Uncut's Scores
- Music
For 11,099 reviews, this publication has graded:
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50% higher than the average critic
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5% same as the average critic
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45% lower than the average critic
On average, this publication grades 1.1 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
Highest review score: | Miles Davis at Newport: 1955-1975 The Bootleg Series, Vol. 4 | |
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Lowest review score: | Let Me Introduce My Friends |
Score distribution:
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Positive: 8,187 out of 11099
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Mixed: 2,838 out of 11099
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Negative: 74 out of 11099
11099
music
reviews
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- Critic Score
A grandiose power metal pomposity that marshals such gusts of keyboard and flowery, Yngwie Malmsteen guitar duelling it basically feels like a climax strung out over 60 minutes; epic in short bursts, slightly tiring in the long haul. [Nov 2008, p.92]- Uncut
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- Critic Score
The pulse of the blues still beats deep in his soul but the emphasis here is on Taylor's poetic sensibility on an emotionally charged set of songs loosely dealing with the darker side of the human heart. [Sep 2009, p.96]- Uncut
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- Critic Score
While Chain Gang Of Love only lasts 33 minutes, it still outstays its welcome. [Sep 2003, p.100]- Uncut
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- Critic Score
Half of this curious but at times compelling collaboration set lyrics from old songs to new tracks--though not always to their benefit. [Oct 2013, p.62]- Uncut
Posted Sep 12, 2013 -
- Critic Score
Songs such as "Bad Timing" and "Leave It" sound pleasingly full as a result, although it's at the expense of some of the intimacy that was arguably the band's best quality. [Sep 2011, p.81]- Uncut
Posted Aug 26, 2011 -
- Critic Score
The album is reliant on the Scene's female associates--like Lisa Lobsinger on the lovely Moroderish cosmic disco of "All To All"--to bring character to whtat remain some pretty hazy jams. [Jun 2010, p.83]- Uncut
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- Critic Score
There's a sense that it trawls the finest moments of his 15-year carreer. [Jul 2009, p.93]- Uncut
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- Critic Score
Under the bluster, though, frontman Ritzy Bryan adds a consistent emotional intensity best heard on "Cradle," reminiscent ofg Lush at their most bruised and bruising. [Mar 2011, p.93]- Uncut
Posted Feb 14, 2011 -
- Critic Score
The result is Roots Manuva's most purely pleasurable long-player. [Oct 2010, p.105]- Uncut
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- Critic Score
Their fourth LP together sees them ditch the punky uptempo tracks and instead wallow in mournful, funereal meditations that don't leave White with much to do. [Dec 2019, p.35]- Uncut
Posted Nov 11, 2019 -
- Critic Score
The songs are often guilty of bloated bombast, but Numan retains an impressive command of cinematic melodrama and richly layered sonic detail. [Jul 2021, p.33]- Uncut
Posted May 28, 2021 -
- Critic Score
Young Blood is far darker than 2020’s soulful El Dorado. “Blood On The Tracks”, which chugs along behind a swampy, cowbell-accented groove, provides relief from the monolithic heaviness, which becomes enervating on the generic “Hard Working Man”. [Sep 2022, p.26]- Uncut
Posted Aug 24, 2022 -
- Critic Score
It's essentially Clark in all his acoustic finery. [Nov 2011, p.96]- Uncut
Posted Oct 18, 2011 -
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Eventually, the unrelenting aggressiveness of Typhoons becomes exhausting; better to ignite a playlist by tossing in one of these potent cherry bombs. [Jun 2021, p.31]- Uncut
Posted Apr 29, 2021 -
- Critic Score
Affairs of the heart dominate Batmanglij's lyrics which, when combined with his unfeasibly Christmassy production across all 15 tracks, tends to leave the listener gasping for air. [Oct 2017, p.39]- Uncut
Posted Sep 7, 2017 -
- Critic Score
It's hard to really connect with most of In A Dream; not only does it play through as tirelessly, tiringly arch, many of the songs just don't quite cut it. [Nov 2014, p.76]- Uncut
Posted Sep 25, 2014 -
- Critic Score
Although brass and strings add muscle, a certain monotony creeps in towards the end. And there aren't enough strong tunes from the least melodically facile Beatle. [Dec 2002, p.134]- Uncut
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- Critic Score
It's familiar territory for the mercurial Jon Langford and company, perhaps punk's most persistent ideologues. [Oct 2011, p.93]- Uncut
Posted Sep 23, 2011 -
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It's edgeless, overly polite, and arranged within an inch of its life. There's little room to move. [Apr 2015, p.71]- Uncut
Posted Apr 16, 2015 -
- Critic Score
Once you get over the initial shock of Kelis' raw-throated take on country-rock on "Friday Fish Fry," the culinary theme becomes another ingredient that never quite blends into a tasty dish. [May 2014, p.76]- Uncut
Posted Apr 15, 2014 -
- Critic Score
It has its charms.... but the naivety of their debut remains elusive. [Nov 2014, p.84]- Uncut
Posted Sep 25, 2014 -
- Critic Score
The chilly disco-noir aesthetic of early 1980s synth-pop provides the musical hinterland, all monophonic squelch and analogue modernism. [Aug 2008, p.85]- Uncut
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Posted Jan 22, 2019 -
- Critic Score
Sprout can get a little too earnest - greater distance might, perhaps counterintuitively, make these songs more globally affecting - but he's still a great pop writer. [Oct 2020, p.36]- Uncut
Posted Sep 21, 2020 -
- Critic Score
Despite a few interesting textures, New Blue Sun never really takes flight. [Jan 2024, p.25]- Uncut
Posted Dec 8, 2023 -
- Critic Score
Virtually every song repeats the same trick, as the fervent but tuneless bark of singer Ellery Robert begins to grate. {Aug 2011, p.107]- Uncut
Posted Jul 28, 2011 -
- Critic Score
If you've already worn out your copy of "Stay Positive," this is surely your next stop. [Jan 2008, p.94]- Uncut
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- Critic Score
Swift guides Jurado through the sub-Spectorisms of "Arkansas" and "Throwing Your Voice" with a sensitive touch. [Jun 2010, p.96]- Uncut
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- Critic Score
For the most part, tired melodies and banal lyrics make for a disappointing collection. [Feb 2012, p.83]- Uncut
Posted Jan 20, 2012 -
- Critic Score
It's not always successful, but if the thrilling likes of "Lead Sister" and "Renegade Breakdown" constitute a fresh start, we'll take it. [Nov 2020, p.28]- Uncut
Posted Sep 25, 2020