep 23, 2011 -
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He's a poet of the everyday, finding outsized emotions within these life-sized tableaux. [Dec 2018, p.28]- Uncut
Posted Oct 31, 2018 -
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Sexsmith's soulful voice, mixed with simple guitar strums and sweet harmonies, especially in the delicate yet incredibly intense closer, "Ever Wonder", pushes style, composition and existence into a timeless adventure. [Mar 2023, p.35]- Uncut
Posted Feb 21, 2023 -
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Even when they slow up, the quality doesn't let up. [Sep 2008, p.100]- Uncut
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Weathervanes is another imperious demonstration of Isbell's signature ability to simultaneously project confidence and vulnerability, both musically and lyrically. [Jul 2023, p.32]- Uncut
Posted Jun 5, 2023 -
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Mastodon mostly veer clear of the slick atmospherics that turn other technical metal bands into post-rock wallpaper. [Oct 2006, p.117]- Uncut
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Blue & Lonesome feels like a major reassessment from a band, returning to the source and in doing so reminding us why they mattered in the first place. [Jan 2017, p.26]- Uncut
Posted Nov 22, 2016 -
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More subdued yet equally captivating follow-up. [Oct 2019, p.24]- Uncut
Posted Aug 26, 2019 -
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Across this record, you could spend days unravelling the songwriting. [Nov 2019, p.22]- Uncut
Posted Oct 16, 2019 -
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Teen Dream finds the duo resolving to present their songs in somewhat firmer strokes. Nothing rocks, exactly, but organs coo in sharper focus, drum machines bear with added vigour, and an eerie disquiet occasionally linger. [Feb 2009, p.79]- Uncut
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Not since Lennon howled "Mother" have there been songs as naked and fraught as "Mama Here, Mama Gone" and "March 11 1962." [Jun 2010, p.88]- Uncut
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Nashville is clearly a home away from home, though, as this set from September 2008 proves. [Jul 2011, p.92]- Uncut
Posted Jun 3, 2011 -
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Head Above The Water is a triumph of sensitivity, as Power's exquisite voice gives shape and contour to folk-centric songs that assimilates elements of country, jazz and experimental drone. [Jul 2020, p.33]- Uncut
Posted Jun 4, 2020 -
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Nine Types Of Light suggest they're settling in nicely. [May 2011, p.78]- Uncut
Posted Apr 12, 2011 -
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While somewhat novelty, it's hard not to appreciate Daniel's conceptual moxie. [Aug 2014, p.79]- Uncut
Posted Jun 26, 2014 -
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Her most orthodox album, perhaps, and by some distance her best. [Dec 2013, p.68]- Uncut
Posted Nov 20, 2013 -
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Warm, uplifting and fizzing with both passion and virtuosity, Rejoice is not only a fitting last will and testament from Masekela, but a glorious affirmation of music at its most potent and universal. [May 2020, p.22]- Uncut
Posted Mar 26, 2020 -
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The thrill it provides will send a shiver of recognition through anyone who grew up with The Specials, The Smiths or Parklife. [Album of the Month, March 2006, p.86]- Uncut
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Lennox and Kember create breezy sonic collages of sunshine melody, fluidly chugging rhythms and fizzing analogue synths without succumbing to full retro-jukebox pastiche. [Sep 2022, p.29]- Uncut
Posted Aug 9, 2022 -
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Posted Jul 8, 2014 -
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It finds its sound in glowing electric waltzes, piled high with massed guitars and sawing fiddles, that take up a riff and grind it into extinction. Not to be missed, though, is their skill for softer atmospheres. [Jun 2021, p.27]- Uncut
Posted Apr 20, 2021 -
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An LP of spooked delicacy and wheezy, wayward charm. [Jun 2003, p.104]- Uncut
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Unsurprisingly, American V is the most desolate of the series, bereft of the moments of playfulness that leavened its predecessors. [Aug 2006, p.92]- Uncut
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Growls and blast-beats come decorated with guitar work that explores scale after scale of diabolical pleasures. [Aug 2008, p.101]- Uncut
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For now, we should simply savour the sound of an artist setting herself new targets and hitting each one with real panache. [Oct 2011, p.78]- Uncut
Posted Sep 9, 2011 -
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Posted Mar 6, 2015 -
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All told, it's an awful a lot to listen to, but the scope is majestic, the ambition outrageous and the music magnificent. [Jun 2015, p.72]- Uncut
Posted Apr 29, 2015 -
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Posted Jun 8, 2015 -
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If anything, this is more consistent and satisfying record, one that emphatically places her at the forefront of modern roots music. [Nov 2015, p.72]- Uncut
Posted Sep 25, 2015