Village Voice's Scores

For 764 reviews, this publication has graded:
  • 47% higher than the average critic
  • 3% same as the average critic
  • 50% lower than the average critic
On average, this publication grades 5.1 points lower than other critics. (0-100 point scale)
Average Music review score: 68
Highest review score: 100 The Naked Truth
Lowest review score: 10 God Says No
Score distribution:
  1. Negative: 48 out of 764
764 music reviews
    • 57 Metascore
    • 60 Critic Score
    What lots of people loved about "Push" isn't much in evidence here, but neither is what lots of people hated about it.
    • 56 Metascore
    • 60 Critic Score
    Left unasked is the question of whether you needed that-the bondage theme, the 10-octave tantrum, the synth war, all of that-but don't expect the rest of her new album, Bionic, to inquire, either.
    • 55 Metascore
    • 50 Critic Score
    Calculated space-age power rock.
    • 54 Metascore
    • 50 Critic Score
    The result is so robotic in its attempt to jolt every single pleasure center every single second that any twist of human joy, lust, awareness, or reflection is assimilated into its brittle, crunky Borg cube.
    • 53 Metascore
    • 60 Critic Score
    Good Charlotte have hooks for days and the fun, gloomy Life and Death sounds like a moody missing link between Fountains of Wayne and Thrice.
    • 53 Metascore
    • 50 Critic Score
    The album plays to the band's strengths, but there's simply nothing here as catchy as "My Way" or as infectiously fun as "Break Stuff."
    • 52 Metascore
    • 40 Critic Score
    Confused rock and r&b conceits wander into onrushing 16-wheelers of c&w—barbershop quartet-ish background vox, crisp git-fiddle plucks, lyrics equal parts syrup and cheer. The tightrope he's walking is dental floss, but he still leans into every note.
    • 52 Metascore
    • 60 Critic Score
    Hamilton's vocals are occasionally plotted now with pronounced melodies, which is nice. But his strikingly affectless, prep-school delivery is abandoned in favor of a gritty, generic bark.
    • 52 Metascore
    • 40 Critic Score
    Sexuality doesn't sink 20 Y.O. as much as the beats do.
    • 52 Metascore
    • 60 Critic Score
    The patchwork of styles thrown around here distracts you from the album's strengths.
    • 51 Metascore
    • 40 Critic Score
    Padded with medleys and between-song skits, hampered by a demonstrable lack of both personality and hooks, it's craven, depressing, and irresistible all at once.
    • 51 Metascore
    • 60 Critic Score
    To really care about this album you have to be able to get into the pure hard sounds of the dance-track percussion and the way Michael tends to garnish them with his voice.
    • 51 Metascore
    • 40 Critic Score
    Most tracks trade impact for cheesy hooks, skittery beats, and rudimentary keyboard riffs that can't help but evoke that jiggly seizure-type shit Puffy's dancers were big into a few years back.
    • 51 Metascore
    • 50 Critic Score
    Much of the music bears little resemblance to the down-tuned chug-and-glug found on the band's early records.
    • 50 Metascore
    • 50 Critic Score
    Winning Days is still more interesting than any album by obvious progenitors Oasis because the good parts come up at the most random moments--spontaneous solo here, appealing harmony there.
    • 48 Metascore
    • 40 Critic Score
    A lot of its songs are ballads that ooze sap like an abandoned sponge.
    • 48 Metascore
    • 60 Critic Score
    It's zany, antiseptic kitsch, like the soundtrack to the ultimate Old Navy commercial.
    • 47 Metascore
    • 40 Critic Score
    Take Foxy Brown's (belated) fourth album, Brooklyn's Don Diva, as the latest missed opportunity.
    • 47 Metascore
    • 60 Critic Score
    Impeccably made, hedonistic, lovelorn, catchy, compelling. But spiritual, messianic, visionary? Not by a long shot.